| Content | Add professional monitoring and high-quality recording to virtually any camera with the ?Video Assist 5" 12G-SDI/HDMI HDR Recording Monitor ?from ?Blackmagic Design. It features a bright 5", 1920 x 1080 display with 2500 cd/m ? brightness to help you frame and focus your shots, and provides 12G-SDI and HDMI inputs for recording the video output from professional and consumer cameras. You can monitor and record HDR video up to DCI 4K, UHD 4K, 2K, or HD 10-bit 4:2:2 and up to 16 channels of embedded 24-bit 48 kHz audio.The Video Assist records using a single high-speed UHS-II SD slot to SDHC/XC memory cards. You can also use the USB 3.1 Gen 1 Type-C port to record to an external drive, as well as use it for configuring and upgrading the monitor. Video is recorded using industry-standard Apple ProRes (HQ, 422, LT, or Proxy) and Avid DNxHD and DNxHR codecs.The monitor's touchscreen interface allows you to adjust settings and access monitoring features such as histogram, waveform, RGB parade, vectorscope, and many more scopes and exposure tools. There is also a tally light on top of the monitor to indicate that it is operating and recording. To power the monitor, a 12V power adapter is included. It also has dual battery slots on the rear to power the monitor using separately available Sony L-series type batteries.Bright 5" Full HD DisplayThe display features a bright 5" 1920 x 1080 display with 2500 cd/m ? brightness for evaluating your shots. On-screen controls allow you to vary the brightness and contrast depending on the shooting situation.4K SupportMonitor and record DCI 4K, UHD 4K, 2K, and HD resolutions with 10-bit 4:2:2 HDR support. 3D LUTs are also supported12G-SDI and HDMI ConnectionsVideo and audio are captured using 12G-SDI and HDMI 1.4 inputs, allowing you to record from professional cameras and camcorders, as well as popular DSLRs and mirrorless cameras. The 12G-SDI BNC input even allows you to monitor Ultra HD footage. Loop-through outputs are provided so you can simultaneously display the live video or recorded clips on larger screens like 4K, 2K, or HD broadcast monitors or HDMI projectors while you monitor and record on the Video Assist. Up to eight channels of audio are embedded in the output and can also be monitored on headphones using the 3.5mm stereo jack.Touchscreen InterfaceThe display provides intuitive capacitive touchscreen controls. Swipe gestures make it simple and quick to show or hide settings, such as capture resolution and format, as well as screen brightness and contrast. You'll have access to additional controls, recording status, histogram, waveform, vectorscope, battery status, and more. The controls have a semi-transparent overlay, so you can still be able to keep an eye on every part of your shots.10-Bit 4:2:2 ProRes & DNxHD RecordingThe Blackmagic Video Assist records your video at the 10-bit 4:2:2 quality. Files are recorded to a single high-speed UHS-II slot using SDXC/HC cards in Apple ProRes (HQ, 422, LT, Proxy) or DNxHD and DNxHR codecs. These are industry-standard formats, so you can start editing immediately without having to convert the files.PowerA universal power supply is included so you can use the Video Assist anywhere using the 12 VDC input, or run off two Sony L-series type batteries in the dual battery slots. | The ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution). All inputs are frame synchronized, so non-genlocked sources can be used. Audio is supported via all SDI inputs plus 2 sets of dedicated analog stereo inputs via XLR and RCA. For in-the-box mixing, connect a computer running ATEM software control, and have immediate control of all audio channel inputs. Connections for timecode, reference, and control are also available. SDI outputs are available for program and preview, and they can operate at either HD or UHD resolutions, just like the inputs. Two preview outputs allow you to spread your multi-view over two displays.Like its namesake, the ATEM 4 M/E Broadcast Studio 4K features four mix-effects buses for creating advanced effects to boost production value. Within each mix-effects bus, there are 4 built-in upstream keyers, for a total of 16 keyers, enabling your production to take advantage of many video and graphics layers simultaneously. Two downstream keyers for bugs, logos, and global lower-thirds are also available. The built-in DVE processing lets you adjust video streams with control over size and rotation, plus, 3D borders, drop shadows, and lighting effects are also available.Other connectivity includes Ethernet for adding control surfaces, or for remote control over a network. USB connectivity allows for the ATEM switcher's firmware to be updated in the future, and for internal settings. The entire chassis of the ATEM 4 M/E Broadcast Studio 4K fits inside a standard 19" equipment rack, only requiring 2 RU of space. Internal redundant power supplies require separately available standard IEC cables for power.Creative TransitionsATEM live production switchers have a choice of transitions including Cut, Mix, Dip and Wipe patterns. Key frame based DVE moves, flying graphics and animated stingers are also integrated. Every transition is instantly available and you get full control of the transition type, pattern, length and more.Upstream KeyersATEM live production switchers include powerful upstream keying for broadcast effects. Layer live video, titles, graphics and animation over live video or graphic backgrounds with incredible quality using chroma, luma, linear and pattern keying. The ATEM 4 M/E Broadcast Studio 4K features 16 total upstream keyers for advanced layering.Downstream KeyersATEM switchers feature two