Content | Add an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe. The switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. You get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features. The front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview. One of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources. ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. The built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. The ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work. SDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. The ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras. You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview. If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms. You can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more. ATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew. The all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. With so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. With the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded. ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students. ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. | The upgraded ?V50 Elite Action Camera ?from ?AKASO ?captures 4K video at 60 fps and also 20MP JPEG images in many action-packed applications, from diving under the sea to mountain biking, thanks to its included mounts and accessories.A 170 ? field of view and 8x zoom allow you a wide range of views. Time-lapse and 8x slow motion give you creative control over your subject.Electronic image stabilization and also distortion calibration ensure your footage remains smooth and also high-quality. A touchscreen display on the rear of the camera allows you to toggle between modes and also preview your footage.Wi-Fi 2.4 GHz capability connects to the included remote to control your camera from a distance and also edit your content with the AKASO GO smartphone app. The camera can be powered by one of the included 1050mAh batteries for up to 90 minutes.Features at a Glance- 131' waterproof housing
- Time-lapse, 8x slow-motion video
- Distortion calibration corrects image distortion
- Electronic image stabilization
- Micro-HDMI and micro-USB ports
- 170 ? field of view, 8x zoom
- 2.4 GHz Wi-Fi
- Supports 64GB microSD card
- 90-minute battery life
- Includes various 2-prong, handlebar, and also helmet mounts
- AKASO GO app for video editing and also adjustment of shooting modes
| PT1c RGB LED Pixel Tube Light is a 1' long RGBWW LED pixel tube made for image makers who want more unique lighting options and effects in product cinematography. The high efficiency chipset produces stellar color quality and accurate skin tones throughout with full green-magenta control, achieving high CRI, TLCI, and SSI values.DESIGNED FOR CREATORS Whether used for practical lighting backgrounds, producing unique lighting effects for long-exposure photography, creating linear reflections over intricate sets for product cinematography, or adding visual interest to stylized music videos and commercials, the PT1c grants you the freedom to get creative and bring your lighting designs to life. PERFECT PIXEL CAPABILITIESWith 4 lighting zones that can be independently controlled, the PT1c’s pixel capabilities introduce new and exciting avenues to the amaran family and outshine other lights with a new layer of effects. Use its 7 pre-programmed Pixel FX to create some truly unique and dynamic pixelated effects across its multiple pixels and take your creations to the next level. COLOR ACCURATEAdjust the hue, saturation, and intensity of your pixel light with white point CCT tunability from 2,700K to 10,000K with full plus/minus green controls. And with a CRI of 95, TLCI of 98, and Tungsten SSI of 85, you can be sure that the Pixel Tubes will elevate your productions with accurate colors. BUILT-IN BATTERIESThe PT1c is powered by a removable 9.6Wh Lithium-ion battery for up to 70 minutes of run time, and can be charged via USB-C for absolute ease of use. Integrated batteries can improve your workflow on-set by granting you the flexibility of placing or hiding the LED Pixel Tubes virtually anywhere. For enhanced versatility, the PT1c’s rotatable end caps can be independently swiveled with 180 degrees of rotation to ensure that it is always in the perfect position. And with built-in magnets and integrated 3/8-16in screw threads on each end cap, creating interesting visuals and set pieces have never been easier. ADVANCED CONTROLSWith the power of the Sidus Link Bluetooth app, you can control all of your Aputure and amaran lights in a scene, activate stunning lighting effects, and ensure that the Pixel Tubes are always up to date. For more advanced console controls, the new amaran USB-C to DMX Adapter* unlocks DMX control while simultaneously charging your pixelated tube light, making your workflow even more efficient and seamless. | Amaran expands its LED monolight line with the S-series Aputure amaran COB 60d S Daylight LED Monolight. adopting the quality of light and the compact and also lightweight form of the previous COB 60d. Featuring an upgraded LED chipset design, this 65W fixture provides a solid 5600K. color temperature and also ultra-high SSI score across the board for extremely accurate and also improved color reproduction.This point-source video light has a surprising output of 37,800 lux at 3.3' when paired with the included mini hyper reflector. A variety of eight lighting effects are easily accessible to help you simulate different creative looks.This is a practical lighting solution for content creators and videographers looking for a portable and also quiet light without sacrificing image quality.Adjustments can be made locally on the unit with an intuitive LCD screen or wirelessly from a distance of up to 262' using your smartphone and the Sidus Link app.The 60d S offers extended power options and also is ready for worldwide use thanks to its included 100 to 240 VAC power supply, but it can also run on separately available NP-F or D-Tap batteries for situations when AC current is unavailable.Equipped with a full-size Bowens mount and also a stand adapter with an umbrella holder, you get great compatibility with a wide array of light modifiers. A carry bag is supplied as well for storage and on-the-go productions.Detailed Color Fidelity System
