| Content | Control your ARRI ALEXA Mini, Mini LF, or AMIRA camera with your SmallHD Cine 7 monitor using this Cine 7 Monitor Camera Control Kit. The kit includes a software license that provides full control via CAP (Camera Access Protocol) over your camera, a 3' locking 10-pin to Ethernet camera control cable, a 2' SDI cable, and a standard Ethernet cable. Also included is a neoprene sleeve to store your cable set.Read below for the supported camera controls available with the software kit, all available via the Cine 7 touchscreen.
Compatibility
SmallHD Cine 7 monitor
ARRI ALEXA Mini, ALEXA Mini LF, and AMIRA cameras
Supported Camera Controls- Record Start
- Record Stop
- Playback Control
- Set and Read TC
- Set and Read Project Rate
- Read and Set System Date/Time
- Read Clip List from Medium
- Camera Type
- Camera Serial
- Camera State
- Look File Name
- Color Temperature
- Tint Variable
- Exposure Index
- Sensor FPS List
- Sensor FPS
- Shutter Angle List
- Shutter Angle
- Exposure Time List
- Exposure Time
- Exposure Index List
- ND Filter List
- ND Filter
- White Balance List
- Media Status
- Recording Mode
- Clip Scene
- Clip Take
- Medium Type
- Model Name
- Serial Number
- Clip Count
- Current Reel
- Medium Size
- Medium Status
- Write Protection
- Clip Count
- Current Reel
- Free Capacity
- Clip File Name
- Clip UUID
- Clip Project Rate
- Clip Start TC
- Clip Duration TC
| Special for NAB 2018, the ?SmallHD 1303 HDR 13" Production Monitor V-Mount Kit ?comes with everything you need to set up an HDR viewing screen in the studio or in the field. In addition to the 13" monitor, this kit includes SDI cables, a RapidRail accessory attachment, C-stand mount, standard and matte screen protectors, a sun hood, and the V-mount power kit with a cheese plate. See below for more information on the individual items included in this kit.SmallHD 1303 HDR 13" Production MonitorSee beyond the restricted color and contrast of conventional monitoring with the ?SmallHD 1303 HDR 13" Production Monitor. Featuring HDR preview backed by a 10-bit Color Intelligence engine with calibration capabilities, the 1303 can display a large brightness range, encompassing log formats and other expanded-range picture styles. The 1500 cd/m ?, daylight-viewable, 1920x1080 Full HD resolution display panel can be driven by one of two SDI inputs or an HDMI input. Each input has a loop output for connecting other gear in-line without the need for a splitter. All functionality of this monitor is accessed via the innovative Page Builder OS. By implementing full aluminum construction and the provision for separately available user-replaceable polycarbonate screen protectors, SmallHD built this monitor to survive the rigors of production in studios and in the field.>Page Builder OSOriginally featured in the 500 and 700-series models, and extrapolated for the Production Monitor series, the Page Builder OS is an intuitive graphical user interface (GUI) that puts all of the advanced functionality of the 1303 at your fingertips. Rather than have confusing menus, this GUI allows you to selectively apply monitoring tools such as waveforms, vectorscopes, multiview, and focusing aids to up to 4 different "pages". These pages can be easily flipped through using the joystick. The buttons on the front panel can also toggle monitoring tools on and off for each page.ColorFlow 3D LUT ProcessingIn order to keep your images consistent from production through to post-production, ColorFlow allows you to import 3D LUTs and display the treated image side-by-side with the untreated image to correctly gauge exposure while visualizing what is being recorded by the camera. Side-by-side preview can also be used with the HDR preview function. Separate LUT-treated images can be sent downstream over SDI and HDMI so you can have the 1303 display a log image or LUT-treated image, while the director or client monitors connected to the outputs can receive images treated with a different LUT. An image-capture function saves a still frame from the incoming video stream onto an SD card and also records the applied 3D LUT for post-production reference.Color Intelligence EngineWhen a separately available color probe is connected to the monitor via USB, the SmallHD 1303 can automatically adjust a 10-bit 3D calibration LUT for maintaining accurate color reproduction over the life of the monitor.RapidRail Shoe-Mount SystemQuickly secure and detach accessories