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Add an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.
The switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout.
You get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.
The front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.
One of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.
ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.
The built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.
In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.
The ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work.
SDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.
The ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.
You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.
If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic/line selectable and have phantom power.
The design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.
You can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.
Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.
ATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.
Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.
The all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.
A broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.
With so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.
All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.
With the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.
Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.
ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.
ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.
| The Brave 4 Action Camera from AKASO is built to withstand any adventure you throw at it, thanks to its included 98.4' waterproof housing, 170 ? field of view, and three-axis gyroscope stabilization. Record up to UHD 4K video and 16MP JPEG images with 5x zoom while mounted onto your handlebars or helmet using the included mounts.
Integrated into the front of the Brave 4 is a display screen that shows your recording mode, time, and battery status. A power/mode button toggles between video, photo, and time-lapse modes. One rechargeable battery can power the camera for up to 90 minutes. The included remote can control the camera via its built-in Wi-Fi 2.4 GHz capabilities.
Features at a Glance
- Front screen displays recording mode, time, and battery status
- Power/mode button
- Adjustable 170 ? field of view
- Smart gyroscope for image stabilization
- 98.4' waterproof rating with the included case
- Supports 64GB microSD card
- Compatible with macOS, iOS, and Android operating systems
- 90-minute battery life
- 2.4 GHz Wi-Fi
- 5x digital zoom
| Model: AL-M9
The AL-M9 Amaran Pocket-Size Daylight-Balanced LED Light from Aputure. is an extremely portable yet surprisingly bright battery-powered LED fixture. Easily fitting in your pocket, the fixture is daylight balance and also sports. a color temperature of 5500K with a CRI and TLCI rating of over 95. It includes a removable sheet of diffusion and also 9 steps of dimming.
The Amaran integrates an 1800mAh lithium polymer battery with. a nearly 2-hour runtime at full brightness when fully charge. You can charge the fixture using the include USB charging cable and also. a readily available USB charger (not include). Include with the fixture are magnetically attach diffusion, CTO and also CTB filters. The light slips into an adapter, so you can mount it to the cold shoe or threaded female.
- 1/4"-20 accessory port of your camera.
- 1.75 hours of battery life at maximum brightness when fully charged
- 13 hours of battery life at minimum brightness when fully charged
- An integrated 1800mAh lithium polymer battery that charges from virtually any 5V USB charger
- Dimmable in 9 steps
- Magnetically attached diffusion filter
- CTO filter to lower the color temperature of the light output to approximately 3400K
- CTB filter to raise the color temperature of the light output to approximately 8800K
- Mount adapter for mounting the light to an accessory cold shoe, or remove cold shoe foot and mount light to a 1/4"-20 accessory mounting point
| Aputure amaran F21x 2x1 Bi-Color LED Flexible Mat (V-Mount)
The ? F21x Bi-Color LED Flexible Mat.? from ? amaran ?is powerful. versatile. and also flexible bi-color LED mat that measures ?2x1'. It offers outstanding light output and also. color rendering suitable for a variety of users. from filmmakers to videographers, content creators. and also still photographers.
Providing 100W of power, this ultralight fixture's high-output bi-color. chipset can be tuned from 2500K to 7500K, and also features nine customizable lighting FX. It has stellar CRI and TLCI scores of 95+ and 98+. and also stepless dimming from 0 to 100%.
An included folding X-frame stretches the mat to a rigid panel. that can be attached directly to a C-stand grip head using the straight Baby Pin adapter. or onto any standard light stand with the included right angle Baby Pin. and also tilting stand mount.
Aputure amaran F21x 2x1 Bi-Color LED Flexible Mat
The included foldable softbox has two strengths of diffusion. and also a fabric grid that uses using an integrated hook-and-loop fabric. to instantly turn this flexible mat into an ultrathin soft light. that will add beautifully controlled soft light to a scene.
The control box is a multi-voltage AC power supply that also features. a V-Mount battery plate for use with compatible 14.4V, 26V, or also 28.8V batteries. Full output can be achieved when using the AC power supply. using batteries allows the F21x to be used. at either half-power or full-power, depending on battery strength.
The free Sidus Link app makes it possible to utilize. tools unique to the Aputure and also amaran ecosystems. such as Source Match, Color Picker and also Custom FX. The F21x can also be controlled using DMX with a separately. available USB-C to 5-Pin DMX512 in & out adapter cable. adding professional-level control to an individual unit or also groups of lights.
The amaran F21x is ideal for videographers .who need a versatile and also literally flexible lighting solution. The bi-color flexible panel gives users unmatched strength and also control over a wide. expanded CCT range to match a variety of white light environments.
