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Blackmagic Design URSA Broadcast Camera

Weight8.1 kg
Dimensions15 × 9 × 8 cm

Blackmagic Design URSA Broadcast Camera

  • 4K CMOS Sensor
  • Compatible with 2/3″ B4 Lenses
  • UHD 4K and 1080p up to 60 fps
  • Records to Apple ProRes and Avid DNx

The ?Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3″ broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will

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Description

The ?Blackmagic Design URSA Broadcast Camera ?is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3″ broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. The sensor itself features UHD 4K resolution which can facilitate native UHD recording, or downscaled HD recording for productions that don’t require the extra resolution. Video can be recorded to UHS-II SD cards or CFast 2.0 cards, with the latter capable of recording raw Cinema DNG files for further flexibility in post-production.

The camera really comes into its own when combined with the separately available URSA Mini Shoulder Kit and EVF. VCT-14 compatibility plus the ability to go shoulder-mounted when you need to is an important aspect of this camera. When shoulder-mounted, a connected B4 lens’s grip and the EVF form points of contact for comfortable and stable shooting. Additionally, a 20-pin lens communication port allows for the URSA Broadcast to communicate with B4 lens servos.

The body itself is designed to be intuitive, with buttons and switches intelligently placed for muscle memory and on-the-fly adjustments. ISO/gain, shutter speed, and white balance are all available on classic toggle switches, while a traditional ND filter wheel lets you reduce the light hitting the sensor for full control over your image. Connections for audio in, video out, plus timecode/genlock input are available on industry-standard connectors, enabling them to interface with professional gear right out of the box.

When you’re not in the thick of a shooting day, open the LCD display to access the deeper camera menus and adjust global settings. While standard REC. 709 color is available for broadcast compatibility, extended video mode offers an optional look that has high contrast, yet takes advantage of the 12-stop dynamic range present in the sensor for smoother highlights without the washed-out look common in picture profiles with high dynamic ranges.

If you’re setting up the URSA Broadcast for live studio production, separately available fiber converters and studio viewfinders are available. The fiber converter provides all the studio connectivity over a single fiber optic cable, with further adjustments and connections available on the converter itself. Even if your studio produces HD content, the URSA Broadcast only needs to be the first step towards a UHD workflow. When the rest of your studio is UHD-compatible, the URSA Broadcast will be ready for your next UHD production.

Two Cameras in One

The URSA Broadcast was designed to function equally well as a studio camera, or as an ENG/EFP camcorder for both HD and UHD 4K productions. With the separately available shoulder-mount kit, the URSA Broadcast can slot into a studio sled or be used atop an operator’s shoulder, ENG-style.

Standard Media and Formats

Media recorded by the URSA Broadcast should need no transcoding. Apple ProRes and Avid DNx can be recorded straight to UHS-II SD cards or CFast 2.0 cards. Just offload the media from the cards, and you can go straight to editing. You can even record lossless or compressed 12-bit CinemaDNG raw files for high-quality programming and post-production workflows. With dual slots for each media type, URSA Broadcast gives you the option for redundant or relay recording. When the first card is full, recording automatically continues onto the next card, so you can swap one card while continuing recording on the other.

B4 Lens Compatibility

While the 4K sensor used in the URSA Broadcast is larger than the familiar 2/3″-type used with traditional B4 glass, a high-quality optical expander built into the mount enlarges the image circle for full sensor coverage. Many high-quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don’t need to chase focus as you shoot. That lets you work much faster because you don’t need to change lenses or refocus between close-up, medium, and wide shots, which is perfect when you’re following the action in fast-paced scenarios.

HD Downscaling

For productions only requiring HD resolutions, the 4K image coming off the sensor can be downscaled prior to recording for smooth 1080p or 1080i image rendering. Since the entire sensor is scanned, the full dynamic range of the sensor remains intact and no aliasing artifacts will be introduced.

Optical ND Filters

Spin the ND filter wheel to access 1/4, 1/6, and 1/64 ND filters. These filters are designed in accordance with the URSA Broadcast’s sensor, ensuring minimal difference in colorimetry. The filters also block IR wavelengths to prevent IR pollution when reducing visible light with NDs. ND filter values can be displayed as either a fraction, ND value, or stop reduction on the LCD or in the separately available EVF.

Body Design

Like traditional broadcast cameras, the URSA Broadcast features familiar external mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. You also get a 4″ foldout touchscreen for either monitoring or controlling the camera via software interface that provides full redundancy for all the external controls and camera functions. On the operator’s side of the camera, a dedicated backlit LCD shows essential information, such as current shooting frame rate, shutter angle, aperture, white balance, gain, iris, battery level, and audio meters, at a glance. Additionally, full-sized standard connections for audio via XLR connectors, SDI via BNC connectors, and broadcast power input via a standard 4-pin XLR 12V DC connector are available.

