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Blackmagic Design URSA Mini Pro 12K (PL)

SKU: AWP010130

Blackmagic Design URSA Mini Pro 12K (PL)

Key Features

  • 12K Super35 HDR CMOS Sensor
  • 12K 17:9 to 60 fps/12K 2.4:1 to 75 fps
  • DCI 8K to 120 fps/14 Stops Dynamic Range
  • User-Changeable PL Lens Mount
  • 4K Super16 up to 220 fps
  • 80MP/frame Blackmagic Raw
  • Dual CFast or SD Card Recording
  • USB Type-C Recording to Disk/SSD
SKU: AWP010130 Category: Tag:

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Description

Step your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.

The front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers. Canon EF and Nikon F mounts are available separately for shooters who have their own glass.

The new Super35 sensor at the heart of the URSA Mini Pro 12K has been optimized for capturing multiple resolutions and features equal amounts of red, green, and blue pixels. Shoot at 12K for smooth oversampling or use the URSA Mini Pro 4K’s in-sensor scaling to capture 8K or 4K Raw at rates up to 120 fps without cropping or a change in your field of view. The massive 12K sensor can also be used to select shots in 8K or 4K, essentially providing a multicamera look by reframing from a single camera output.

The dual CFast or UHS-II SD card option splits the recording between two cards, enabling you to capture up to 12K or 8K raw even at higher frame rates. With Blackmagic Raw, the URSA Mini Pro 12K offers constant-quality compression rates, several constant bit-rate options for predictable file sizes. Blackmagic Raw provides outstanding resolution for compositing, keying, tracking, and more. Blackmagic Raw is also optimized to work with the URSA Mini Pro 12K’s raw files, saving the need to also create proxies.

Blackmagic’s new Generation 5 Color Science offers a new film curve, enabling the URSA Mini Pro 12K to capture more natural skin tones and a better rendering of richly saturated colors in high-contrast scenes.

Even with 12K providing almost 10 times the resolution of UHD 4K, this versatile pro cine camera offers a trio of recording options. Record to the integrated dual CFast or UHS-II SD card recorders, or use the SuperSpeed USB Type-C expansion port for recording to fast SATA and NVMe drives.

An evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots. Additional camera features include 12G-SDI input and output, a 4″ fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio. A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post. Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.

>Features

12,288 x 6480 12K Super35 sensor

14 stops of dynamic range

80MP per frame; new color science

12K 2.4:1 imaging up to 75 fps, 8K and DCI 4K up to 120 fps

8K and 4K anamorphic: up to 160 fps, Super16 4K to 240 fps

Flexible Blackmagic Raw recording options plus raw stills capture

Broadcast lens connector support

Dual CFast and UHS-II SD card recorders

Raw compression levels up to 18:1

SuperSpeed USB Type-C expansion port for external recording

Metadata support and timecode clock

Rich Film Look with Digital Definition

The URSA Mini Pro 12K’s massive resolution gives you the immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look.

Super35 12K Sensor Delivers a Cinematic View

The URSA Mini Pro 12K’s new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.

Interchangeable PL Lens Mount

Delivered with a PL mount, the URSA Mini Pro 12K’s interchangeable lens mount enables you to quickly switch to a Canon-EF or Nikon-F mount, providing compatibility with a wide array of professional cinema and still lenses.

Efficient 12-Bit Raw Workflow in 12K with Blackmagic Raw

A new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.

Two Encoding Methods

Choose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.

Generation 5 Color Science

The Gen 5 Color science’s new film curve takes advantage of the huge amounts of color data produces by the URSA Mini Pro 12K’s sensor. The result is more attractive skin tones and improved color saturation for images like neon signs and car taillights.

Flexible, High-Bandwidth Recording Options

Dual built-in CFast and UHS-II SD card slots and a SuperSpeed USB Type-C expansion port provide three methods for capturing 12K video. A “Record Raw on 2 Cards” option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB/s to two CFast cards, or to 500 MB/s to two UHS-II SD cards. The third option is capturing to NVMe SSD drives via a USB Type-C 3.1 Gen 2 port at rates up to 10 Gb/s.