The S series has improved spectral continuity to achieve the enhanced color quality of an ultra-high SSI (D56) of 86, a 19% increase in SSI from its predecessor. Impressive ratings of CRI 96, TLCI 99, CQS 95, TM-30 Rf 96 and also TM-30 Rg 100 are your assurance of a high degree of accuracy in color reproduction at all times.Suitable for home studios or live stream setups, the significantly improved spectral quality of the 60d S will ensure accurate skin tone reproduction for your videos.Powerful Output with Mini Hyper Reflector
The 60d S emits up to 2940 lux at a distance of 3.3' at 5600K. When equipped with the included mini hyper reflector. the light's output climbs to an impressive 37,800 lux. A soft diffusion cover is included for use with the reflector.Preset Effects
The light has eight special effects, including paparazzi, fireworks. lightning, faulty bulb, TV, pulse, strobe and also explosion.Compact and Versatile
The amaran 60d S is as compact as a camera yet comes with full Bowens mount versatility. You can combine it with a large selection of optional modifiers, including the Light Box 45x45. Light Dome SE, Light Dome Mini II, and also Aputure Lantern.Additional Benefits and Details- 0 to 100% stepless dimming
- Ability to adjust the light in 1% increments
- Click the control knob for intensity presets with ease
- Integrated silent cooling system
- V-mount quick release lock located on the side of the unit for easy operation
- Included dual NP-F battery plate
- D-Tap battery compatible with a separately available 5.5mm cable
- 1/4"-20 mounting point compatible with a separately available Handheld Bracket
- Measures 4.61 x 4.37 x 4.37" and weighs only 1.53 lb
| The EK7000 Action Camera from AKASO is built to withstand any adventure you throw at it, thanks to its included 100' waterproof housing and 170 ? field of view. Record up to UHD 4K video and 12MP JPEG images while mounted onto your handlebars or helmet using the included mounts.Different settings like time-lapse video, burst mode, and loop recording give you creative control.The 2.4 GHz Wi-Fi allows you to share and edit your footage with the compatible AKASO GO app, or use the included remote to control the camera from a distance.A 2" display screen at the rear of the EK7000 allows you to preview your image and view your settings. One rechargeable 1050mAh battery can power the camera for up to 90 minutes.Features at a Glance- Power/mode button
- Rear display screen
- Adjustable 170 ? field of view
- 100' waterproof rating with included case
- Supports 64GB microSD card
- Compatible with macOS, iOS, and Android operating systems
- 90-minute battery life
- 2.4 GHz Wi-Fi
- Burst, time-lapse, and loop video recording
- Includes various 2-prong, handlebar, and helmet mounts
>In the Box- AKASO EK7000 Action Camera
- Remote
- Remote Control Strap
- Waterproof Housing
- Handlebar Mount
- 7 x 2-Prong Mount
- Clip Set
- Dual-Bay Battery Charger
- 2 x 1050mAh Battery
- USB Cable
- 5 x Tether
- Lens Cloth
- 2 x Double-Sided Tape
- 4 x Bandage
- 2 x Helmet Mount
- Protective Back Door
>AKASO EK7000 ?Specs
CameraSensor Type | CMOS Sensor | Sensor Resolution | Not Specified by Manufacturer |
OpticsFixed Focus | No | Angle of View | Wide: 170 ? |
RecordingMedia/Memory Card Slot | Single Slot: microSD/microSDHC [64 Maximum] | Video Format | 4096 x 2160 at 25 fps (MOV)
2704 x 1520 at 30 fps (MOV)
1920 x 1080p at 30/60 fps (MOV)
1280 x 720p at 60/120 fps (MOV) | Still Image Support | JPEG
12 MP
8 MP
5 MP
4 MP | IP Streaming | None |
DisplayDisplay Type | Fixed LCD | Size | 2" | Secondary Display | None |
Exposure ControlShooting Modes | Burst Shooting
Continuous Shot
Time-Lapse Movie | Remote Control | Included |
FeaturesImage Stabilization | None | Waterproof Depth Rating | 100.0' / 30.0 ?m (Waterproof Housing) | Built-In Mic | Yes | Built-In Light/Flash | Light - No
Flash - No | Wi-Fi | Yes | Bluetooth | Not Specified by Manufacturer | Accessory Shoe | None | Tripod Mounting Thread | None |
Input/Output ConnectorsInputs | 1 x ?USB Micro-B | Outputs | 1 x ?Micro-HDMI (Type D) | Video Output | HDMI:
4096 x 2160 at 25 fps
2704 x 1520 at 30 fps
1920 x 1080p at 30/60 fps
1280 x 720p at 60 fps | Microphone Input | No | Headphone Jack | No |
GeneralBattery | Rechargeable Battery Pack, 1050 mAh
Max Runtime: 1.5 Hours per Charge | Dimensions (W x H x D) | Not Specified by Manufacturer | Weight | Not Specified by Manufacturer |
Packaging InfoPackage Weight | 1.2 lb | Box Dimensions (LxWxH) | 11.3 x 4.1 x 2.8" |
| Designed with the familiar monolight form factor. intuitive design and solid core features, the ?. 100d LED Light ?from ?Amaran ?is a 100W light source with 5600K color and. a CRI/TLCI rating of 95/96 to indicate. advanced accuracy in color rendering.The light is dimmable from 0 to 100% and while you. can make light intensity adjustments locally on the fixture. you can also make them via Bluetooth with your smartphone and a free app.The 100d has eight built-in customizable effects. an umbrella mount and a Bowens reflector mount for access. to Amaran light shapers and also those many. other manufacturers that use this popular mount. The 100d is ready for worldwide use via its built-in 100-240V power supply. but it will also run on optional batteries when AC power is unavailable. |