| Description | - 4-Channel Live Stream 3G-SDI Switcher
- Input/Output up to 1080p60 10-Bit 4:2:2
- 2-Channel Digital Audio Mixer
- 2 x 3G-SDI Output, Ethernet ATEM Control
- Media Player, Computer Input Support
- Upstream and Downstream Keyers
- DVE Transition, Chroma/Luma Keyers
- Color and Pattern Generators
- USB Type-C Streaming/Webcam Output
- 4-Channel Live Stream 3G-SDI Switcher
- Input/Output up to 1080p60 10-Bit 4:2:2
- 2-Channel Digital Audio Mixer
- 2 x 3G-SDI Output, Ethernet ATEM Control
- Media Player, Computer Input Support
- Upstream and Downstream Keyers
- DVE Transition, Chroma/Luma Keyers
- Color and Pattern Generators
- USB Type-C Streaming/Webcam Output
| Key Features- For Photo, Video & Film Production
- Total Output: 664 Lux at 3.3' (5600K)
- 2700 to 10000K; CCT RGB Control
- Onboard, DMX & Bluetooth Control
- CRI 95 | TLCI 98 | CQS 96 | SSI 75
- 0 to 100% Dimming, 16 Lighting Effects
- Fully Green/Magenta Tunable
- Includes Kit Case, 2 Floor Stands
| - Premium Grade Shutter Cable Release with Timer and Intervalometer
- Replaces Canon's RS 60-E3; Works with Canon Rebels and select Hasselblad, Contax 645, Pentax, and Samsung models
- Shooting intervals of 1sec-100hrs with a shutter delay of 1sec-100hr; Batteries included
- Perfect for Astro Photography, Product Photography, Macro Photography, Portrait Photography, Wildlife Photography, and time-lapse videos; Autofocus is available
| Key Features- Capture up to UHD 4K Video at 25 fps
- 170 ? Field of View
- Up to 16MP JPEG Images
- 131' Waterproof Housing
- Electronic Image Stabilization
- 90-Minute Battery Life
- 2.4 GHz Wi-Fi, App Compatibility
- Touchscreen Rear Display, Remote Control
| Key Features- Capture up to 4K Video at 30 fps
- 5x Zoom, 170 ? Field of View
- Up to 20MP JPEG Images
- 6-Axis Gyroscope Stabilization
- 131' Waterproof Housing
- Time-Lapse Mode
- 90-Minute Battery Life
- Dual Color Displays, Remote Control
| Key Features- For Photo, Video, and Film Production
- Output: 95 Lux at 3.3' (5600K, 180 )
- 2700 to 10000K; CCT RGB Control
- Onboard, DMX, and Bluetooth Control
- CRI 95 | TLCI 98 | CQS 96 | SSI 75
- 0 to 100% Dimming, 16 Lighting Effects
- 1' Length; Li-Ion Battery Operation
- Passive Cooling for Silent Operation
- Fully Green-Magenta Tunable
- Includes Carry Case
|
| Content | Blackmagic Design ATEM SDI OverviewDesigned for multicamera live streaming to the internet or broadcast applications, the compact ATEM SDI from Blackmagic Design provides gaming consoles, corporate computer streams, or HD cameras a four-input live-production switcher with an integrated control panel. The four SDI inputs are available on the rear of the chassis and they input up to 1080p60 video. Two 3G-SDI outputs are useful for a projector or external monitor, a USB Type-C output for streaming up to 1080p60 video to a computer, and an RJ45, 10/100 Ethernet port for system management, remote control, and upgrades.The control surface features easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini features upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and two color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats. The SDI output supports a minimum of 1366 x 768 resolution for monitoring your stream. It also supports the ATEM Software Control Panel via Ethernet, and it supports control and configuration using the ATEM SDI. Available transitions include: - Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.
- Mix: The mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
- Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
- Wipe: Built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened, and can even have customized colored borders.
- DVE: With the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.
Layer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets. - Luma key: Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
- Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
- Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
- Pattern key: Combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.