Slow Motion Recording

Whether you’re shooting a sporting event or breaking news story, the URSA Broadcast has you covered for slow motion. To shoot slow motion video, the camera records at higher frame rates and plays back at standard video frame rates. You can set up your preferred high-speed frame rate using the camera’s on-screen menus, and then switch between standard sync speed and off-speed frame rates with the touch of a button on the side of the camera. URSA Broadcast can capture full-resolution Ultra HD at up to 60 frames per second.

Built-In Audio Recording

URSA Broadcast has a high-quality microphone and professional audio recorder built-in so you don’t have to bring a separate recorder. The built-in stereo microphone can be used for recording scratch audio, or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotguns to wireless clip-on mics. With two microphone inputs, you can record a reporter in the field wearing a lapel or handheld mic, while also capturing ambient sounds from the second input. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. URSA Broadcast also features external knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder-mounted.

Adaptable for Different Lenses

URSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you’re just starting out you can use low-cost, high-quality EF photographic lenses and then change to more expensive lenses when you’re ready. Using an EF, PL, or F mount lens is a fantastic option when permanently rigging and mounting cameras in locked-off positions on set, so you don’t tie up broadcast lenses for camera positions without operators. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. URSA Broadcast comes with a B4 mount already installed, and you can also purchase optional PL, EF, and F mounts separately as needed.

Blackmagic OS

URSA Broadcast features the advanced Blackmagic OS with an intuitive user interface that lets you use simple tap and swipe gestures. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work. You can set up the camera, enter metadata, and more. Plus, the software duplicates all the physical buttons and switches on the camera so you get full redundancy. The unique heads-up display puts commonly used functions at your fingertips so you can tap on a control and quickly adjust without having to navigate through complex menus. The digital slate makes entering metadata fast with its built-in dictionary, predictive text entry, and on-screen keyboard.

Flexible Power Options

Right off the bat, the URSA Broadcast features a 4-pin XLR industry-standard power connector that works from 12 to 20V for external power supplies and battery packs. The standard power connector also means it’s easy to use the camera with existing power supplies and batteries. V-mount and Gold mount battery plates are available separately for compatibility with a wide array of batteries from different manufacturers.

