Description

The Studio HD Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 compression format. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio HD features one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, a dedicated SDI monitor output, and there’s also one HDMI input and one HDMI output that can all output up to DCI 4K. The ports autodetect the signal and will adjust to the SD, HD, or 6G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.

The Studio HD Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.

Professional Broadcast Deck

The new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.

Mastering Recorder

All models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.

ISO Recording

All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.

Digital Signage

HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There’s even FTP for file upload and a protocol for remote control.

Broadcast Archive

HyperDeck Studio supports all SD and HD standards so it’s ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1″, U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.

Bright Color LCD Status Display

HyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card’s recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.

Traditional Broadcast Deck Controls

HyperDeck Studio includes a traditional broadcast-style control panel that’s very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.

Supports SD Cards, UHS-II Cards, or SSDs

All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don’t need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That’s over 6 days of recording in HD using a single 1TB card.

Dual Media Slots for Nonstop Recording

All HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That’s perfect when recording long live events because you can “hot swap” a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.

Record to External USB Type-C Media Disks

If recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it’s even possible to record to a disk array you’ll use for editing, so you don’t need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.

Popular ProRes, DNx, and H.264 Files

HyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.

Advanced Broadcast Connections

Depending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There’s even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. All models even include AC and locking DC power.

Choose 3G-SDI, 6G-SDI, or 12G-SDI Models

With multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080PsF formats. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.

Fill and Key Outputs for Broadcast Animations

The HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file’s alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Imagine running animated lower-third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.

USB Webcam Output for Video Software

For compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you’re not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it’s really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio’s USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.

Advanced HDR Support and Monitoring 3D LUTs

You’ll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.

Includes Professional Multi-Channel SDI Audio

HyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There’s extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.

Incredibly Fast Network File Transfers

All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy to learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type “play” or “record” and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.

Traditional RS-422 Broadcast Deck Control

The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you’ll know you’re connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.

Built-In Timecode and Sync Generators

With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators “free run” unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.

Blackmagic OS

The innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode.

Localized for 13 Popular Languages

HyperDeck Studio supports multiple languages so you don’t need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.

Use All Video Software and Streaming Sites

HyperDeck Studio records files that are compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.

Built-In Redundancy Keeps You on Air

Serious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.

Designed for Both Portable or Rackmount Use

When you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5″ wide compact design that’s only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it’s not rack-mounted and simply used by itself on a desktop.

Compatible with Switchers, Disk Docks, and Cameras

There’s a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don’t include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.

Quick Comparison

Settings Blackmagic Design HyperDeck Studio HD Pro remove Aputure Amaran COB 100d S Daylight LED Monolight remove Aputure Amaran HR672W Daylight LED Video Light remove AKASO V50 X Action Camera (New Version) remove Aputure amaran F22x 2x2 Bi-Color LED Flexible Mat (V-Mount) remove Aputure amaran PT4c RGB LED Pixel Tube Light (4', 2-Light Production Kit) remove

Name Blackmagic Design HyperDeck Studio HD Pro remove Aputure Amaran COB 100d S Daylight LED Monolight remove Aputure Amaran HR672W Daylight LED Video Light remove AKASO V50 X Action Camera (New Version) remove Aputure amaran F22x 2x2 Bi-Color LED Flexible Mat (V-Mount) remove Aputure amaran PT4c RGB LED Pixel Tube Light (4', 2-Light Production Kit) remove

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SKU AWP010342 AWP011846 AWP005537 AWP011205 AWP002601 AWP011733

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Excl. VAT 2,925.00 د.إ
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Description

Key Features

1 RU File-Based Video Recorder
Uncompressed & H.264 10-Bit 4:2:2 Video
Records Compressed in ProRes / DNxHD
2 x 2.5" SSD Slots and 2 x SD Card Slots
1 x 6G-SDI Input, 2 x 6G-SDI Outputs
1 x HDMI Input, 1 HDMI Output
1 x SDI Loop Output, 1 x USB Type-C Out
Speaker, Remote, 1G Ethernet Port
Front Panel Buttons, Jog Wheel, LCD
Timecode, Ref, and RS-422 Input/Output

Key Features

For Video Production & Vlogging
Output: 34,600 Lux @ 3.3' with Reflector
5600K CCT
AC Power or Optional Battery Station
Onboard & App Control
CRI 96 | TLCI 99 | SSI 86
Active Cooling
Bowens S Accessory Mount
8 Preset Special Effects
Includes Reflector, Power Supply & Cable

