Content | Add an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe. The switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. You get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features. The front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview. One of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources. ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. The built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. The ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work. SDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. The ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras. You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview. If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms. You can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more. ATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew. The all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. With so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. With the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded. ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students. ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. | The ?AKASO Brave 7 LE Action Camera ?captures the same high-quality 4K video at 30 fps and 20MP still images as the Brave 7, but with an IPX7 rating and included 131' waterproof housing for increased underwater capabilities. An adjustable 170 ? field of view, along with time-lapse and slow-motion video, ensures you don't miss any of the action.Six-axis electronic image stabilization and distortion correction ensures the footage you capture is high quality and smooth.The Brave 7 LE has two color screens, a larger touchscreen in the rear and a smaller screen at the front, for toggling between modes and previewing your footage. Wi-Fi 2.4 GHz capability allows you to control the camera with the included remote and edit your content by connecting to the AKASO GO smartphone app.The camera can be powered by one of the included 1350mAh batteries for up to 90 minutes.Features at a Glance- 131' waterproof depth with housing, IPX7 rating on the camera
- Time-lapse, slow-motion video
- 1/4"-20 thread for mounting
- Micro-HDMI for direct connection to a TV display; micro-USB port
- Distortion calibration corrects image distortion
- Wind noise reduction enhances audio performance
- Adjustable 170 ? field of view
- Six-axis electronic image stabilization
- Dual color screens
- AKASO GO app for video editing and adjustment of shooting modes
- Wi-Fi 2.4 GHz
- Supports 64GB microSD card
- 90-minute battery life
- Includes various 2-prong, handlebar and helmet mounts
>In the Box- AKASO Brave 7 LE Action Camera
- Waterproof Housing
- Remote
- Remote Control Strap
- 2 x 1350mAh Battery
- Dual-Bay Battery Charger
- Handlebar Mount
- 7 x 2-Prong Mount
- 2 x Helmet Mount
- 2 x Double-Sided Tape
- USB Cable
- 5 x Tether
- Lens Cloth
>AKASO Brave 7 LE ?Specs
CameraSensor Type | CMOS Sensor | Sensor Resolution | Not Specified by Manufacturer |
OpticsFixed Focus | No | Angle of View | 170 ? |
RecordingMedia/Memory Card Slot | Single Slot: microSD/microSDHC [64 GB Maximum] | Video Format | 3840 x 2160 at 30 fps (MOV)
2704 x 1520 at 30 fps (MOV)
1920 x 1080p at 30/60 fps (MOV)
1280 x 720p at 60/120 fps (MOV) | Still Image Support | JPEG
20 MP
16 MP
14 MP
10 MP | IP Streaming | None |
DisplayDisplay Type | Fixed Touchscreen LCD | Secondary Display | Front: Live-View Monitor |
Exposure ControlExposure Modes | Modes: Auto, Low Light | Shooting Modes | Burst Shooting
Long Exposure
Super Slow Motion Movie
Time-Lapse Movie | Remote Control | Included |
FeaturesImage Stabilization | Digital | Waterproof Depth Rating | 131.0' / 40.0 ?m (Waterproof Housing) | IP Rating | IPX7 | Built-In Mic | Yes | Built-In Light/Flash | Light - No
Flash - No | Wi-Fi | Yes | Bluetooth | Not Specified by Manufacturer | Accessory Shoe | None | Tripod Mounting Thread | 1 x ?1/4"-20 Female (Bottom) |
Input/Output ConnectorsInputs | 1 x ?USB Micro-B | Outputs | 1 x ?Micro-HDMI (Type D) | Video Output | HDMI:
3840 x 2160 at 30 fps
2704 x 1520 at 30 fps
1920 x 1080p at 30/60 fps
1280 x 720p at 60 fps | Microphone Input | Via USB Adapter | Headphone Jack | No |
GeneralBattery | Rechargeable Battery Pack, 1350 mAh
Max Runtime: 1.5 Hours per Charge | Dimensions (W x H x D) | Not Specified by Manufacturer | Weight | Not Specified by Manufacturer |