Additional information

Weight8.1 kg
Dimensions15 × 9 × 8 cm

Quick Comparison

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Description
  • 4K CMOS Sensor
  • Compatible with 2/3" B4 Lenses
  • UHD 4K and 1080p up to 60 fps
  • Records to Apple ProRes and Avid DNx
The ?Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will
>Pocket Cinema Camera 4K
  • 4/3"-Sized HDR Sensor
  • DCI 4K60, 2.8K80 Raw in 4:3 Anamorphic
  • Dual Native 400/3200 ISO / up to 25,600
  • Up to 2.6K 120 Raw for Super16 Lenses
The ?Blackmagic Design Pocket Cinema Camera 4K ?features a 4/3" sensor for capturing up to 4096 x 2160 DCI ?4K ?images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the
  • Micro Four Thirds Lens Mount
  • UHD 4K 3840 x 2160
  • 10" LCD (1920 x 1200 Resolution)
  • Built-In Talkback
The ?Blackmagic Design Studio Camera 4K 2 ?is an updated compact and lightweight broadcast camera designed for live production. This is version 2, which removes the internal battery, making for a studio camera that is both lighter and simpler to ship to locations without
  • Micro Four Thirds Lens Mount
  • 1080p60
  • 10" LCD (1920 x 1200 Resolution)
  • Built-In Talkback
The ?Blackmagic Design Studio Camera HD 2 ?is an updated compact and lightweight broadcast camera designed for live production. This is version 2, which removes the internal battery, making for a studio camera that is both lighter and simpler to ship
>Model: URSA Mini 4K EF-Mount
  • Super-35mm CMOS Sensor
  • 4000 x 2160 Video up to 60p
  • Compressed & Uncompressed Raw Recording
  • Ready-to-Edit ProRes 444 + 422 Recording
Now in a smaller, more handheld-friendly form factor, the ?URSA Mini 4K Digital Cinema Camera ?from ?Blackmagic Design ?can record cinematic images with its Super-35mm 4K, global-shutter sensor with 12 stops of dynamic range. The ergonomic body design
Model: CINSTUDMFT/UHD/MR
  • Active Micro Four Thirds Lens Mount
  • Resolutions Up to 3840x2160 at 30 fps
  • 10-Bit 4:2:2 6G-SDI Video I/O
  • Ultra-Compact Design
The ?Blackmagic Micro Studio Camera 4K ?is a compact Ultra HD camera designed for live productions. It features the same image sensor found in Blackmagic's Studio Camera 4K, which supports 3840 x 2160p video up to 30 fps and 1080p video up to 60 fps. The
ContentThe ?Blackmagic Design URSA Broadcast Camera ?is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. The sensor itself features UHD 4K resolution which can facilitate native UHD recording, or downscaled HD recording for productions that don't require the extra resolution. Video can be recorded to UHS-II SD cards or CFast 2.0 cards, with the latter capable of recording raw Cinema DNG files for further flexibility in post-production.The camera really comes into its own when combined with the separately available URSA Mini Shoulder Kit and EVF. VCT-14 compatibility plus the ability to go shoulder-mounted when you need to is an important aspect of this camera. When shoulder-mounted, a connected B4 lens's grip and the EVF form points of contact for comfortable and stable shooting. Additionally, a 20-pin lens communication port allows for the URSA Broadcast to communicate with B4 lens servos.The body itself is designed to be intuitive, with buttons and switches intelligently placed for muscle memory and on-the-fly adjustments. ISO/gain, shutter speed, and white balance are all available on classic toggle switches, while a traditional ND filter wheel lets you reduce the light hitting the sensor for full control over your image. Connections for audio in, video out, plus timecode/genlock input are available on industry-standard connectors, enabling them to interface with professional gear right out of the box.When you're not in the thick of a shooting day, open the LCD display to access the deeper camera menus and adjust global settings. While standard REC. 709 color is available for broadcast compatibility, extended video mode offers an optional look that has high contrast, yet takes advantage of the 12-stop dynamic range present in the sensor for smoother highlights without the washed-out look common in picture profiles with high dynamic ranges.If you're setting up the URSA Broadcast for live studio production, separately available fiber converters and studio viewfinders are available. The fiber converter provides all the studio connectivity over a single fiber optic cable, with further adjustments and connections available on the converter itself. Even if your studio produces HD content, the URSA Broadcast only needs to be the first step towards a UHD workflow. When the rest of your studio is UHD-compatible, the URSA Broadcast will be ready for your next UHD production.Two Cameras in OneThe URSA Broadcast was designed to function equally well as a studio camera, or as an ENG/EFP camcorder for both HD and UHD 4K productions. With the separately available shoulder-mount kit, the URSA Broadcast can slot into a studio sled or be used atop an operator's shoulder, ENG-style.Standard Media and FormatsMedia recorded by the URSA Broadcast should need no transcoding. Apple ProRes and Avid DNx can be recorded straight to UHS-II SD cards or CFast 2.0 cards. Just offload the media from the cards, and you can go straight to editing. You can even record lossless or compressed 12-bit CinemaDNG raw files for high-quality programming and post-production workflows. With dual slots for each media type, URSA Broadcast gives you the option for redundant or relay recording. When the first card is full, recording automatically continues onto the next card, so you can swap one card while continuing recording on the other.B4 Lens CompatibilityWhile the 4K sensor used in the URSA Broadcast is larger than the familiar 2/3"-type used with traditional B4 glass, a high-quality optical expander built into the mount enlarges the image circle for full sensor coverage. Many high-quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. That lets you work much faster because you don't need to change lenses or refocus between close-up, medium, and wide shots, which is