Barcode: 9338716006834

Quick Comparison

SettingsBlackmagic Design URSA Mini Pro 12K (PL) removeBlackmagic Design Pocket Cinema Camera 6K/4K Battery Grip removeBlackmagic Design ATEM Mini Extreme ISO removeBlackmagic Design ATEM 4 M/E Advanced Panel removeBlackmagic Design ATEM Constellation 8K removeBlackmagic Design Video Assist 5" 12G-SDI/HDMI HDR Recording Monitor remove
NameBlackmagic Design URSA Mini Pro 12K (PL) removeBlackmagic Design Pocket Cinema Camera 6K/4K Battery Grip removeBlackmagic Design ATEM Mini Extreme ISO removeBlackmagic Design ATEM 4 M/E Advanced Panel removeBlackmagic Design ATEM Constellation 8K removeBlackmagic Design Video Assist 5" 12G-SDI/HDMI HDR Recording Monitor remove
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DescriptionKey Features
  • 12K Super35 HDR CMOS Sensor
  • 12K 17:9 to 60 fps/12K 2.4:1 to 75 fps
  • DCI 8K to 120 fps/14 Stops Dynamic Range
  • User-Changeable PL Lens Mount
  • 4K Super16 up to 220 fps
  • 80MP/frame Blackmagic Raw
  • Dual CFast or SD Card Recording
  • USB Type-C Recording to Disk/SSD
Key Features
  • For BMPCC 6K or BMPCC 4K Camera
  • Attaches to Bottom of Camera
  • Runs on 2 L-Series Type Batteries
  • Powers Camera for up to 2 Hours
  • Charge Batteries in Grip via Camera
  • Carbon Fiber Design
  • Non-Slip Handgrips
  • Slide-Out Battery Tray
  • Storage Slot for Battery Door Cover
Key Features
  • 8-Channel HDMI Live Streaming Switcher
  • Supports up to 1080p60
  • RTMP Streaming via Ethernet or USB-C
  • Record Program Out and Individual Inputs
  • 11-Input, 2-Channel Audio Mixer
  • Input Frame Rate and Format Converter
  • Re-Sync on All HDMI Inputs
  • HD Multiview Output with up to 16 Views
  • Local and Software Switching
  • 4 x Upstream, 2 x Downstream Keyers
Key Features
  • Panel for ATEM Constellation Switcher
  • High-Quality Buttons / Knobs / Controls
  • 4 M/E Rows, 40 Input Buttons Each Row
  • 24 Independent, 4 System Control LCDs
The ?ATEM 4 M/E Advanced Panel ?is a highly sophisticated advancement of previous panel models as a companion to separately available professional ATEM switchers such as the separately available ATEM Constellation Switcher from ?Blackmagic Design.
Key Features
  • 40 x 12G-SDI Inputs, 2 x 12G-SDI Outputs
  • 24 x 12G-SDI AUX Outputs
  • Standards Converter on Each Input
  • 4 x DVE, 16 x Keyers
The ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs.
Key Features
  • 5" 1920 x 1080 Touchscreen LCD
  • Record up to DCI or UHD 4K HDR Video
  • HDMI and 12G-SDI Video Inputs & Outputs
  • 10-Bit, 4:2:2 ProRes & DNxHD Encoding
Add professional monitoring and high-quality recording to virtually any camera with the ?Video Assist 5" 12G-SDI/HDMI HDR Recording Monitor ?from ?Blackmagic Design.
ContentStep your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.The front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers. Canon EF and Nikon F mounts are available separately for shooters who have their own glass.The new Super35 sensor at the heart of the URSA Mini Pro 12K has been optimized for capturing multiple resolutions and features equal amounts of red, green, and blue pixels. Shoot at 12K for smooth oversampling or use the URSA Mini Pro 4K's in-sensor scaling to capture 8K or 4K Raw at rates up to 120 fps without cropping or a change in your field of view. The massive 12K sensor can also be used to select shots in 8K or 4K, essentially providing a multicamera look by reframing from a single camera output.The dual CFast or UHS-II SD card option splits the recording between two cards, enabling you to capture up to 12K or 8K raw even at higher frame rates. With Blackmagic Raw, the URSA Mini Pro 12K offers constant-quality compression rates, several constant bit-rate options for predictable file sizes. Blackmagic Raw provides outstanding resolution for compositing, keying, tracking, and more. Blackmagic Raw is also optimized to work with the URSA Mini Pro 12K's raw files, saving the need to also create proxies.Blackmagic's new Generation 5 Color Science offers a new film curve, enabling the URSA Mini Pro 12K to capture more natural skin tones and a better rendering of richly saturated colors in high-contrast scenes.Even with 12K providing almost 10 times the resolution of UHD 4K, this versatile pro cine camera offers a trio of recording options. Record to the integrated dual CFast or UHS-II SD card recorders, or use the SuperSpeed USB Type-C expansion port for recording to fast SATA and NVMe drives.An evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots. Additional camera features include 12G-SDI input and output, a 4" fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio. A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post. Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.>Features12,288 x 6480 12K Super35 sensor14 stops of dynamic range80MP per frame; new color science12K 2.4:1 imaging up to 75 fps, 8K and DCI 4K up to 120 fps8K and 4K anamorphic: up to 160 fps, Super16 4K to 240 fpsFlexible Blackmagic Raw recording options plus raw stills captureBroadcast lens connector supportDual CFast and UHS-II SD card recordersRaw compression levels up to 18:1SuperSpeed USB Type-C expansion port for external recordingMetadata support and timecode clockRich Film Look with Digital DefinitionThe URSA Mini Pro 12K's massive resolution gives you the immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look.Super35 12K Sensor Delivers a Cinematic ViewThe URSA Mini Pro 12K's new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.Interchangeable PL Lens MountDelivered with a PL mount, the URSA Mini Pro 12K's interchangeable lens mount enables you to quickly switch to a Canon-EF or Nikon-F mount, providing compatibility with a wide array of professional cinema and still lenses.Efficient 12-Bit Raw Workflow in 12K with Blackmagic RawA new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.Two Encoding MethodsChoose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.Generation 5 Color ScienceThe Gen 5 Color science's new film curve takes advantage of the huge amounts of color data produces by the URSA Mini Pro 12K's sensor. The result is more attractive skin tones and improved color saturation for images like neon signs and car taillights.Flexible, High-Bandwidth Recording OptionsDual built-in CFast and UHS-II SD card slots and a SuperSpeed USB Type-C expansion port provide three methods for capturing 12K video. A "Record Raw on 2 Cards" option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB/s to two CFast cards, or to 500 MB/s to two UHS-II SD cards. The third option is capturing to NVMe SSD drives via a USB Type-C 3.1 Gen 2 port at rates up to 10 Gb/s.Get up to double the standard camera runtime with the ?Pocket Cinema Camera 6K/4K Battery Grip ?from ?Blackmagic Design. Powered by two Sony L-series type batteries, the grip mounts on the bottom of the BMPCC 6K or 4K camera and features a sleek, carbon fiber design.The grip's two batteries enable you to run your BMPCC 6K/4K camera for up to two hours or to provide power to an external flash drive. When you're not shooting, the batteries can be charged in the grip using your camera's DC connection. The grip's design creates a larger, non-slip handgrip and it incorporates a storage slot for your camera's battery door cover.>CompatibilityBlackmagic Pocket Cinema Camera 6K Blackmagic Pocket Cinema Camera 4KFeatures
  • Runs on two Sony L-series type batteries
  • Powers camera for up to two hours
  • Powers external flash drives
  • Comfortable, non-slip handgrips
  • Compact, carbon fiber design
The ?Blackmagic Design ATEM Mini Extreme ISO ?is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.Switch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO has HDMI outputs to feed monitors and supports up to 16-screen multiview.Stream LiveLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.Control InterfaceThe front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme ISO are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI "AUX" output for program video.OutputYou can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.4G and 5G Phone SupportIf you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.Multiview MonitoringYou can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.Camera ControlThe ATEM Mini Extreme ISO can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.Media PoolThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.CompatibilityIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M/E, ATEM 2 M/E, and ATEM 4 M/E Advanced Panels. The ATEM Mini Extreme ISO can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.RecordingThe ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. The Mini Extreme ISO also allows you to record the eight input video channels as MP4 files. This allows you to directly upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.DaVinci Resolve IntegrationThe Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.Video EffectsOne