downstream keyers so you can insert high quality graphics like logos, bugs and titles over the live 'on air' program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program. You can also easily bypass the downstream keyers by using the clean feed aux outputs. This means you can record the clean feed as your master and use the downstream keyers for overlays that you only want on air.DVEDigital video effects, or DVE, lets you control size, position, rotation of an incoming video stream and features 3D borders, drop shadows and lighting. You can save customized DVE positions and automatically trigger the picture to animate full screen or zoom.Audio MixerOpen the audio mixer control tab on your Mac or Windows device and you get complete multi track mixing control with level meters You can precisely direct camera and external audio with level and balance adjustments, enable and disable channels or activate audio follow video mode instantly. You can also connect to Mackie standard USB audio mixer panels, giving you hardware feedback and the feel of flying faders and meter displays.SuperSourceIn addition to the mix-effects buses, keyers, and video effects, SuperSource layering provides an additional 4 independent DVE channels so you can resize and position live cameras, video replays, broadcast graphics and more. SuperSource is like having an additional multi-layer VFX switcher built in. For example, you would be able to take four video feeds and incorporate them picture-in-picture for live interviews during your broadcast.Multiview FlexibilityMulti view makes it easy to see your cameras, graphics, preview and program outputs on single screen. That means you don't need lots of monitors to see all your individual cameras. Use the two multiview outputs to spread up to 16 inputs across two screens.Switchable TV StandardsWith the ATEM 4 M/E Broadcast Studio 4K you have the flexibility to work in different standards at any time. If your other equipment only supports HD, the ATEM 4 M/E Broadcast Studio 4K has the processing capabilities for switching to 4K when you're ready.Internal Media PlayersYou can store broadcast quality RGBA graphics in the media pool ready for instant playback via the ATEM media players. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG and TIFF are supported.Photoshop CC PluginWith the included Photoshop CC plug-in, you can create graphics live and then instantly download them into the ATEM media pool. Designers can create professional broadcast graphics such as logos, lower thirds, scorecards and other real-time graphics that can be downloaded directly to instantly change live graphics as they come in.>In the Box- Blackmagic Design ATEM 4 M/E Broadcast Studio 4K
>Not in the Box- Essential ?Required Power Cable ?(Not Included)
| Take a compact broadcast-quality record/playback deck with you on location, in the studio, or built into a rack with the Blackmagic Design HyperDeck Studio HD Mini. The 1 RU tall recorder is ?1/2 of a rack wide and powers from 100 to 240 VAC, or via an optional 12 VDC power supply for portability. Featuring one 6G-SDI input, one HDMI 2.0 input, two 6G-SDI outputs, and one HDMI 2.0 output, this unit is a compact recording/playout powerhouse. A loop-through output and 3G-SDI monitor output, as well as reference and timecode in/out, allow this device to fit into a broadcast environment.Two SD card slots allow you to capture with virtually unlimited record time, and the unit also supports recording to USB disks via the USB Type-C output port. The HyperDeck Studio HD Mini features a front-panel button control and a jog/shuttle wheel for an analog scrubbing feel. RS-422 control is supported for external control, and you can also control the unit using either the USB port or over Ethernet at 1G speeds for faster deck control and file transfers via the RJ45 connector. An integrated LCD on the front panel allows you to monitor the video.UHD 4K Recording and PlaybackThe HyperDeck Studio HD Plus records UHD and DCI 4K video at up to 30 fps. The 6G-SDI outputs allow fill and key playback up to 1080p60.Video Inputs6G-SDI, and HDMI 2.0 inputs.Video OutputsTwo SDI outputs support 1080p60 and 2160p30, and a loop-through output sends the input signal downstream to monitors, switchers, or other devices.HDRThe HyperDeck Studio HD Plus supports HDR video and 33-point LUTS on the 3G-SDI output.Supported CodecsProRes: ?Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime.DNxHD: ?DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fpsH.264: ?H.264 SDI 4:2:2 10-bit, H.264 High 420 8-bit, H.264 Medium 4:2:0 8-bit, H.264 Low 4:2:0 8-bit for all progressive formats up to 1080p60VTR-Style ControlsFeatures VTR-style front-panel controls for record and playback; a built-in jog/shuttle wheel provides analog-style control over your playback. Broadcast-style deck control front-panel buttons connect to a dedicated RS-422 output.RemoteThe unit is controllable via RS-422 control and over the Ethernet or USB port.Built-In LCD MonitorThe unit's front panel also features a built-in LCD screen that allows you to monitor input or play back video.Audio OutputThe unit features a built-in speaker as well as a 1/4" headphone jack.Included SoftwareThe HyperDeck Studio HD Mini includes Blackmagic OS and Blackmagic HyperDeck Setup. | Step your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.The front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers. Canon EF and Nikon F mounts are available separately for shooters who have their own glass.The new Super35 sensor at the heart of the URSA Mini Pro 12K has been optimized for capturing multiple resolutions and features equal amounts of red, green, and