perfect when you're following the action in fast-paced scenarios.HD DownscalingFor productions only requiring HD resolutions, the 4K image coming off the sensor can be downscaled prior to recording for smooth 1080p or 1080i image rendering. Since the entire sensor is scanned, the full dynamic range of the sensor remains intact and no aliasing artifacts will be introduced.Optical ND FiltersSpin the ND filter wheel to access 1/4, 1/6, and 1/64 ND filters. These filters are designed in accordance with the URSA Broadcast's sensor, ensuring minimal difference in colorimetry. The filters also block IR wavelengths to prevent IR pollution when reducing visible light with NDs. ND filter values can be displayed as either a fraction, ND value, or stop reduction on the LCD or in the separately available EVF.Body DesignLike traditional broadcast cameras, the URSA Broadcast features familiar external mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. You also get a 4" foldout touchscreen for either monitoring or controlling the camera via software interface that provides full redundancy for all the external controls and camera functions. On the operator's side of the camera, a dedicated backlit LCD shows essential information, such as current shooting frame rate, shutter angle, aperture, white balance, gain, iris, battery level, and audio meters, at a glance. Additionally, full-sized standard connections for audio via XLR connectors, SDI via BNC connectors, and broadcast power input via a standard 4-pin XLR 12V DC connector are available.Slow Motion RecordingWhether you're shooting a sporting event or breaking news story, the URSA Broadcast has you covered for slow motion. To shoot slow motion video, the camera records at higher frame rates and plays back at standard video frame rates. You can set up your preferred high-speed frame rate using the camera's on-screen menus, and then switch between standard sync speed and off-speed frame rates with the touch of a button on the side of the camera. URSA Broadcast can capture full-resolution Ultra HD at up to 60 frames per second.Built-In Audio RecordingURSA Broadcast has a high-quality microphone and professional audio recorder built-in so you don't have to bring a separate recorder. The built-in stereo microphone can be used for recording scratch audio, or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotguns to wireless clip-on mics. With two microphone inputs, you can record a reporter in the field wearing a lapel or handheld mic, while also capturing ambient sounds from the second input. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. URSA Broadcast also features external knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder-mounted.Adaptable for Different LensesURSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you're just starting out you can use low-cost, high-quality EF photographic lenses and then change to more expensive lenses when you're ready. Using an EF, PL, or F mount lens is a fantastic option when permanently rigging and mounting cameras in locked-off positions on set, so you don't tie up broadcast lenses for camera positions without operators. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. URSA Broadcast comes with a B4 mount already installed, and you can also purchase optional PL, EF, and F mounts separately as needed.Blackmagic OSURSA Broadcast features the advanced Blackmagic OS with an intuitive user interface that lets you use simple tap and swipe gestures. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work. You can set up the camera, enter metadata, and more. Plus, the software duplicates all the physical buttons and switches on the camera so you get full redundancy. The unique heads-up display puts commonly used functions at your fingertips so you can tap on a control and quickly adjust without having to navigate through complex menus. The digital slate makes entering metadata fast with its built-in dictionary, predictive text entry, and on-screen keyboard.Flexible Power OptionsRight off the bat, the URSA Broadcast features a 4-pin XLR industry-standard power connector that works from 12 to 20V for external power supplies and battery packs. The standard power connector also means it's easy to use the camera with existing power supplies and batteries. V-mount and Gold mount battery plates are available separately for compatibility with a wide array of batteries from different manufacturers. >Pocket Cinema Camera 4KThe ?Blackmagic Design Pocket Cinema Camera 4K ?features a 4/3" sensor for capturing up to 4096 x 2160 DCI ?4K ?images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.The Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.Record using the internal CFast 2.0 and SD/UHS-II card slots or employ the USB Type-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or baking in your look when you're ready to commit.Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.4/3" Image Sensor / Dual Native ISOThe Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.Active Micro Four Thirds Lens MountUse lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.Anamorphic CaptureBlackmagic Raw 4:3 2880 x 2160 (2.8K) anamorphic options with 2x and 1.33x de-squeeze preview functions.Shooting Resolutions4096 x 2160 (DCI 4K), 2.4:1 4096 x 1712 (4K), 3840 x 2160 (Ultra HD 4K), Super16 2688 x 1512 (2.6K), 1920 x 1080 (HD).Aspect Ratio OptionsCreate customized aspect ratios or choose preset guidelines including 1:1 and 4:5.Blackmagic Raw and ProRes OptionsChoose from Blackmagic Raw and ProRes 422 files options depending on your project's needs.5" Touchscreen DisplayA large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.CFast 2.0, SD/UHS-II, and USB Type-C CaptureInternally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB Type-C output to an external drive.Flexible Power OptionsThe Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery, the separately available Pocket Battery Grip, or the included power supply.DaVinci Resolve StudioAn activation key for DaVinci Resolve Studio is