of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.AudioWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are all connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.Broadcast FeaturesHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.The ?ATEM 4 M/E Advanced Panel ?is a highly sophisticated advancement of previous panel models as a companion to separately available professional ATEM switchers such as the separately available ATEM Constellation Switcher from ?Blackmagic Design. Using the numerous buttons, knobs, four fader bars, and a 3-axis joystick, you'll be able to customize your panel's operation to your precise needs.Complex live productions require a versatile, programmable control panel, and the ATEM 4 M/E Advanced Panel allows you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and it also sports 20 on-air indicators. The panel features four rows of M/E with 40 input buttons per row, four system control LCDs, 24 independent LCDs for custom labeling, 40 direct cross points, 80 shifted cross points, four preview transitions, and various DSK transition selectors such as Auto, Cut, and Tie/Preview.The ATEM 4 M/E Advanced Panel connects to the switcher via 10/100/1000 BaseT Ethernet, and there are four Ethernet loop outputs for connecting to another panel or to a media-management computer. The panel receives firmware updates via its USB Type-C input.>Key FeaturesTri-color LED cross point buttons, 40 direct cross points, and 80 shifted cross pointsFour M/E rows, 40 input buttons per rowFour system control LCDs for each row and 24 LCDs for customizing labels for each button on every rowFader bar, 3-axis joystick, numeric keypad20 on-air indicatorsFour transition previews with transition rate displayCompatible Operating SystemsmacOS 10.14 Mojave, 10.15 Catalina or later Windows 10, 64-bitThe ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs. Each input has its own standards converter, which allows you to seamlessly switch between inputs no matter what format it is. The Constellation 8K incorporates four DVE, 16 Keyers, and four media players, allowing for flexibility in creating your program. Four multiview outputs enable viewing 4, 7, 10, 13, or 16 simultaneous views.The relatively large LCD view screen on the front of the unit displays the input video with a label of the input number. You can control the Constellation 8K locally via the front panel buttons, or you can use the built-in Ethernet connector to control the system from a computer using the included control panel software. The built-in Fairlight audio mixer supports 80 channels of de-embedded audio from SDI, plus 64 channels via MADI in. Talkback functionality is available via the 5-pin XLR on the front of the unit, or the RJ12 connector on the back.GeneralThe ATEM Constellation 8K features the following built-in capabilities:
  • 16 upstream keyers in Ultra HD, 4 in 8K supporting chroma, linear, and luma keying
  • 4 downstream keyers in Ultra HD, 2 in 8K.
  • 16 advanced chroma keyers in Ultra HD, 4 in 8K
  • Talkback communication is supported
  • Mix-minus is supported
  • There are 4 transition keyers (Stinger/DVE)
  • Supports up to 28 layers in UHD and 7 layers in 8K
  • 21 pattern generators are available in Ultra HD, while only 9 are available in 8K
  • Support for 2 color generators
  • 4 DVE with 3D borders and drop shadow are supported in Ultra HD; one is supported in 8K
  • Control is via front push-button switching with illuminated buttons, software, or an optional hardware panel.
  • 64 routable windows in Ultra HD, and 16 in 8K
  • Tally support (red for program, green for preview)
ATEM Software Control PanelThe included ATEM Software Control Panel provides control over the switcher. Featuring a well-designed interface with a visual switcher and parameter palettes for making quick adjustments, the ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders.Built-In Fairlight Audio MixerThe ATEM Constellation features a built-in Fairlight audio mixer that makes it possible to do extremely complex live sound mixing. The internal mixer supports up to 156 channels. Eighty mixer channels are de-embedded from the SDI inputs, and each input channel features a high-quality 6-band parametric EQ and compressor, limiter, expander, and noise gate, as well as full panning. Extra channels for the analog input, talkback microphone, and media players are supported as well, and the audio mixing features can be controlled via the ATEM Software Control, a