The ATEM SDI switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output. The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable On/Off/Audio-Follow-Video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control. Eliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported. | This ? Aputure Amaran PT4c RGB LED Pixel Tube Light ? combines a pair of versatile 4' LED pixel tubes, then adds a pair of USB-C to DMX adapters for expanded wireless control. Each light comes with a floor stand, and there's a kit case for easy transport and storage.Built-In Lighting Effects
Nine system effects: Fireworks, fire, paparazzi, faulty bulb, TV, pulsing, cop car, lightning, and party lightsSeven pixel effects: Color fade, color cycle, 1-pixel chase, 2-pixel chase, 3-pixel chase, rainbow, and pixel fireDMX Functionality
Aputure Amaran PT4c RGB LED Pixel Tube Light DMX control is available via the included USB-C to DMX adapters. DMX function adds 14 built-in DMX profiles and DMX loss behaviors.Create Multiple Shapes
The shape combinations that can be created using the Aputure Amaran PT4c RGB LED Pixel Tube Light are endless, with the ability to use separately available splicing connectors to arrange the tubes in multiple 3D shapes. The PT4c can be combined with other PT-Series LED tubes. | Aputure Shutter Remote APR1C- Premium-Grade Shutter Cable Release with Timer and Interval
- For 1C, for Canon EOS Rebel XT, XTi, XSi, T1, T1i, T2i, T3. T3i, T4i, T5i, SL1, D60, D70, Powershot G10
- Auto-focusing, interval 1sec - 100hr. Shutter Count: 1-399 times plus infinity
- First Shot Delay from 1 sec. up to 100hr.Dimension: 15.4cm (L) x 4cm (W) x 1.8 cm (D) (cord excluded), 1.2inches LCD Display, 14inches Cord.
- Aputure Shutter Remote APR1C have Premium Grade Shutter Cable Release with Timer and Intervalometer
- Replaces Canon’s RS 60-E3; Works with Canon Rebels and select Hasselblad, Contax 645, Pentax and Samsung models
- Shooting intervals of 1sec-100hrs with a shutter delay of 1sec-100hr; Batteries included
- Perfect for Astro Photography, Product Photography, Macro Photography, Portrait Photography, Wildlife Photography and time-lapse videos; Autofocus is available.
| The upgraded ?EK7000 Pro Action Camera ?from ?AKASO ?expands upon the recording capabilities of the EK7000 with the same 170 ? field of view. It includes a 131' waterproof housing for even deeper underwater footage.The EK7000 Pro can record up to UHD 4K video and 16MP JPEG images while mounted to your handlebars or helmet using the included mounts. Electronic image stabilization ensures your footage is smooth.Different settings like time-lapse video, burst mode, and loop recording give you creative control. The 2.4 GHz Wi-Fi allows you to share and edit your footage with the compatible iSmart DV app, or use the included remote to control the camera from a distance.A 2" touchscreen display allows you to switch between settings and preview your image. One rechargeable 1050mAh battery can power the camera for up to 90 minutes.Features at a Glance- 2" touchscreen rear display
- Power/mode button
- Adjustable 170 ? field of view
- Electronic image stabilization
- 131' waterproof rating with included case
- Supports 64GB microSD card
- Compatible with macOS, iOS, and Android operating systems
- 90-minute battery life
- 2.4 GHz Wi-Fi
- Burst, time-lapse, and loop video recording
- Includes various 2-prong, handlebar, and helmet mounts
>In the Box- AKASO EK7000 Pro Action Camera
- Remote
- Remote Control Strap
- Waterproof Housing
- Handlebar Mount
- 7 x 2-Prong Mount
- Clip Set
- Dual-Bay Battery Charger