included with the camera.The ?Blackmagic Design Studio Camera 4K 2 ?is an updated compact and lightweight broadcast camera designed for live production. This is version 2, which removes the internal battery, making for a studio camera that is both lighter and simpler to ship to locations without running afoul of airline shipping restrictions. Constructed from a magnesium alloy body, the camera is light even for travel, yet durable enough for use in the field. It has a large 10" LCD screen with detachable sunshade and an active Micro Four Thirds lens mount for compatibility with a wide range of lenses. The camera also provides features you'd expect to find in larger studio cameras, such as tally indicators, talkback, XLR audio connections, 12G-SDI inputs/outputs, and even optical fiber via an optional module.The camera offers Ultra HD resolutions at frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60. It also offers 1080i and 1080p resolutions at frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60, as well as 720p at 60, 59.94, and 50. It outputs 10-bit 4:2:2 video via its 12G-SDI output. For power, the camera has a standard 4-pin XLR power input for external power sources. The camera control buttons have been placed right below the viewfinder, letting you easily make adjustments without taking your eyes off your subject. The camera can also be controlled via ATEM switchers with a future update. The update will be available as a free download for both the camera and the ATEM switchers, and will send camera control commands down the SDI program feed to the camera to control focus, iris, gain, and more straight from your ATEM production switcher.Compact and Lightweight DesignThe Blackmagic Studio Camera features a compact magnesium allow chassis that is both lightweight and strong, making it well suited for use in the studio or in the field. The camera body features a rubberized coating that gives extra grip when changing lenses. It's lightweight and compact size makes it easy to transport and be used in tight spaces.Integrated 10" LCD ScreenThe large 10" screen has a resolution of 1920 x 1200, letting you easily view your shots while operating the camera. The large detachable sunshade protects the screen from glare and creates your own private viewing space. With a wide viewing angle, you'll have a clear view of your image even when panning to extreme angles.Control PanelFor easy operation, all of the most important control buttons are placed right below the LCD screen, letting you make adjustments without having to scroll through complicated menus. You can instantly turn on overlays, adjust focus and iris settings, activate talkback, and even select return program video.Micro Four Thirds Lens MountThe Blackmagic Studio Camera uses an active Micro Four Thirds lens mount. Choose from available MFT lenses, or use third party adapters to mount anything from common DSLR lenses to PL-mount cinema lenses, or even B4 ENG broadcast lenses.Broadcast ConnectionsConnections are grouped on both sides of the camera with video in and out (12G-SDI and optical fiber) and power on side, and XLR audio inputs, headphones, and LANC on the other. This lets you quickly setup and change cables as needed, while keeping them out of the way and protected during your production.Optional Bi-Directional Optical Fiber ModuleWith the addition of an optional and user-upgradeable optical fiber module, you can use standard, low cost fiber optic cable to connect the camera to a switcher over large distances, even at the largest outdoor venues. The optical fiber connection is bi-directional and carries HD or Ultra HD video with embedded audio, talkback, tally, and even camera remote control.Built-In TalkbackBuilt-in talking lets the camera operator and crew communicate at all times during production. The Blackmagic Studio Camera is compatible with general aviation headset connections, letting users choose from a wide range of available headsets. And because talkback is embedded in the optical or SDI video connection to the camera, you don't have to run separate talkback cables.Illuminated TallyThe Blackmagic Studio Camera supports the tally SDI standard used on the ATEM range of live production switchers. This means that tally from the switcher is broadcast to all cameras from all video outputs of the ATEM switcher and it's sent to the camera via the program video connection. Tally lights illuminate automatically when your camera is live, and will stay illuminated during multiple cameras transitions. With a light on the front for talent, and a light above the viewfinder for the operator, cast and crew can easily see which cameras are on air.View Program VideoView program video from your live production switcher at the press of a button. Simply press the camera's PGM button and the viewfinder will display the program video feed from your switcher, turning the viewfinder into a large SDI monitor. You can even use the program SDI input to view playback from a local HyperDeck recorder when using the Blackmagic Studio Camera for recording.Multiple Mounting PointsA variety of mounting points lets you customize your rig to suit your product needs. The Blackmagic Studio Camera includes two 3/8"-16 mounting points on the bottom, and ten 1/4"-20 mounting points on the side and the top.4-Pin XLR Power InputThere is a standard 4-pin XLR power connector for external 12 to 24V power supplies.ATEM Camera Control UpdateThis update, which will be available as a free download for both the ATEM switchers and Blackmagic Studio Camera, allows for control of the camera from any ATEM production switcher. It works by sending the camera control commands down the SDI program feed to the camera and lets you adjust focus, iris, gain, and more. Blackmagic has also taken the primary color corrector from DaVinci Resolve and built it into the camera, which can be controlled from the ATEM switcher. This means you can control a full primary color corrector from the camera itself, letting you do more creative corrections than simple