such as wireless units to the rear of the monitor using standard shoe-mount rails. This saves time over traditional screw-mounted methods and keeps your setup clean and neat. If required these accessories can be powered straight off the monitor using the integrated 12V LEMO power output or the 3 USB ports.Power OptionsSeparately available V-mount or Gold-mount battery plates can be attached to the rear of the display. A mounted battery can power the monitor as well as attached accessories through the 12V LEMO connection. The USB ports on the rear of the monitor can also power accessories with a maximum draw of 0.5 amps per port.SmallHD Thin BNC Cable (12")At only 2.75mm in diameter this ?Thin BNC Cable ?from ?SmallHD ?will snake around nearly any component you have in your rig, perfect for use in compact camera setups with an EVF or on-camera monitor which uses SDI.SmallHD Thin BNC Cable (24")At only 2.75mm in diameter this ?Thin BNC Cable ?from ?SmallHD ?will snake around nearly any component you have in your rig, perfect for use in compact camera setups with an EVF or on-camera monitor which uses SDI.SmallHD Thin BNC Cable (48")At only 2.75mm in diameter this ?Thin BNC Cable ?from ?SmallHD ?will snake around nearly any component you have in your rig, perfect for use in compact camera setups with an EVF or on-camera monitor which uses SDI.SmallHD RapidRail Mount for 1/4"-20 AccessoriesUse the ?SmallHD RapidRail Mount for 1/4"-20 Accessories ?to quickly secure 1/4"-20 accessories to 1300, 1700, 2400, or 3200 series monitors that feature the RapidRail mounting system. Built-in cable strain relief protects your equipment from cable snags, and dual 1/4"-20 threads allow for the securing of many common monitoring accessories.SmallHD Basic Acrylic Screen Protector for 1300 Series MonitorsThe ?SmallHD Basic Acrylic Screen Protector for 1300 Series Monitors ?is a clear, anti-scratch screen protector for SmallHD 1300 series 13" monitors. Quick and easy to attach and remove without anything else required, it provides screen protection for the monitor in transport and storage.SmallHD Sun Hood for 1300 Series MonitorsThe ?SmallHD Sun Hood for 1300 Series Monitors ?attaches to the monitors using six included 1/4"-20 thumbscrews and provides three-sided glare protection. It secures to the 1/4"-20 threaded holes around the monitor.SmallHD C-Stand Mount for 1300 Series MonitorsDesigned specifically for SmallHD 1300 Series monitors, this compact ?C-Stand Mount ?from ?SmallHD ?allows you to quickly and securely attach your 1300 Series 13" monitor to a standard C-stand. | Add a professional UHD 4K monitor to your studio with the Cine 24" 4K High Bright Pro Monitor from SmallHD. Featuring the updated SmallHD OS4.1, the monitor provides a crisp image with 10-bit DCI-P3 color intelligence, 1350 cd/m ? brightness, and a 1000:1 contrast ratio.The monitor features four 12G/6G/3G/HD-SDI inputs and four 12G/6G/3G/HD-SDI outputs, as well as one HDMI 2.0 input and one HDMI 2.0 output. All functionality of the monitor is accessed via the innovative Page Builder in OS4.1 that features a fully redesigned UI, preconfigured pages, and page tabs. Other monitoring features include a calibration wizard, false color overlays, waveform, pixel zoom, focus assist, peaking, and improved function buttons. Additional functions with updates of OS4.1 will include dual and quad view and 4K waveforms and scopes with regions of interest.The monitor can be mounted using the 110mm VESA pattern on the back or by thirty-six 1/4"-20 threads around the top and sides of the monitor. You can power the monitor using a 3-pin XLR input or by a separately available dual V-mount or Gold mount battery plate, and they are hot-swappable. You can also power peripherals from the monitor using the two 2-pin LEMO-type outputs, the two USB Type-A outputs, or the one USB Type-C output.Data inputs and output can be performed using the SD card slot to load 3D LUTs, and the monitor also features an RJ45 Ethernet port and an RJ45 GPI port for additional data and configuration. There is a 3.5mm headphone output to monitor the embedded audio.The monitor includes numerous accessories such as an acrylic screen protector, a 3' long HDMI cable, two 1/4"-20 cheese-style accessory mounting sticks, two 1/4"-20 and 3/8"-16 cheese-style accessory mounting sticks, monitor feet, a monitor handle, a 3-pin XLR power supply, an 8GB SD card, and a microfiber cleaning cloth.