- 2 x 1050mAh Battery
- USB Cable
- 5 x Tether
- Lens Cloth
- 2 x Double-Sided Tape
- 4 x Bandage
- 2 x Helmet Mount
- Protective Back Door
>AKASO EK7000 ?Specs
Camera| Sensor Type | CMOS Sensor | | Sensor Resolution | Not Specified by Manufacturer |
Optics| Fixed Focus | No | | Angle of View | 170 ? |
Recording| Media/Memory Card Slot | Single Slot: microSD/microSDHC [64 GB Maximum] | | Video Format | 4096 x 2160 at 25 fps (MOV)
2704 x 1520 at 30 fps (MOV)
1920 x 1080p at 30/60 fps (MOV)
1280 x 720p at 60/120 fps (MOV) | | Slow Motion Mode | None | | Still Image Support | JPEG
16 MP
14 MP
12 MP
8 MP
5 MP
4 MP | | IP Streaming | None |
Display| Display Type | Fixed Touchscreen LCD | | Size | 2" | | Secondary Display | None |
Exposure Control| Shooting Modes | Burst Shooting
Time-Lapse Movie | | Interval Recording | None | | Remote Control | Included |
Features| Image Stabilization | Digital | | Waterproof Depth Rating | 130.0' / 40.0 ?m (Waterproof Housing) | | Creative Effects | Yes | | Built-In Mic | Yes | | Built-In Light/Flash | Light - No
Flash - No | | Wi-Fi | Yes | | Bluetooth | Not Specified by Manufacturer | | Accessory Shoe | None | | Tripod Mounting Thread | None |
Input/Output Connectors| Inputs | 1 x ?USB Micro-B | | Outputs | 1 x ?Micro-HDMI (Type D) | | Video Output | HDMI:
4096 x 2160 at 25 fps
2704 x 1520 at 30 fps
1920 x 1080p at 30/60 fps
1280 x 720p at 60 fps | | Microphone Input | No | | Headphone Jack | No |
General| Battery | Rechargeable Battery Pack, 1050 mAh
Max Runtime: 1.5 Hours per Charge | | Dimensions (W x H x D) | Not Specified by Manufacturer | | Weight | Not Specified by Manufacturer |
Packaging Info| Package Weight | 1.245 lb | | Box Dimensions (LxWxH) | 10.9 x 4.2 x 2.8" |
| The upgraded ?Brave 4 Pro Action Camera ?from ?AKASO ?improves upon the features of the Brave 4 to create dynamic photos and videos on your next adventure. An included 131' waterproof housing, 170 ? field of view, and 6-axis gyroscope electronic image stabilization ensure your footage is high-quality and smooth, no matter the terrain.Record up to 4K video and 20 MP JPEG images with 5x zoom while mounted onto your handlebars or helmet using the included mounts.Dual color screens, a larger touchscreen in the rear and a smaller screen at the front, allow you to toggle between modes and preview your footage. Wi-Fi 2.4 GHz capability allows you to control the camera with the included remote and edit your content by connecting to the AKASO GO smartphone app.The camera can be powered by one of the included 1350mAh batteries for up to 90 minutes.Features at a Glance- Dual color displays
- 170 ? field of view
- Time-lapse and slow-motion video
- Electronic image stabilization
- 131' waterproof rating with the included case
- Supports 64GB microSD card
- 90-minute battery life
- 2.4 GHz Wi-Fi
- 5x digital zoom
>In the Box- AKASO Brave 4 Pro Action Camera
- Remote
- Waterproof Housing
- Camera Frame
- 2 x 1350mAh Battery
- Dual-Bay Battery Charger
- Handlebar Mount
- 6 x 2-Prong Mount
- 2 x Double-Sided Tape
- 2 x Helmet Mount
- Bandage
- 5 x Tether
- Protective Back Door
- USB Cable
- Lens Cloth
>AKASO Brave 4 Pro ?Specs
Camera| Sensor Type | CMOS Sensor | | Sensor Resolution | Not Specified by Manufacturer |
Optics| Fixed Focus | No | | Angle of View | 170 ? |
Recording| Media/Memory Card Slot | Single Slot: microSD/microSDHC [64 GB Maximum] | | Video Format | 3840 x 2160 at 30 fps (MP4)
2704 x 1520 at 30 fps (MP4)
1920 x 1080p at 30/60/120 fps (MP4)
1280 x 720p at 30/60/120/240 fps (MP4) | | Still Image Support | JPEG
20 MP
16 MP
13 MP
