Content | Add an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe. The switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. You get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features. The front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview. One of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources. ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. The built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. The ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work. SDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. The ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras. You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview. If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms. You can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more. ATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew. The all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. With so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. With the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded. ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students. ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. | This ? Aputure Amaran PT4c RGB LED Pixel Tube Light ? combines a pair of versatile 4' LED pixel tubes, then adds a pair of USB-C to DMX adapters for expanded wireless control. Each light comes with a floor stand, and there's a kit case for easy transport and storage.Built-In Lighting Effects
Nine system effects: Fireworks, fire, paparazzi, faulty bulb, TV, pulsing, cop car, lightning, and party lightsSeven pixel effects: Color fade, color cycle, 1-pixel chase, 2-pixel chase, 3-pixel chase, rainbow, and pixel fireDMX Functionality
Aputure Amaran PT4c RGB LED Pixel Tube Light DMX control is available via the included USB-C to DMX adapters. DMX function adds 14 built-in DMX profiles and DMX loss behaviors.Create Multiple Shapes
The shape combinations that can be created using the Aputure Amaran PT4c RGB LED Pixel Tube Light are endless, with the ability to use separately available splicing connectors to arrange the tubes in multiple 3D shapes. The PT4c can be combined with other PT-Series LED tubes. | PERFECT FOR HUEThe amaran 300c is amaran’s first-ever full-color 300W Bowens Mount point-source LED light for indie filmmakers and creators. With point-source color as its strength, the amaran 300c grants creatives with control that no other amaran fixture can – combining RGBWW full-color control, optical and soft light Bowens Mount versatility, integrated controls, and most importantly, high-quality light output. FROM SET TO STUDIOWhether you're an indie filmmaker, owner-operator, small production company, or even a photographer or content creator, the amaran 300c helps you achieve the perfect balance between full-color control and an extra power punch that can easily fill your set or studio with high quality light. FULL COLOR CONTROLUtilizing the same foundational RGBWW chipset found in other Aputure and amaran fixtures, the amaran 300c boasts stunning color quality throughout its expanded 2,500K to 7,500K bi-color CCT range. And with a CRI and TLCI of 95+, SSI (D56) of 71, and SSI (Tungsten) of 83, you can always ensure that you can light your subjects with confidence while reproducing accurate skin tones. COLOR-BLENDING OPTICSDesigned to meet the demands of any set, the amaran 300c is compatible with the largest variety of Bowens Mount modifiers. Featuring a universal Bowens Mount and color-blending optics, the 300c can be magnified with optical lens modifiers like the Fresnel 2X and the all-new amaran Spotlight SE projection lens – bringing a new level of flexibility and enhanced output from a single fixture. It can also be used with soft light modifiers to diffuse the 300c’s high-intensity output, like the all-new amaran Light Dome Mini SE . HIGH-QUALITY BUILDThe amaran 300c features additional upgrades to its construction to enhance the user experience, while still remaining compact and portable. In an effort to make swapping between accessories easier and more intuitive than ever, the amaran 300c features a redesigned ergonomic Bowens Mount release latch. It also features an all-metal Bowens Mount to handle the weight of heavier modifiers and all-metal baby-pin receiver and tilting bracket to withstand the rigors of fast-paced film sets. INTEGRATED INTERFACEWith a monolight-style construction, the 300c features a full-color integrated control interface that elegantly blends into the lamp head and becomes an extension of you. Switch between fine-tuning your CCT and 360º of HSI with a simple click on the two control knobs without any extra hassle. SIDUS LINK APP CONTROLWhether activating one of its 9 built-in lighting FX, adjusting the HSI or CCT, controlling multiple lights at once, or using advanced Magic Program or Quickshots features, the Sidus Link app is an evolutionary tool that enhances your creativity. With the dedicated Bluetooth Reset button on the rear of the light, you can unlock more features and wireless remote control with the Sidus Link app to suit your needs. POWER FLEXIBILITYUsing the same 48V DC power input as the amaran 100 and 200 COB S lights, you can freely switch between the included AC power adapter and the Aputure 2-Bay Battery Power Station* for added flexibility on-the-go with Gold or V-Mount batteries. Whether using the amaran 300c for studio shoots or a more mobile setup, the 300c allows you to elevate your creations based on your needs.