color balancing.The ?Blackmagic Design Studio Camera HD 2 ?is an updated compact and lightweight broadcast camera designed for live production. This is version 2, which removes the internal battery, making for a studio camera that is both lighter and simpler to ship to locations without running afoul of airline shipping restrictions. Constructed from a magnesium alloy body, the camera is light even for travel, yet durable enough for use in the field. It has a large 10" LCD screen with detachable sunshade and an active Micro Four Thirds lens mount for compatibility with a wide range of lenses. The camera also provides features you'd expect to find in larger studio cameras, such as tally indicators, talkback, XLR audio connections, 3G-SDI inputs/outputs, and even optical fiber via an optional module.The camera offers 1080i and 1080p resolutions at frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60, as well as 720p at 60, 59.94, and 50. It outputs 10-bit 4:2:2 video via its 3G-SDI output. For power, the camera has a standard 4-pin XLR power input for external power sources. The camera control buttons have been placed right below the viewfinder, letting you easily make adjustments without taking your eyes off your subject. The camera can also be controlled via ATEM switchers with a future update. The update will be available as a free download for both the camera and the ATEM switchers, and will send camera control commands down the SDI program feed to the camera to control focus, iris, gain, and more straight from your ATEM production switcher.Compact and Lightweight DesignThe Blackmagic Studio Camera features a compact magnesium allow chassis that is both lightweight and strong, making it well suited for use in the studio or in the field. The camera body features a rubberized coating that gives extra grip when changing lenses. It's lightweight and compact size makes it easy to transport and be used in tight spaces.Integrated 10" LCD ScreenThe large 10" screen has a resolution of 1920 x 1200, letting you easily view your shots while operating the camera. The large detachable sunshade protects the screen from glare and creates your own private viewing space. With a wide viewing angle, you'll have a clear view of your image even when panning to extreme angles.Control PanelFor easy operation, all of the most important control buttons are placed right below the LCD screen, letting you make adjustments without having to scroll through complicated menus. You can instantly turn on overlays, adjust focus and iris settings, activate talkback, and even select return program video.Micro Four Thirds Lens MountThe Blackmagic Studio Camera uses an active Micro Four Thirds lens mount. Choose from available MFT lenses, or use third party adapters to mount anything from common DSLR lenses to PL-mount cinema lenses, or even B4 ENG broadcast lenses.Broadcast ConnectionsConnections are grouped on both sides of the camera with video in and out (3G-SDI and optical fiber) and power on side, and XLR audio inputs, headphones, and LANC on the other. This lets you quickly setup and change cables as needed, while keeping them out of the way and protected during your production.Optional Bi-Directional Optical Fiber ModuleWith the addition of an optional and user-upgradeable optical fiber module, you can use standard, low cost fiber optic cable to connect the camera to a switcher over large distances, even at the largest outdoor venues. The optical fiber connection is bi-directional and carries HD or Ultra HD video with embedded audio, talkback, tally, and even camera remote control.Built-In TalkbackBuilt-in talking lets the camera operator and crew communicate at all times during production. The Blackmagic Studio Camera is compatible with general aviation headset connections, letting users choose from a wide range of available headsets. And because talkback is embedded in the optical or SDI video connection to the camera, you don't have to run separate talkback cables.Illuminated TallyThe Blackmagic Studio Camera supports the tally SDI standard used on the ATEM range of live production switchers. This means that tally from the switcher is broadcast to all cameras from all video outputs of the ATEM switcher and it's sent to the camera via the program video connection. Tally lights illuminate automatically when your camera is live, and will stay illuminated during multiple cameras transitions. With a light on the front for talent, and a light above the viewfinder for the operator, cast and crew can easily see which cameras are on air.View Program VideoView program video from your live production switcher at the press of a button. Simply press the camera's PGM button and the viewfinder will display the program video feed from your switcher, turning the viewfinder into a large SDI monitor. You can even use the program SDI input to view playback from a local HyperDeck recorder when using the Blackmagic Studio Camera for recording.Multiple Mounting PointsA variety of mounting points lets you customize your rig to suit your product needs. The Blackmagic Studio Camera includes two 3/8"-16 mounting points on the bottom, and ten 1/4"-20 mounting points on the side and the top.4-Pin XLR Power InputThere is a standard 4-pin XLR power connector for external 12 to 24V power supplies.ATEM Camera Control UpdateThis update, which will be available as a free download for both the ATEM switchers and Blackmagic Studio Camera, allows for control of the camera from any ATEM production switcher. It works by sending the camera control commands down the SDI program feed to the camera and lets you adjust focus, iris, gain, and more. Blackmagic has also taken the primary color corrector from DaVinci Resolve and built it into the camera, which can be controlled from the ATEM switcher. This means you can control a full primary color corrector from the camera itself, letting you do more creative corrections than simple color balancing.