Mackie-compatible panel, or Fairlight Audio Console.Advanced KeyersThe ATEM Constellation 8K features 16 ATEM Advanced Keyers for high-quality chroma or luminance keying. The chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Precise controls for edge and flare are supported, and there is even a foreground color corrector, so you can match the "look" of the foreground layer to the background layer for making seamless compositions. The keyer can also be used for pattern and DVE keying. Then when you switch to 8K, you still get four independent full-resolution 8K ATEM Advanced Keyers.Built-In TransitionsBuilt into the ATEM Constellation 8K is a variety of broadcast-quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border color, border width, position, and direction. Transitions are in full 8K native. Also included are DVE transitions, suitable for graphic wipes and stingers when used with the internal media players.Media PoolThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two media players. The media pool can hold up to 24 full-resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD, or 1600 frames in 1080 HD.
Add professional monitoring and high-quality recording to virtually any camera with the ?Video Assist 5" 12G-SDI/HDMI HDR Recording Monitor ?from ?Blackmagic Design. It features a bright 5", 1920 x 1080 display with 2500 cd/m ? brightness to help you frame and focus your shots, and provides 12G-SDI and HDMI inputs for recording the video output from professional and consumer cameras. You can monitor and record HDR video up to DCI 4K, UHD 4K, 2K, or HD 10-bit 4:2:2 and up to 16 channels of embedded 24-bit 48 kHz audio.The Video Assist records using a single high-speed UHS-II SD slot to SDHC/XC memory cards. You can also use the USB 3.1 Gen 1 Type-C port to record to an external drive, as well as use it for configuring and upgrading the monitor. Video is recorded using industry-standard Apple ProRes (HQ, 422, LT, or Proxy) and Avid DNxHD and DNxHR codecs.The monitor's touchscreen interface allows you to adjust settings and access monitoring features such as histogram, waveform, RGB parade, vectorscope, and many more scopes and exposure tools. There is also a tally light on top of the monitor to indicate that it is operating and recording. To power the monitor, a 12V power adapter is included. It also has dual battery slots on the rear to power the monitor using separately available Sony L-series type batteries.Bright 5" Full HD DisplayThe display features a bright 5" 1920 x 1080 display with 2500 cd/m ? brightness for evaluating your shots. On-screen controls allow you to vary the brightness and contrast depending on the shooting situation.4K SupportMonitor and record DCI 4K, UHD 4K, 2K, and HD resolutions with 10-bit 4:2:2 HDR support. 3D LUTs are also supported12G-SDI and HDMI ConnectionsVideo and audio are captured using 12G-SDI and HDMI 1.4 inputs, allowing you to record from professional cameras and camcorders, as well as popular DSLRs and mirrorless cameras. The 12G-SDI BNC input even allows you to monitor Ultra HD footage. Loop-through outputs are provided so you can simultaneously display the live video or recorded clips on larger screens like 4K, 2K, or HD broadcast monitors or HDMI projectors while you monitor and record on the Video Assist. Up to eight channels of audio are embedded in the output and can also be monitored on headphones using the 3.5mm stereo jack.Touchscreen InterfaceThe display provides intuitive capacitive touchscreen controls. Swipe gestures make it simple and quick to show or hide settings, such as capture resolution and format, as well as screen brightness and contrast. You'll have access to additional controls, recording status, histogram, waveform, vectorscope, battery status, and more. The controls have a semi-transparent overlay, so you can still be able to keep an eye on every part of your shots.10-Bit 4:2:2 ProRes & DNxHD RecordingThe Blackmagic Video Assist records your video at the 10-bit 4:2:2 quality. Files are recorded to a single high-speed UHS-II slot using SDXC/HC cards in Apple ProRes (HQ, 422, LT, Proxy) or DNxHD and DNxHR codecs. These are industry-standard formats, so you can start editing immediately without having to convert the files.PowerA universal power supply is included so you can use the Video Assist anywhere using the 12 VDC input, or run off two Sony L-series type batteries in the dual battery slots.
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