8 MP | | IP Streaming | None |
Display| Display Type | Fixed Touchscreen LCD | | Size | 2" | | Secondary Display | Front: Live-View Monitor |
Exposure Control| Shooting Modes | Burst Shooting
Super Slow Motion Movie
Time-Lapse Movie | | Remote Control | Included |
Features| Image Stabilization | Digital | | Waterproof Depth Rating | 131.0' / 40.0 ?m (Waterproof Housing) | | Creative Effects | Yes | | Built-In Mic | Yes | | Built-In Light/Flash | Light - No
Flash - No | | Wi-Fi | Yes | | Bluetooth | Not Specified by Manufacturer | | Accessory Shoe | None | | Tripod Mounting Thread | None |
Input/Output Connectors| Inputs | 1 x ?USB Micro-B | | Outputs | 1 x ?Micro-HDMI (Type D) | | Video Output | HDMI:
3840 x 2160 at 30 fps
2704 x 1520 at 30 fps
1920 x 1080p at 30/60 fps
1280 x 720p at 30/60 fps | | Microphone Input | Via USB Adapter | | Headphone Jack | No |
General| Battery | Rechargeable Battery Pack, 1350 mAh
Max Runtime: 1.5 Hours per Charge | | Dimensions (W x H x D) | Not Specified by Manufacturer | | Weight | Not Specified by Manufacturer |
Packaging Info| Package Weight | 1.235 lb | | Box Dimensions (LxWxH) | 11 x 4.2 x 2.7" |
| PT1c RGB LED Pixel Tube Light is a 1' long RGBWW LED pixel tube made for image makers who want more unique lighting options and effects in product cinematography. The high efficiency chipset produces stellar color quality and accurate skin tones throughout with full green-magenta control, achieving high CRI, TLCI, and SSI values. DESIGNED FOR CREATORS Whether used for practical lighting backgrounds, producing unique lighting effects for long-exposure photography, creating linear reflections over intricate sets for product cinematography, or adding visual interest to stylized music videos and commercials, the PT1c grants you the freedom to get creative and bring your lighting designs to life. PERFECT PIXEL CAPABILITIESWith 4 lighting zones that can be independently controlled, the PT1c’s pixel capabilities introduce new and exciting avenues to the amaran family and outshine other lights with a new layer of effects. Use its 7 pre-programmed Pixel FX to create some truly unique and dynamic pixelated effects across its multiple pixels and take your creations to the next level. COLOR ACCURATEAdjust the hue, saturation, and intensity of your pixel light with white point CCT tunability from 2,700K to 10,000K with full plus/minus green controls. And with a CRI of 95, TLCI of 98, and Tungsten SSI of 85, you can be sure that the Pixel Tubes will elevate your productions with accurate colors. BUILT-IN BATTERIESThe PT1c is powered by a removable 9.6Wh Lithium-ion battery for up to 70 minutes of run time, and can be charged via USB-C for absolute ease of use. Integrated batteries can improve your workflow on-set by granting you the flexibility of placing or hiding the LED Pixel Tubes virtually anywhere. For enhanced versatility, the PT1c’s rotatable end caps can be independently swiveled with 180 degrees of rotation to ensure that it is always in the perfect position. And with built-in magnets and integrated 3/8-16in screw threads on each end cap, creating interesting visuals and set pieces have never been easier. ADVANCED CONTROLSWith the power of the Sidus Link Bluetooth app, you can control all of your Aputure and amaran lights in a scene, activate stunning lighting effects, and ensure that the Pixel Tubes are always up to date. For more advanced console controls, the new amaran USB-C to DMX Adapter* unlocks DMX control while simultaneously charging your pixelated tube light, making your workflow even more efficient and seamless. |