>Model: URSA Mini 4K EF-MountNow in a smaller, more handheld-friendly form factor, the ?URSA Mini 4K Digital Cinema Camera ?from ?Blackmagic Design ?can record cinematic images with its Super-35mm 4K, global-shutter sensor with 12 stops of dynamic range. The ergonomic body design is balanced and can be used for many different styles of filmmaking. The EF-Mount is compatible with a plethora of popular lenses, opening different aesthetic options. A rosette on the side of the camera accepts the included side handle, which can control Start/Stop via a LANC connection.To produce cinematic images, the URSA Mini can record raw sensor data in the CinemaDNG format onto CFast 2.0 memory cards at up to 60 fps. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy to deal with on set, so in addition to uncompressed raw recording, the 4K URSA Mini provides compressed raw recording at a 3:1 compression ratio to save space while retaining post-production flexibility.The URSA Mini also records UHD 4K (3840 x 2160) and 1080p video using ready-to-edit ProRes files in many different flavors within the 444 and 422 chroma subsampling variations, depending on your workflow. Starting at the high end, UHD footage can be recorded in ProRes 444 XQ at a rate of 312.5 MB/s all the way down to 1080p in a ProRes 422 Proxy file coming in at a relatively paltry 5.6 MB/s data rate. Since the camera accepts dual CFast cards, you can record for long periods of time by having the camera switch cards when one is full.Power for the URSA Mini can be supplied via a 4-pin XLR jack at the rear of the camera. With an optional plate, the URSA will accept professional V-Mount or Gold Mount batteries on the back. Once connected to power, the URSA can even distribute power through a second 4-pin XLR jack.Camera FeaturesCompact Handheld DesignSizing down the familiar URSA shape enables the URSA Mini to fit into feature and indie film, broadcast TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with a built-in quick release plate, the URSA Mini can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini still fits essential I/O for professional workflows.The body is made from magnesium alloys to keep the URSA Mini lightweight at 5 lb. To make the camera more acceptable for handheld usage, a side handle is included. With the optional shoulder mount, the handle can be extended off the side of the camera to be used in a doc-style configuration.4K Super-35mm SensorThe 3840 x 2160 native resolution censor uses a global shutter so that it will be free from the motion artifacts and flash banding experienced with rolling shutter sensors. It features a wide, 12-stop dynamic range to help ensure detail is retained even in the shadow and highlight portions of the image, and to provide more information to work with in color correction. The sensor size makes it possible to recreate the shallow depth of field look popularly associated with film. At this size, it is slightly larger than the APS-C DSLR format, and will accommodate most lenses that cover an APS-C image circleTouchscreen ControlIn addition to more traditional button-driven menus, the URSA Mini features a foldout 5-inch, 1920 x 1080 resolution capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, histograms, audio levels, and focus peaking, as well as add shot metadata with an on-screen keyboard.Professional ConnectionsThe URSA Mini features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode-in, and reference input. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable, and switches to 6G-SDI or HD-SDI depending on the shooting format.Quality Sound RecordingWith high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power, so you can plug shotgun or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs, while monitoring the audio using the onscreen audio meters and headphones.Multiple Power OptionsOn its own, the URSA Mini includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-Mount batteries.DaVinci Resolve Software IncludedIncluded with the camera is a DaVinci Resolve USB dongle, which contains a license to unlock the full feature-set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve can easily handle the 12-bit log RAW images from URSA Mini so you can take advantage of the URSA Mini's amazing image quality and wide dynamic range. DaVinci Resolve features advanced, multi-layer timeline editing with powerful trimming tools, along with the industry's leading suite of creative grading toolsThe ?Blackmagic Micro Studio Camera 4K ?is a compact Ultra HD camera designed for live productions. It features the same image sensor found in Blackmagic's Studio Camera 4K, which supports 3840 x 2160p video up to 30 fps and 1080p video up to 60 fps. The camera is equipped with an active MFT mount that can accept native MFT lens or be adapted to a wide range of other modern and vintage lenses, including B4 lenses. It outputs 10-bit 4:2:2 video via 6G-SDI and can be remotely controlled from an ATEM switcher using SDI control protocol. The camera packs many professional studio features into a compact form factor, including a built-in color corrector, talkback, tally indicator, PTZ control output, and B4 lens control output.Compact in size, the Micro Studio Camera 4K is similar in size and shape to an action camera, making it easy to hide on set or mount in places or on rigs where a larger camera can't fit. It is equipped with a unique expansion port, which expands the camera's connections through an included breakout cable. The breakout cable offers connections such as a PTZ serial output for use with motorized heads, B4 data link output for controlling broadcast lenses. It also includes DC power input, LANC control, and genlock reference input. Additional connectors found on the camera body itself include an HDMI monitor output and 3.5mm audio input. The camera is powered using an included AC power adapter. It can also be powered for up to 70 minutes by attaching an optional Canon LP-E6 type battery to the back of the camera.Compact Size for Live ProductionsThe Blackmagic Micro Studio Camera 4K is engineered with a durable magnesium alloy core in a body that's