Key Features- 24" UHD 4K monitor
- 1000:1 contrast ratio
- 1350 cd/m ? brightness
- Four 12G/6G/3G/HD-SDI inputs and four 12G/6G/3G/HD-SDI outputs
- One HDMI 2.0 input and one HDMI 2.0 output
- SD card slot for 3D LUTs
- One RJ45 Ethernet port
- One RJ45 GPI port
- 110mm VESA mounting on the back
- Thirty-six 1/4"-20 mounting threads on top and sides
- Smartrail mounting options
- 1/4"-20 and 3/8"-16 cheese-style mounting sticks included
SmallHD OS4.1- Internal calibration wizard
- Color pipe color-space formatting
- Settings dashboard for easy access to common settings
- Preconfigured pages
- Page tabs
- Customizable false color overlays
- Customizable 4K waveform with region-of-interest highlighting
- Improved function buttons
- Pixel zoom, focus assist, peaking
- Total UI overhaul
Power Options- One 3-pin XLR 12 to 24V, 12A input
- Two 2-pin LEMO 12V, 2A outputs
- Two USB Type-A 5V, 2.4A outputs
- Two USB Type-C 5V, 1.5A outputs
- Separately available V-mount or Gold mount battery plates
- XLR and battery options are hot-swappable
| Whether producing content for broadcast or cinema distribution, you can depend on SmallHD's 1703 P3 17" Studio Monitor to display accurate colors in professional studio and post-production settings. Each 1703 P3 is color calibrated by SmallHD to ensure consistently accurate color representation, with 100% coverage of both REC 709 and DCI-P3 color spaces. Should you find that the display requires recalibration, the Color Intelligence engine accepts LUTs from industry standard solutions.True 10-bit color depth can differentiate between 1024 levels of brightness, per channel, for smooth gradients essential for critical image analysis. While the LED backlight provides 450 cd/m ? of brightness, a special 100 cd/m ? "studio mode" provides accurate brightness levels for light-controlled post-production environments.Despite its many post-production friendly features, the 1703 P3 can tough it out in the production world with its milled aluminum body, RapidRail accessory mounting system, versatile power options, and wide selection of monitoring tools. Having a color-accurate monitor on set means that directors, clients, or DITs can have a dependable reference display for nearly any kind of production.
PageBuilder OS
Originally featured in the 500 and 700-series models, and extrapolated for the Production Monitor series, the PageBuilder OS is an intuitive graphical user interface (GUI) that puts all the advanced functionality of the 1703 at your fingertips. Rather than have confusing menus, this GUI allows you to selectively apply monitoring tools? such as waveforms, vectorscopes, multiview, and focusing aids? to different "pages". These pages can be easily flipped through using the joystick, or selected with the four quick-access buttons on the front panel. Additional buttons on the front panel can toggle monitoring tools on and off for each page.
ColorFlow 3D LUT Processing
To keep your images consistent from production through to post-production, ColorFlow allows you to import 3D LUTs and display the treated image side by side with the untreated image, to correctly gauge exposure while visualizing what is being recorded by the camera. A side-by-side preview can also be used with the HDR preview function. Separate LUT-treated images can be sent downstream over SDI and HDMI, so you can have the 1703 display a log image or LUT-treated image, while the director or client monitors connected to the outputs can receive images treated with a different LUT. An image capture function saves a still frame from the incoming video stream onto an SD card, and records the applied 3D LUT for post-production reference.
On Set Problem Solving
The PageBuilder OS has a dedicated "Output Preview" page which allows you to apply LUTs and other image adjustments specific to the output signal from the monitor. Whether you have your camera connected to the HDMI or SDI input on the 702 OLED, you are not limited by that protocol. The 702 OLED cross converts to ensure compatibility with downstream hardware.