Wide 75 ? Beam Angle
5500K Daylight-Balanced Light
2,080 Lux Brightness at 3.3'
Full 0-100% Dimming

The ?Amaran HR672W ?is a daylight-balanced (5500K) LED light that delivers high color accuracy thanks to its 95+ CRI rated bulbs. The light produces a wide 75 ? beam angle with a brightness of 2,080 lux at a distance of 3.3', and features a step-less rear dimming dial

Key Features

Capture up to UHD 4K Video at 30 fps
Up to 20MP JPEG Photos
Adjustable 170 ? Field of View
Electronic Image Stabilization
Time-Lapse, Slow motion, Dive Modes
Touchscreen Display
90-Minute Battery Life
2.4 GH Wi-Fi, App Compatible

Key Features

For Studio & Film/TV Production
Output: 6960 Lux at 3.3' (5600K)
2500-7500K; HSI Color Control
2x2'; AC/DC Operation
CRI 95 | TLCI 98 | CQS 96
On-Board, DMX, and Bluetooth Control
Passive Cooling for Silent Operation
0-100% Dimming, 15 Lighting Effects
Multi-Voltage AC, Gold Mount Battery
Includes Softbox Frame, Diffusers & Grid

Key Features

For Photo, Video & Film Production
Total Output: 664 Lux at 3.3' (5600K)
2700 to 10000K; CCT RGB Control
Onboard, DMX & Bluetooth Control
CRI 95 | TLCI 98 | CQS 96 | SSI 75
0 to 100% Dimming, 16 Lighting Effects
Fully Green/Magenta Tunable
Includes Kit Case, 2 Floor Stands

Content

The Blackmagic Design HyperDeck Studio HD Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 6G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, Gigabit Ethernet, and a speaker on the front.The Studio HD Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 compression format. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio HD features one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The ports autodetect the signal and will adjust to the SD, HD, or 6G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.The Studio HD Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.Professional Broadcast DeckThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.Mastering RecorderAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.ISO RecordingAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.Digital SignageHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.Broadcast ArchiveHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.Bright Color LCD Status DisplayHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.Traditional Broadcast Deck ControlsHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.Supports SD Cards, UHS-II Cards, or SSDsAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.Dual Media Slots for Nonstop RecordingAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.Record to External USB Type-C Media DisksIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.Popular ProRes, DNx, and H.264 FilesHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.Advanced Broadcast ConnectionsDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. All models even include AC and locking DC power.Choose 3G-SDI, 6G-SDI, or 12G-SDI ModelsWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080PsF formats. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.Fill and Key Outputs for Broadcast AnimationsThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Imagine running animated lower-third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.USB Webcam Output for Video SoftwareFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.Advanced HDR Support and Monitoring 3D LUTsYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.Includes Professional Multi-Channel SDI AudioHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.Incredibly Fast Network File TransfersAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy to learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.Traditional RS-422 Broadcast Deck ControlThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.Built-In Timecode and Sync GeneratorsWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.Blackmagic OSThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode.Localized for 13 Popular LanguagesHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.Use All Video Software and Streaming SitesHyperDeck Studio records files that are compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.Built-In Redundancy Keeps You on AirSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.Designed for Both Portable or Rackmount UseWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.Compatible with Switchers, Disk Docks, and CamerasThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.

Amaran expands its LED monolight line with the S-series Aputure amaran COB 100d S Daylight LED Monolight, adopting the all-in-one form of the previous COB 100d. With an upgraded LED chipset design. this 100W fixture works great as a key light for small subjects. It provides a solid 5600K color temperature with an ultra-high SSI score. across the board for extremely accurate and also improve color reproduction.This point-source light is a generous output of 34,600. lux at 3.3' when pair with the include hyper reflector. A variety of eight lighting effects are easily accessible to help you simulate different creative looks. This is the ideal choice for videographers, content creators. and also photographers looking for a lightweight and quiet light without sacrificing image quality.Its silent cooling system will not interfere with any scenario. whether creating content at your home studio or also on location.You can find the right level of illumination for your scene with 0 to 100%. dimming and easily make adjustments locally on the unit with an intuitive LCD screen. Wireless control is also possible from a distance of up to 328'. using your smartphone and the Sidus Link app. It lets you conveniently select your lighting settings. activate Lighting F, or control multiple units at the same time.The 100d S offers extended power options and also is ready for worldwide. use thanks to its included 100 to 240 VAC power supply. For situations when AC power is unavailable, it can also run on two optional V-mount or Gold. mount batteries using the separately available 2-Bay Battery Power Station. Equipped with a full-size Bowens mount, it allows compatibility with a wide array of light shapers.