blue pixels. Shoot at 12K for smooth oversampling or use the URSA Mini Pro 4K's in-sensor scaling to capture 8K or 4K Raw at rates up to 120 fps without cropping or a change in your field of view. The massive 12K sensor can also be used to select shots in 8K or 4K, essentially providing a multicamera look by reframing from a single camera output.The dual CFast or UHS-II SD card option splits the recording between two cards, enabling you to capture up to 12K or 8K raw even at higher frame rates. With Blackmagic Raw, the URSA Mini Pro 12K offers constant-quality compression rates, several constant bit-rate options for predictable file sizes. Blackmagic Raw provides outstanding resolution for compositing, keying, tracking, and more. Blackmagic Raw is also optimized to work with the URSA Mini Pro 12K's raw files, saving the need to also create proxies.Blackmagic's new Generation 5 Color Science offers a new film curve, enabling the URSA Mini Pro 12K to capture more natural skin tones and a better rendering of richly saturated colors in high-contrast scenes.Even with 12K providing almost 10 times the resolution of UHD 4K, this versatile pro cine camera offers a trio of recording options. Record to the integrated dual CFast or UHS-II SD card recorders, or use the SuperSpeed USB Type-C expansion port for recording to fast SATA and NVMe drives.An evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots. Additional camera features include 12G-SDI input and output, a 4" fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio. A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post. Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.>Features12,288 x 6480 12K Super35 sensor14 stops of dynamic range80MP per frame; new color science12K 2.4:1 imaging up to 75 fps, 8K and DCI 4K up to 120 fps8K and 4K anamorphic: up to 160 fps, Super16 4K to 240 fpsFlexible Blackmagic Raw recording options plus raw stills captureBroadcast lens connector supportDual CFast and UHS-II SD card recordersRaw compression levels up to 18:1SuperSpeed USB Type-C expansion port for external recordingMetadata support and timecode clockRich Film Look with Digital DefinitionThe URSA Mini Pro 12K's massive resolution gives you the immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look.Super35 12K Sensor Delivers a Cinematic ViewThe URSA Mini Pro 12K's new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.Interchangeable PL Lens MountDelivered with a PL mount, the URSA Mini Pro 12K's interchangeable lens mount enables you to quickly switch to a Canon-EF or Nikon-F mount, providing compatibility with a wide array of professional cinema and still lenses.Efficient 12-Bit Raw Workflow in 12K with Blackmagic RawA new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.Two Encoding MethodsChoose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.Generation 5 Color ScienceThe Gen 5 Color science's new film curve takes advantage of the huge amounts of color data produces by the URSA Mini Pro 12K's sensor. The result is more attractive skin tones and improved color saturation for images like neon signs and car taillights.Flexible, High-Bandwidth Recording OptionsDual built-in CFast and UHS-II SD card slots and a SuperSpeed USB Type-C expansion port provide three methods for capturing 12K video. A "Record Raw on 2 Cards" option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB/s to two CFast cards, or to 500 MB/s to two UHS-II SD cards. The third option is capturing to NVMe SSD drives via a USB Type-C 3.1 Gen 2 port at rates up to 10 Gb/s. |
Blackmagic ?Video Assist 5" ?3GThis model supports video formats up to 1080p60 and has? a ?large 5" ?LCD with focus peaking, zebra and false color. Connections include 3G? SDI and ?HDMI. This model includes a ?single SD ?Card recorder for ProRes recording. Other features include WFM, vector, histogram and RGB parade scopes ?plus 3D ?LUTs! Portable 5 ?inch monitor, professional recorder and scopes for any SDI or HDMI camera in all formats up to ?1080p60! Key Features- 1920 x 1080 5" Touchscreen LCD
- HDMI and 3G-SDI Video Inputs
- Records up to 1080p60 Video
- Stores to 1 x SDHC/SDXC Memory Card
| The ?ATEM 2 M/E Advanced Panel ?is a highly sophisticated advancement of previous panel models as a companion to separately available professional ATEM switchers from ?Blackmagic Design. Using features such as high-quality buttons, knobs, fader bars, and a 3-axis joystick, you'll be able to customize the extensive panel to your precise needs.Complex live productions require a versatile control panel, and the ATEM 2 M/E Advanced Panel allows you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and it also sports 8 on-air indicators. The panel features two rows of M/E with 20 input buttons per row, two system control LCDs, independent LCDs for custom labeling of every row and button, 20 direct cross points, 40 shifted cross points, two preview transitions, and various DSK transition selectors such as Auto, Cut, and Tie/Preview.The ATEM 2 M/E Advanced Panel connects to the switcher via 10/100/1000 BaseT Ethernet, and there are four Ethernet loop outputs for connecting to another panel or to a media-management computer. The panel receives firmware updates via its USB Type-C input.>Key FeaturesTri-color LED crosspoint buttons, 20 direct cross points and 40 shifted cross pointsTwo M/E rows with 20 input buttons in each rowTwo system control LCDs for each row and LCDs for customizing labels for each buttonTwo fader bars, 3-axis joystick, numeric keypadEight on-air indicatorsTwo transition previews with transition rate displayCompatible Operating SystemsmacOS 10.14 Mojave, 10.15 Catalina or later
Windows 10, 64-bit |