HD Scopes
Fill the screen with up to three simultaneous scopes? including waveform, vectorscope, and histogram? while still being able to observe the camera feed. The Color Picker function can analyze the raw color values of any individual pixel in the frame.
Exposure Tools
Exposure Assist supports both ARRI and Spectrum-based false color, with built-in IRE guides for reference. Utilize 2x Zebra to warn you when reaching a brightness level of your choosing. This is great for matching exposure across shots and cameras.
Dual-View
View two video feeds side by side. The feeds can be from two different inputs to view angle options, or from the same source. Different adjustments can be applied to each feed, so you can have one feed with a flat uncorrected log image, and have the second feed display a corrected log image with a LUT. Monitoring tools can also be applied individually, so you can view a raw video feed side by side with a feed that has exposure tools or focus assists overlaid.
Focus Assist and Peaking Tools
Focus assist creates a bright highlight on in-focus subject matter? highly recommended when focusing on the fly. Focus Peaking increases the image sharpness, allowing for more detailed focusing. The color and intensity of the peaking can be adjusted to your preference.
RapidRail Shoe Mount System
Quickly secure and detach accessories such as wireless units to the rear of the monitor using standard shoe mount rails. This saves time over traditional screw-mounted methods and keeps your setup clean and neat. If required, these accessories can be powered straight off the monitor using the integrated 12V LEMO power output or the three USB ports.
Power Options
Separately available V-Mount or Gold Mount battery plates can be attached to the rear of the display. A mounted battery can power the monitor, as well as attached accessories, through the 12V LEMO connection. The USB ports on the rear of the monitor can also power accessories with a maximum draw of 0.5 amps per port. | CES 2018: What is the SMALL HD 703 Bolt 3000-NIT Monitor?Monitor your camera's feed completely free of wires with the SmallHD 703 Bolt 7" Wireless Director's Monitor Bundle. This bundle adds a Gold mount plate, side handles, and a neck strap to complement the monitor itself. Since the monitor can now operate on battery power from a separately available battery, with a compatible wireless connection, the 703 Bolt can be taken around the set fully untethered.Borrowing the wireless technology from Teradek, the 703 Bolt can receive uncompressed HD wireless signals from Bolt 500, 1000, or 3000 transmitters up to 300' away with no perceptible latency. With this feature, anyone can walk around the set while monitoring a camera feed, perfect for directors and camera assistants. Furthermore, despite the presence of a wireless receiver, the 703 Bolt maintains a slim profile similar to on-camera monitors.A unibody aluminum exterior keeps the monitor durable yet lightweight, while also acting as a heatsink for the internal electronics. The LCD panel itself is protected by a layer of optically-bonded Gorilla Glass, notable for its transparency and toughness. The optical bonding process ensures that blacks are not washed out and reduces the harshness of reflections.On the rear of the display is the SDI I/O. Having dual SDI ports allows for A/B viewing of two different SDI signals, or the secondary port can be assigned as an output for sending an SDI signal downstream to another monitor, switcher, or wireless accessory. All the functionality of the monitor is available via the PageBuilder OS, which provides advanced functionality with a simple and efficient graphical user interface.
PageBuilder OS
PageBuilder OS is an intuitive graphical user interface (GUI) that puts all the advanced functionality of the 703 Bolt at your fingertips. Rather than have confusing menus, this GUI allows you to selectively apply monitoring tools such as waveform, vectorscope, multiview, LUTs, and focusing aids on different "pages". These pages can be easily flipped through using the joystick. The buttons on the front panel can also toggle monitoring tools on and off for each page.
ColorFlow 3D LUT Processing
To keep your images consistent from production through to post-production, ColorFlow allows you to import 3D LUTs and display the treated image side-by-side with the untreated image to correctly gauge exposure while visualizing what is being recorded by the camera. Separate LUT-treated images can be sent downstream over SDI so you can have the 703 Bolt display a log image or LUT-treated image, while the director or client monitors connected to the outputs can receive images treated with a different LUT. An image capture function saves a still frame from the incoming video stream onto an SD card, and records the applied 3D LUT for post-production reference.