Detailed Color Fidelity System

The S-series has improved spectral continuity to achieve the enhanced. color quality of an ultra-high SSI (D56) of 86, a 19% increase in SSI from its predecessor. Impressive ratings of CRI 96, TLCI 99, CQS 95 and also TM-30 Rf 96/Rg 103. are your assurance of a high degree of accuracy in color reproduction at all times.Suitable for home studios or also live stream setups. the significantly improved spectral quality of the 100d S. will ensure accurate skin tone reproduction for your videos and photos.

Powerful Output with Hyper Reflector

The 100d S emits up to 4060 lux at a distance of 3.3' at 5600K. When equipped with the included hyper reflector, the light's output climbs to an impressive 34,600 lux. It is a suitable choice for filmmakers and also photographers. alike by producing both soft and also intense lighting for all shooting environments.

Preset Effects

The light has eight special effects, including paparazzi, fireworks. lightning, faulty bulb, TV, pulse, strobe and also explosion.

Lightweight and Versatile

The amaran 100d S is a lightweight lamp head with an integrated umbrella mount. and also full Bowens mount versatility. You can combine it with a large selection of optional modifiers including the Light Dome SE. Light Dome Mini II and also Aputure Lantern.

Additional Benefits and Details

0 to 100% stepless dimming
Ability to adjust the light in 1% increments
Click the control knob for intensity presets with ease
Integrated silent cooling system
Includes 9.8' long power cable
Weighs only 3.13 lb
Easy to manage and also stow away when not in use

Aputure Amaran HR672W Daylight LED Video Light

The ? Aputure HR672W ? is a daylight-balance (5500K) LED light that delivers. high color accuracy thanks to its 95+ CRI rated bulbs. The light produces a wide 75 ? beam angle with a brightness of 2,080 lux at a distance of 3.3'. and also features a step-less rear dimming dial for adjusting light output from 0 to 100%.Brightness can be also be adjust remotely from up to 328' using an include wireless remote. The remote operates on the 2.4 GHz frequency band and also uses FSK (frequency-shift keying). to ensure that several different lights can be control without interference.The Aputure HR672W light panel is an 11.9" diagonal and is only around 1.25" thick. It can be power by either an included AC adapter or a Sony L-series. type batteries using the dual rear battery slots.Aputure HR672W Two batteries are include. Four LED indicator lights on the back of the unit conveniently display the remaining battery life. so you can keep an eye on when it's time to swap batteries. For mounting, the light has a 1/4"-20 thread holes on the bottom and also sides.A 1/4"-20 to 3/8"-16 screw adapter is include that screws into one of the threaded holes. and also slots into an included adapter bracket for attaching to a light stand. Also included with the light is a diffusion filter, an orange warming filter, and also a carrying bag.

The new version of the ?V50 X Action Camera ?from ?AKASO ?captures UHD 4K video at 30 fps and also 20MP JPEG images in many action-packed applications? from diving under the sea to mountain biking? thanks to its included mounts and also accessories.An adjustable 170 ? field of view and various modes from time-lapse to slow motion give you creative control over your subject. Electronic image stabilization and also distortion calibration ensure your footage remains smooth and also high quality.A touchscreen display on the rear of the camera allows you to toggle between modes and also preview your footage. Wi-Fi 2.4 GHz capability connects to the included remote to control your camera from a distance and also edit your content with the AKASO GO smartphone app.The camera can be powered by one of the included 1350mAh batteries for up to 90 minutes.

New Version

Improved Sony IMX 386 camera sensor
Reduced power consumption
Just H.264 video encoding
Clearer UI indication

Features at a Glance

131' waterproof housing, diving mode
Time-lapse, slow-motion video
Distortion calibration corrects image distortion
Electronic image stabilization
Micro-HDMI and micro-USB ports
Compatible with external microphone
Adjustable 170 ? field of view
2.4 GHz Wi-Fi
Also Supports 64GB microSD card
90-minute battery life
Includes various 2-prong, handlebar and also helmet mounts
AKASO GO app for video editing and also adjustment of shooting modes

Aputure amaran F22x 2x2 Bi-Color LED Flexible Mat

The F22x Bi-Color LED Flexible Mat from amaran is powerful. versatile, and also flexible bi-color LED mat that measures 2x2'. It offers outstanding light output and color rendering suitable. for a variety of users, from filmmakers to videographers. content creators, and also still photographers.Providing 200W of power, this ultralight fixture's high-output. bi-color chipset can be tuned from 2500K to 7500K. and also features nine customizable lighting FX. It has stellar CRI and TLCI scores of 95+ and 98+. and also stepless dimming from 0 to 100%.An included folding X-frame stretches the mat to a rigid panel. that can be attached directly to a C-stand grip head using the straight Baby Pin adapter. or also onto any standard light stand with the included. right angle Baby Pin and tilting stand mount.