Packaging InfoPackage Weight | 1.315 lb | Box Dimensions (LxWxH) | 10.7 x 5.3 x 2.7" |
| Designed with the familiar monolight form factor. intuitive design and solid core features, the ?. 100d LED Light ?from ?Amaran ?is a 100W light source with 5600K color and. a CRI/TLCI rating of 95/96 to indicate. advanced accuracy in color rendering.The light is dimmable from 0 to 100% and while you. can make light intensity adjustments locally on the fixture. you can also make them via Bluetooth with your smartphone and a free app.The 100d has eight built-in customizable effects. an umbrella mount and a Bowens reflector mount for access. to Amaran light shapers and also those many. other manufacturers that use this popular mount. The 100d is ready for worldwide use via its built-in 100-240V power supply. but it will also run on optional batteries when AC power is unavailable. | ANY COLORThe MC is Aputure’s first light to include full Hue, Saturation, & Intensity (HSI) color control with 360° of hue and 100 levels of saturation adjustment. You have the power to conveniently reproduce any color, all in the palm of your hand. STELLAR COLOR QUALITY MC prides itself in its color rendition, with CRI and TLCI scores of 96+, and SSI scores of 84 in tungsten and 74 in daylight. This is all accomplished by an underlying technology that reproduces color better and more accurately than ever before. Unlike traditional RGB, the Aputure MC isn’t just a light that relies on Red, Green, and Blue LEDs. By adding two additional white LEDs — one balanced at tungsten and a second at daylight the Aputure MC is an impossibly small light that competes with industry giants. HSI/CCT/FX LIGHTING MODESThe Aputure MC allows you to be more flexible in your filmmaking, providing you with multiple lighting modes. In addition to HSI Color Mode, the MC allows you to adjust your white light with CCT Mode, or use built-in lighting effects with FX Mode. CCT LIGHTING MODESThe MC is Aputure’s first mini LED that offers fine CCT control. You can accurately choose any color temperature in the MC’s expanded bi-color range between 3200K-6500K, in increments of 100K, allowing you to adapt to any situation. FX LIGHTING MODESIn the MC’s FX mode, toggle between any of the MC’s nine built-in lighting effects presets to help you out in a pinch. If you need more control over your lighting effects, the Sidus Link app will allow you to adjust all of the effects’ parameters. Lighting effects include: Paparazzi, Fireworks, Faulty bulb, Lightning, TV, Pulsing, Fire, Party, Cop Car. ANY PLACE. ANY TIME.As part of our M-Series of mini LEDs, the 130g MC easily fits in the palm of your hand. With a footprint only slightly larger than a credit card and thickness of only 17mm (11/16 in.), the MC fits anywhere. The built-in magnets and 1-4″-20 screw mount allow you to place and use it in seconds. Use it as an on-camera light, or hide it off-screen for an app-controllable accent or fill light. SIDUS LINK CONTROLAs the first RGBWW light to be compatible with the Sidus Link mobile app, the true abilities of both the light and the app are finally unlocked. SIDUS MESHThe Sidus Mesh™ technology built into the MC, the backbone of the Sidus Link™ mobile app control, is perhaps the most advanced smart light technology yet. The proprietary Sidus Mesh™ system allows each light to communicate with each other and with the mobile app simultaneously. Each additional light increases the integrity of the network. This enables you to control lights within a 400-meter range, without the need for an external router, as long as there are lights at most 80 meters between each other. COLOR PICKEROne of the most groundbreaking features of the Sidus Link app is the Color Picker function. With the Color Picker, you can simply point your phone’s camera at a color, capture it, and your light will reproduce it instantly. What you see is what you get. Just grab the color and start shooting! ENJOY FREEDOM FROM CABLESThe MC is compatible with the Qi wireless charging protocol, enabling it to be used with the majority of the wireless chargers on the market. Simply place it on a wireless charging pad and the MC will be ready when you need it. The MC is a light that is designed to be ready for any situation, whenever you need it. Offering multiple