not much larger than the lens mount itself. The small size of the Micro Studio Camera 4K makes it ideal for a wide range of live productions. It can be hidden just about anywhere on set, giving you the ability to have more camera angles than ever before so you can create a more interesting program. You can even hide them on stage to get shots of live performances or fly them overhead on rigs during sporting events. It can also be used in the studio by rigging it with a professional broadcast lens and an optional Blackmagic Video Assist for monitoring.Ultra HD Image SensorThe Micro Studio Camera 4K has an Ultra HD sensor that delivers 3840 x 2160p and 1080p resolution video. The Micro Studio Camera 4K has a 6G-SDI connection that supports up to 30 fps in Ultra HD and can also be switched to 3G-SDI or HD-SDI, so it can operate up to 60 fps at 1080p. If you're working in HD or Ultra HD the Micro Studio Camera 4K can easily handle both.Active Micro Four Thirds Lens MountThe Blackmagic Micro Studio Camera 4K features an active Micro Four Thirds lens mount let you take advantage of the wide-range of compact MFT prime and zoom lenses. They can be remotely controlled using the return SDI program feed from your ATEM switcher or from the expansion port on the camera. You can also add optional third party lens mount adapters a wide range of modern and vintage lenses, including broadcast B4 lenses.Expansion PortThe camera features an expansion port that offers multiple control connections using the included expansion cable, such as a PTZ serial output connection so you can use motorized heads and a B4 data link output for controlling broadcast lenses. You can even build customized camera control solutions using the S.Bus input. The expansion connector uses a common DB-HD15 connector so an experienced user can make their own cables. The expansion port also includes DC camera power in, LANC, and reference input.Remote Camera ControlThe Blackmagic Micro Studio Camera 4K works with standard SDI camera control protocols, which means that you can connect the program feed from any model of ATEM switcher to the camera's SDI input and remotely control any setting in the camera, color correct, or even change focus, iris, and zoom on supported lenses. Broadcast cameras traditionally have basic CCU color balance controls, however the Micro Studio Camera 4K includes a full DaVinci primary color corrector so you get so much more than simple CCU controls because you can also do a full color grade in the camera.Broadcast ConnectionsThe Micro Studio Camera 4K includes a full-size HDMI connector so you can add a monitor to the camera or quickly plug in a local monitor when you're setting the position of a remote camera or changing camera menus. There is a mini BNC connector for the main camera 6G-SDI output and a mini BNC connector for the 6G-SDI camera program input which can be used to provide reference, control camera CCU settings, return talkback audio, and tally status. There is a 3.5mm mic input for external microphones and a 3.5mm headphone socket that supports an iPhone compatible mic so you can use it for talkback.AudioThe built-in stereo microphones are engineered for high-quality audio and feature a mechanical design that helps reduce unwanted wind noise so you get great sounding audio. When you need better audio in windy outdoor conditions such as sporting events, you can plug in an external mic with a wind screen to the 3.5mm stero mini jack to capture cleaner sound. The camera instantly switches to the external microphone when one is connected and works with both line or mic levels.Built-In TalkbackThe Micro Studio Camera 4K includes an iPhone-style headphone socket with mic so you get full talkback support. You can also use standard noise canceling headsets, like those from Bose, Sennheiser, and more, to hear the technical director without distraction from the audience. Because the camera has an SDI connection to the switcher and an SDI connection from the switcher, the talkback audio is embedded into channels 15 and 16 of the SDI signal and you get two way communication. If you're setting up fixed cameras, talkback makes it easy to walk from camera to camera and plug in your headset to communicate with the rest of the crew to get the best angles and framing.Canon LP-E6 Battery CompatibleThe camera includes a 12V to 30V DC power input so you can power the camera using any standard power supply, such as the included AC power adapter. There is a also standard Canon LP-E6 type battery receptacle on the back of the camera so you can add a battery to get local back up power if the power supply gets accidentally disconnected during a critical live broadcast. The power input is located on the expansion port so you can simply connect power to the breakout cable or you can make a custom cable so you can have multiple camera connections over longer distances and all down a single cable loom.Camera Setting AdjustmentThe built-in row of buttons along the front of the camera gives you quick and easy access to power, menu navigation, and settings. Because they're on the front, the buttons are always accessible, even when rigged into tight locations. Simply plug into any HDMI display such as a TV or the portable Blackmagic Video Assist, so you can see the camera's menus, and you can easily change any of the camera's settings. You can use the menus to set the camera up and then that allows the switcher to take control of the camera via the SDI program input.Additional Features
  • Three 1/4"-20 mounting threads on bottom, one 1/4"-20 thread on top
  • USB 2.0 port for software updates
Weight8.1 kg2 kg7 kg7.25 kg7.85 kg2.15 kg
Dimensions15 × 9 × 8 cm7 × 4 × 3 cm12 × 10 × 8 cm12 × 10 × 8 cm13 × 10 × 8 cm7 × 7 × 3 cm
Additional information
Weight8.1 kg
Dimensions15 × 9 × 8 cm
Weight2 kg
Dimensions7 × 4 × 3 cm
Weight7 kg
Dimensions12 × 10 × 8 cm
Weight7.25 kg
Dimensions12 × 10 × 8 cm
Weight7.85 kg
Dimensions13 × 10 × 8 cm
Weight2.15 kg
Dimensions7 × 7 × 3 cm
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