ADVENTURE READY SOLUTIONPackaged in an eco-friendly EPP (expanded polypropylene) carrying case, the amaran 300c comes equipped with all the tools you need to travel to your next shoot with its lightweight carrying and storage solution. | Designed with the familiar monolight form factor, intuitive design, and solid core features, the ?200d LED Light ?from ?Amaran ?is a 200W light source with 5600K color and a CRI/TLCI rating of 95/96 to indicate advanced accuracy in color rendering.The light is dimmable from 0 to 100%, and while you can make light intensity adjustments locally on the fixture, you can also make them via Bluetooth with your smartphone and a free app. The 200d has eight built-in customizable effects, an umbrella mount, and a Bowens reflector mount for access.To Amaran light shapers and also those many other manufacturers that use this popular mount. The 200d is ready for worldwide use via its built-in 100-240V power supply, but it will also run on optional batteries when AC power is unavailable. | Aputure Shutter Remote APR1C- Premium-Grade Shutter Cable Release with Timer and Interval
- For 1C, for Canon EOS Rebel XT, XTi, XSi, T1, T1i, T2i, T3. T3i, T4i, T5i, SL1, D60, D70, Powershot G10
- Auto-focusing, interval 1sec - 100hr. Shutter Count: 1-399 times plus infinity
- First Shot Delay from 1 sec. up to 100hr.Dimension: 15.4cm (L) x 4cm (W) x 1.8 cm (D) (cord excluded), 1.2inches LCD Display, 14inches Cord.
- Aputure Shutter Remote APR1C have Premium Grade Shutter Cable Release with Timer and Intervalometer
- Replaces Canon’s RS 60-E3; Works with Canon Rebels and select Hasselblad, Contax 645, Pentax and Samsung models
- Shooting intervals of 1sec-100hrs with a shutter delay of 1sec-100hr; Batteries included
- Perfect for Astro Photography, Product Photography, Macro Photography, Portrait Photography, Wildlife Photography and time-lapse videos; Autofocus is available.
| The upgraded ?EK7000 Pro Action Camera ?from ?AKASO ?expands upon the recording capabilities of the EK7000 with the same 170 ? field of view. It includes a 131' waterproof housing for even deeper underwater footage.The EK7000 Pro can record up to UHD 4K video and 16MP JPEG images while mounted to your handlebars or helmet using the included mounts. Electronic image stabilization ensures your footage is smooth.Different settings like time-lapse video, burst mode, and loop recording give you creative control. The 2.4 GHz Wi-Fi allows you to share and edit your footage with the compatible iSmart DV app, or use the included remote to control the camera from a distance.A 2" touchscreen display allows you to switch between settings and preview your image. One rechargeable 1050mAh battery can power the camera for up to 90 minutes.Features at a Glance- 2" touchscreen rear display
- Power/mode button
- Adjustable 170 ? field of view
- Electronic image stabilization
- 131' waterproof rating with included case
- Supports 64GB microSD card
- Compatible with macOS, iOS, and Android operating systems
- 90-minute battery life
- 2.4 GHz Wi-Fi
- Burst, time-lapse, and loop video recording
- Includes various 2-prong, handlebar, and helmet mounts
>In the Box- AKASO EK7000 Pro Action Camera
- Remote
- Remote Control Strap
- Waterproof Housing
- Handlebar Mount
- 7 x 2-Prong Mount
- Clip Set
- Dual-Bay Battery Charger
- 2 x 1050mAh Battery
- USB Cable
- 5 x Tether
- Lens Cloth
- 2 x Double-Sided Tape
- 4 x Bandage
- 2 x Helmet Mount
- Protective Back Door
>AKASO EK7000 ?Specs
CameraSensor Type | CMOS Sensor | Sensor Resolution | Not Specified by Manufacturer |
OpticsFixed Focus | No | Angle of View | 170 ? |
RecordingMedia/Memory Card Slot | Single Slot: microSD/microSDHC [64 GB Maximum] | Video Format | 4096 x 2160 at 25 fps (MOV)
2704 x 1520 at 30 fps (MOV)
1920 x 1080p at 30/60 fps (MOV)
1280 x 720p at 60/120 fps (MOV) | Slow Motion Mode | None | Still Image Support | JPEG
16 MP
14 MP
12 MP
8 MP
5 MP
4 MP | IP Streaming | None |
DisplayDisplay Type | Fixed Touchscreen LCD | Size | 2" | Secondary Display | None |
Exposure ControlShooting Modes | Burst Shooting
Time-Lapse Movie | Interval Recording | None | Remote Control | Included |
FeaturesImage Stabilization | Digital | Waterproof Depth Rating | 130.0' / 40.0 ?m (Waterproof Housing) | Creative Effects | Yes | Built-In Mic | Yes | Built-In Light/Flash | Light - No
Flash - No | Wi-Fi | Yes | Bluetooth | Not Specified by Manufacturer | Accessory Shoe | None | Tripod Mounting Thread | None |
Input/Output ConnectorsInputs | 1 x ?USB Micro-B | Outputs | 1 x ?Micro-HDMI (Type D) | Video Output | HDMI:
4096 x 2160 at 25 fps
2704 x 1520 at 30 fps
1920 x 1080p at 30/60 fps
1280 x 720p at 60 fps | Microphone Input | No | Headphone Jack | No |
GeneralBattery | Rechargeable Battery Pack, 1050 mAh
Max Runtime: 1.5 Hours per Charge | Dimensions (W x H x D) | Not Specified by Manufacturer | Weight | Not Specified by Manufacturer |
Packaging InfoPackage Weight | 1.245 lb | Box Dimensions (LxWxH) | 10.9 x 4.2 x 2.8" |
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