convenient power options, control methods, and mounting solutions, this fixture is truly the swiss army knife of light. | Amaran expands its LED monolight line with the S-series Aputure amaran COB 100x S Bi-Color LED Monolight, adopting the all-in-one form of the previous COB 100x. With an upgraded LED chipset design. this 100W fixture works great as a key light for small subjects.It provides a variable 2700-6500K color temperature with an ultra-high SSI. score across the board for extremely accurate and also improved color reproduction.This point-source light is a generous output of 30,500 lux at 3.3'. when pair with the include hyper reflector. A variety of nine lighting effects are easily accessible to help you simulate different creative looks.This is the ideal choice for videographers, content creators. and also photographers looking for a lightweight and quiet light without sacrificing image quality.Its silent cooling system will not interfere with any scenario. whether creating content at your home studio or on location.You can find the right level of illumination for your scene with 0 to 100%. dimming and easily make adjustments locally on the unit with an intuitive LCD screen. Wireless control is also possible from a distance of up to 262' using your smartphone and also the Sidus Link app.It lets you conveniently select your lighting settings. activate Lighting FX or also control multiple units at the same time.The 100x S offers extended power options and is ready for worldwide use thanks to its included 100 to 240 VAC power supply. For situations when AC power is unavailable, it can also run on two optional V-mount. or Gold mount batteries using the separately available 2-Bay Battery Power Station.Equipped with a full-size Bowens mount, it allows compatibility with a wide array of light shapers.Detailed Color Fidelity System
The S-series has improved spectral continuity to achieve the enhanced color quality of an ultra-high SSI (Tungsten) of 89 and (D56) of 87, a 17.5% increase in SSI from its predecessor. Impressive ratings of CRI 95, TLCI 97, CQS 97. and also TM-30 Rf 96/Rg 102 are your assurance of a high degree of accuracy in color reproduction at all times.Suitable for home studios or also live stream setups. the significantly improved spectral quality of the 100x S. will ensure accurate skin tone reproduction for your videos and also photos.Powerful Output with Hyper Reflector
The 100x S emits up to 3640 lux at a distance of 3.3' at 5600K. When equipped with the included hyper reflector. the light's output climbs to an impressive 30,500 lux.It is a suitable choice for filmmakers and also photographers alike by producing. both soft and intense lighting for all shooting environments.Preset Effects
The light has nine special effects, including paparazzi, fireworks. lightning, faulty bulb, TV, pulse, strobe, explosion and also fire.Lightweight and Versatile
The amaran 100x S is a lightweight lamp head with an integrated. umbrella mount and also full Bowens mount versatility. You can combine it with a large selection of optional modifiers including the Light Dome SE. Light Dome Mini II and also Aputure Lantern.Additional Benefits and Details- 0 to 100% stepless dimming
- Ability to adjust the light in 1% increments
- Click the control knob for intensity/CCT presets with ease
- Integrated silent cooling system
- Includes 9.8' long power cable
- Weighs only 3.13 lb
- Easy to manage and stow away when not in use
| Aputure Shutter Remote APR1C- Premium-Grade Shutter Cable Release with Timer and Interval
- For 1C, for Canon EOS Rebel XT, XTi, XSi, T1, T1i, T2i, T3. T3i, T4i, T5i, SL1, D60, D70, Powershot G10
- Auto-focusing, interval 1sec - 100hr. Shutter Count: 1-399 times plus infinity
- First Shot Delay from 1 sec. up to 100hr.Dimension: 15.4cm (L) x 4cm (W) x 1.8 cm (D) (cord excluded), 1.2inches LCD Display, 14inches Cord.
- Aputure Shutter Remote APR1C have Premium Grade Shutter Cable Release with Timer and Intervalometer
- Replaces Canon’s RS 60-E3; Works with Canon Rebels and select Hasselblad, Contax 645, Pentax and Samsung models
- Shooting intervals of 1sec-100hrs with a shutter delay of 1sec-100hr; Batteries included
- Perfect for Astro Photography, Product Photography, Macro Photography, Portrait Photography, Wildlife Photography and time-lapse videos; Autofocus is available.
|