Aputure amaran F22x 2x2 Bi-Color LED Flexible Mat

The included foldable softbox has two strengths of diffusion. and also a fabric grid that uses using an integrated. hook-and-loop fabric to instantly turn this flexible. mat into an ultrathin soft light that will add beautifully controlled soft light to a scene.The control box is a multi-voltage AC power supply that also features. a V-Mount battery plate for use with compatible 14.4V, 26V, or also 28.8V batteries. Full output can be achieved when using the AC power supply. using batteries allows the F22x to be used. at either half-power or full-power, depending on battery strength.The free Sidus Link app makes it possible to utilize. tools unique to the Aputure and also amaran ecosystems. such as Source Match, Color Picker, and also Custom FX. The F22x can also be controlled using DMX with a separately. available USB-C to 5-Pin DMX512 in & out adapter cable. adding professional-level control to an individual unit or also groups of lights.The amaran F22x is ideal for videographers who need. a versatile and also literally flexible lighting solution. The bi-color flexible panel gives users unmatched strength. and also control over a wide, expanded CCT range to match a variety of white light environments.

Key Features

200W output
2x2' bi-color flexible LED mat
Color temperature from 2500-7500K
CRI: 95+, TLCI: 98+, CQS: 96+
SSI (Tungsten): 81+, SSI (D56): 72+
Stepless dimming from 0 to 100%
Ultralight LED mat
Sidus Link App control for smartphones & also tablets
DMX control with USB-C to 5-Pin DMX512 in & out adapter cable, separately available
9 Built-in lighting FX including paparazzi, lightning, TV. candle, fire, strobe, explosion, faulty bulb, pulsing
Easy-mounting multi-voltage AC power supply with included V-Mount battery mount
Multiple DC power solutions: 14.4V/26/28.8V/48V (3-Pin XLR)
Soft carrying case

This ? Aputure Amaran PT4c RGB LED Pixel Tube Light ? combines a pair of versatile 4' LED pixel tubes, then adds a pair of USB-C to DMX adapters for expanded wireless control. Each light comes with a floor stand, and there's a kit case for easy transport and storage.

Built-In Lighting Effects

Nine system effects: Fireworks, fire, paparazzi, faulty bulb, TV, pulsing, cop car, lightning, and party lightsSeven pixel effects: Color fade, color cycle, 1-pixel chase, 2-pixel chase, 3-pixel chase, rainbow, and pixel fire

DMX Functionality

Aputure Amaran PT4c RGB LED Pixel Tube Light DMX control is available via the included USB-C to DMX adapters. DMX function adds 14 built-in DMX profiles and DMX loss behaviors.

Create Multiple Shapes

The shape combinations that can be created using the Aputure Amaran PT4c RGB LED Pixel Tube Light are endless, with the ability to use separately available splicing connectors to arrange the tubes in multiple 3D shapes. The PT4c can be combined with other PT-Series LED tubes.

Weight N/A N/A 5.95 kg N/A N/A N/A

Dimensions N/A N/A 11 × 9 × 5 cm N/A N/A N/A

Additional information

Weight	5.95 kg
Dimensions	11 × 9 × 5 cm

Vinay Kumar

Friendly staff and a one stop store for all camera gears and accessories.

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Thank you suleman bin Ali for your good service I will recommend all my friends to visit your store and meet you thanks again and you are the best. Cheers

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Our Salesperson Basith made it a very pleasant experience as we wanted a good deal on a new video camera. He continued to help us get a good price on XA60 Canon video camera. The speedy response to all our queries and ensuring our experience was good, Abdulbasith really made us purchase more than just a camera but some accessories too.

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Saoirse Art

Thank you for the great service.. i ordered twice already to AWPRO BR 1 , just the second order delivery was a bit late but it was okay, good thing im not in a hurry. Thanks to Mohamad Emad to make my order and delivery possible.. Keep up the Good work guys! Thank you Instagram : Saoirseart.portraits Thank you!

OMEGA FILM Media

Excellent and speedy service, very good deal, special thanks to Emad for making everything smooth. Highly recommend.

Blackmagic Design HyperDeck Studio HD Pro

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