Features
- 100W output
- 2x1' bi-color flexible LED mat
- Color temperature from 2500-7500K
- CRI: 95+, TLCI: 98+, CQS: 96+
- SSI (Tungsten): 81+, SSI (D56): 72+
- Stepless dimming from 0 to 100%
- Ultralight LED mat
- Sidus Link App control for smartphones & also tablets
- DMX control with USB-C to 5-Pin DMX512 in & out adapter cable, separately available
- 9 Built-in lighting FX including paparazzi, lightning, TV. candle, fire, strobe, explosion, faulty bulb, pulsing
- Easy-mounting multi-voltage AC power supply with included V-Mount battery mount
- Multiple DC power solutions: 14.4V/26/28.8V/48V (3-Pin XLR)
- Soft carrying case
| Aputure Shutter Remote APR1C
- Premium-Grade Shutter Cable Release with Timer and Interval
- For 1C, for Canon EOS Rebel XT, XTi, XSi, T1, T1i, T2i, T3. T3i, T4i, T5i, SL1, D60, D70, Powershot G10
- Auto-focusing, interval 1sec - 100hr. Shutter Count: 1-399 times plus infinity
- First Shot Delay from 1 sec. up to 100hr.Dimension: 15.4cm (L) x 4cm (W) x 1.8 cm (D) (cord excluded), 1.2inches LCD Display, 14inches Cord.
- Aputure Shutter Remote APR1C have Premium Grade Shutter Cable Release with Timer and Intervalometer
- Replaces Canon’s RS 60-E3; Works with Canon Rebels and select Hasselblad, Contax 645, Pentax and Samsung models
- Shooting intervals of 1sec-100hrs with a shutter delay of 1sec-100hr; Batteries included
- Perfect for Astro Photography, Product Photography, Macro Photography, Portrait Photography, Wildlife Photography and time-lapse videos; Autofocus is available.
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PERFECT FOR HUE
The amaran 300c is amaran’s first-ever full-color 300W Bowens Mount point-source LED light for indie filmmakers and creators. With point-source color as its strength, the amaran 300c grants creatives with control that no other amaran fixture can – combining RGBWW full-color control, optical and soft light Bowens Mount versatility, integrated controls, and most importantly, high-quality light output.
FROM SET TO STUDIO
Whether you're an indie filmmaker, owner-operator, small production company, or even a photographer or content creator, the amaran 300c helps you achieve the perfect balance between full-color control and an extra power punch that can easily fill your set or studio with high quality light.
FULL COLOR CONTROL
Utilizing the same foundational RGBWW chipset found in other Aputure and amaran fixtures, the amaran 300c boasts stunning color quality throughout its expanded 2,500K to 7,500K bi-color CCT range. And with a CRI and TLCI of 95+, SSI (D56) of 71, and SSI (Tungsten) of 83, you can always ensure that you can light your subjects with confidence while reproducing accurate skin tones.
COLOR-BLENDING OPTICS
Designed to meet the demands of any set, the amaran 300c is compatible with the largest variety of Bowens Mount modifiers. Featuring a universal Bowens Mount and color-blending optics, the 300c can be magnified with optical lens modifiers like the Fresnel 2X and the all-new amaran Spotlight SE projection lens – bringing a new level of flexibility and enhanced output from a single fixture. It can also be used with soft light modifiers to diffuse the 300c’s high-intensity output, like the all-new amaran Light Dome Mini SE .
HIGH-QUALITY BUILD
The amaran 300c features additional upgrades to its construction to enhance the user experience, while still remaining compact and portable. In an effort to make swapping between accessories easier and more intuitive than ever, the amaran 300c features a redesigned ergonomic Bowens Mount release latch. It also features an all-metal Bowens Mount to handle the weight of heavier modifiers and all-metal baby-pin receiver and tilting bracket to withstand the rigors of fast-paced film sets.
INTEGRATED INTERFACE
With a monolight-style construction, the 300c features a full-color integrated control interface that elegantly blends into the lamp head and becomes an extension of you. Switch between fine-tuning your CCT and 360º of HSI with a simple click on the two control knobs without any extra hassle.
SIDUS LINK APP CONTROL
Whether activating one of its 9 built-in lighting FX, adjusting the HSI or CCT, controlling multiple lights at once, or using advanced Magic Program or Quickshots features, the Sidus Link app is an evolutionary tool that enhances your creativity. With the dedicated Bluetooth Reset button on the rear of the light, you can unlock more features and wireless remote control with the Sidus Link app to suit your needs.
POWER FLEXIBILITY
Using the same 48V DC power input as the amaran 100 and 200 COB S lights, you can freely switch between the included AC power adapter and the Aputure 2-Bay Battery Power Station* for added flexibility on-the-go with Gold or V-Mount batteries. Whether using the amaran 300c for studio shoots or a more mobile setup, the 300c allows you to elevate your creations based on your needs.
ADVENTURE READY SOLUTION
Packaged in an eco-friendly EPP (expanded polypropylene) carrying case, the amaran 300c comes equipped with all the tools you need to travel to your next shoot with its lightweight carrying and storage solution.
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