On-Set Problem Solving
PageBuilder OS has a dedicated "Output Preview" page which allows you to apply LUTs and other image adjustments specific to the output signal from the monitor. Whether you have your camera connected to the wireless or SDI inputs on the 703 Bolt, you are not limited by that connection; the 703 Bolt cross-converts to ensure compatibility with downstream hardware.
HD Scopes
Fill the screen with up to three simultaneous scopes, including waveform, vectorscope, and histogram, while still being able to observe the camera feed.
Exposure Tools
Exposure Assist supports both ARRI and Spectrum-based false color, with built-in IRE guides for reference. Utilize 2x Zebra to warn you when reaching a brightness level of your choosing. This is great for matching exposure across shots and cameras.
Customizable Focus Assist and Peaking Tools
As recording resolutions increase, so does the importance of focusing precision. With Focus Assist, you can highlight the areas that are in focus with a bright color. These highlights are easily visible on the fly for quick focus confirmation. Focus Peaking increases the sharpness of the image for a subtler focus confirmation without the need for bright outlines. The color and intensity of these tools are adjustable to fit your preference.
Versatile Frame Guides
Select standard markers and safety areas can be overlaid on the display as lines or matte overlays, with custom opacity level and colors. Default aspect ratios include 4:3, 1.85, 2.39:1, 16:9, and Custom (user-selectable). | Whether producing content for broadcast or cinema distribution, you can depend on the SmallHD 13" Production Monitor with Built-In Teradek Sidekick II Receiver to display accurate colors in professional studio and location settings. The built-in Sidekick II receiver makes this a small package of monitor and receiver that accepts 3D LUTS for monitoring from wireless transmitters or SDI sources. Each monitor is color-calibrated by SmallHD to ensure consistently accurate color representation, with 93% coverage of the NTSC color space. The Color Intelligence engine accepts LUTs from industry-standard solutions.True 10-bit color depth can differentiate between 1024 levels of brightness, per channel, for smooth gradients essential for critical image analysis. The LED backlight provides 1500 cd/m ? of brightness. The monitor can tough it out in the production world with its milled aluminum body, versatile power options, and a wide selection of monitoring tools. Having a color-accurate monitor on set means that directors, clients, or DITs can have a dependable reference display for nearly any kind of production.
Built-In Wireless Receiver
Compatible with Teradek Bolt 500, 1000, 3000, and Focus Bolt/Cine 7 500 transmitters.
PageBuilder OS
Originally featured in the 500 and 700-series models, and extrapolated for the Production Monitor series, the PageBuilder OS is an intuitive graphical user interface (GUI) that puts all the advanced functionality of the 1703 at your fingertips. Rather than have confusing menus, this GUI allows you to selectively apply monitoring tools such as waveform, vectorscope, multiview, and focusing aids to different "pages". These pages can be easily flipped through using the joystick, or selected with the four quick-access buttons on the front panel. Additional buttons on the front panel can toggle monitoring tools on and off for each page.
3D LUT Processing
To keep your images consistent from production through to post-production, import 3D LUTs and display the treated image side by side with the untreated image, to correctly gauge exposure while visualizing what is being recorded by the camera. A side-by-side preview can also be used with the HDR preview function. Separate LUT-treated images can be sent downstream over SDI and HDMI, so you can have the 1303 display a log image or LUT-treated image, while the director or client monitors connected to the outputs can receive images treated with a different LUT. An image capture function saves a still frame from the incoming video stream onto an SD card, and records the applied 3D LUT for post-production reference.
On-Set Problem Solving
The PageBuilder OS has a dedicated Output Preview page which allows you to apply LUTs and other image adjustments specific to the output signal from the monitor.
HD Scopes
Fill the screen with up to three simultaneous scopes, including waveform, vectorscope, and histogram, while still being able to observe the camera feed. The Color Picker function can analyze the raw color values of any individual pixel in the frame.
Exposure Tools
Exposure assist supports both ARRI and Rainbow false color. Utilize zebra lines to warn you when reaching a brightness level of your choosing. This is great for matching exposure across shots and cameras.
Focus Assist and Peaking Tools
Focus assist creates a bright highlight on in-focus subject matter? highly recommended when focusing on the fly. Focus Peaking increases the image sharpness, allowing for more detailed focusing. The color and intensity of the peaking can be adjusted to your preference. |
