Assured Gift with each Purchase

Genuine Products | Fast Support | Fast Delivery

AWPRO-LOGO

Blackmagic Design ATEM Television Studio HD

Weight4.15 kg
Dimensions14 × 8 × 4 cm
SKU: AWP005229

Blackmagic Design ATEM Television Studio HD

  • 8-Channel SDI/HDMI Switcher
  • NTSC/PAL, HD, Computer Signal Compatible
  • 10-Channel Digital Audio Mixer
  • Built-In Front Panel Controls

Designed for broadcasters and A/V professionals, ?Blackmagic Design‘s ?ATEM Television Studio HD ?is a compact yet powerful and easy-to-operate solution. Four of each HDMI and SDI inputs are available on the rear of the chassis, and both sets of inputs support

The Product is Discontinued

Enjoy free shipping on orders above AED 300
  • Genuine Products
  • Manufacturer's Warranty
  • Exclusive Offers
  • Delivery within 1-3 Days
  • Secured Payment

Description

Designed for broadcasters and A/V professionals, ?Blackmagic Design‘s ?ATEM Television Studio HD ?is a compact yet powerful and easy-to-operate solution. Four of each HDMI and SDI inputs are available on the rear of the chassis, and both sets of inputs support SD and HD resolution signals. The relatively small chassis can fit on a standard equipment rack with the separately available Teranex Mini Rack Shelf, so it can be brought on location for streaming video, or installed semi-permanently for recording or broadcasting from a studio.

The front panel keeps essential controls at arm’s reach, while more advanced controls and settings, such as upstream and downstream keyers, graphics, media, and precise mixing for the 10 channels of available audio can be accessed through the USB interface or with an ATEM control surface. Move to the rear to reveal the BNC and HDMI connections for input and output. Multiview can be transmitted over SDI or HDMI to align with your equipment setup, and an AUX output lets you send video to an external display, which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups. Blackmagic Design Studio Cameras can also be controlled from the switcher for consistent looks across the board.

>Transitions

Choose from a wide range of transitions including cut, mix, dip, and wipe patterns. ATEM Television Studio HD makes every transition instantly available and gives you full control over type, pattern, length, and more.

Available transitions include:

  • Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source on the preview bus.
  • Mix: The mix, or dissolve transition, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
  • Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
  • Wipe: ATEM Television Studio HD has 18 built-in wipe patterns. Choose from circles, diamonds, squares, and more. Shapes and patterns can be inverted, softened, or even have customized colored borders. You can even insert live video into the borders for further customization.
  • DVE: The ATEM Television Studio HD has a powerful built-in Digital Video Effects processor, or DVE. You can push, spin, squeeze and swoosh your live video from one camera to the next with incredible built-in DVE transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options. With 35 built-in pre-programmed moves, you can get started with advanced transitions. Graphic wipes can also be created by combining a DVE transition with a logo created in Photoshop.

>Upstream Keyer

Layer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.

  • Luma key: Luma keys are sometimes known as a self key because the same video source is used for cutting the key and overlaying the video image. Luma keys work best with high contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
  • Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a grayscale mask to cut out, or mask, the area to be filled.
  • Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images together in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
  • Pattern key: Combine live images with any of the 18 built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.

>Downstream Keyers

The ATEM Television Studio HD includes two downstream keyers so you can add high-quality graphics like logos, bugs, and titles from the built-in media players over the live ‘on air’ program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.

>Power Macros

To automate complex sequences of precisely timed actions on your ATEM switcher, you can now create powerful shortcuts called macros. Record a sequence of transitions between video sources, including key effects, audio mixer adjustments, camera control settings, and more using the ATEM software or hardware control panel. Macros are saved as XML files that can be edited with a standard text editor, so you can combine them together to build sophisticated sequences that would be impossible to execute manually during a live production. That means you can create unique looks or your programs that can be recalled instantly, copied between switchers, and used repeatedly when you require them.

>Mix Minus

The four SDI talkback outputs on the ATEM Television Studio HD support mix minus, which is important when you are working with remote interviewees. For example, you could remove input 5 from the program audio on output 5, so the remote interviewee hears everything in the program except themselves talking and won’t be distracted by any audio delay.

>Audio Mixer

The built-in audio mixer lets you control camera and external audio with precision level and balance adjustments on all 10 available channels. You can enable or disable channels, or activate audio-follow-video (AFV) mode instantly. Adjust the mixer via the ATEM Control Software or plug in an external Mackie standard USB fader panel.

>Multiview

Multiview allows you to see your sources, graphics, preview, and program outputs on a single screen so you don’t need separate monitors for your individual cameras. You get HDMI and SDI multiview outputs so you can connect professional broadcast SDI monitors, computer monitors, or even consumer HDTV sets.

>Media Players

Eliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.

>ATEM Photoshop Plugin

Use the included Photoshop plugin to create still broadcast graphics and instantly add them to the ATEM Television Studio HD’s media pool. Add professional looking logos, lower thirds, scorecards, or other real-time graphics and get them on air in no time.

Additional information

Weight4.15 kg
Dimensions14 × 8 × 4 cm
Barcode: 9338716004434

Quick Comparison

SettingsBlackmagic Design ATEM Television Studio HD removeBlackmagic Design ATEM Television Studio Pro HD Live Production Switcher removeBlackmagic Design ATEM 1 M/E Broadcast Panel removeBlackmagic Multidock 2 removeBlackmagic Design ATEM 2 M/E Broadcast Panel removeBlackmagic Atem 2 M/E Broadcast Studio 4K remove
NameBlackmagic Design ATEM Television Studio HD removeBlackmagic Design ATEM Television Studio Pro HD Live Production Switcher removeBlackmagic Design ATEM 1 M/E Broadcast Panel removeBlackmagic Multidock 2 removeBlackmagic Design ATEM 2 M/E Broadcast Panel removeBlackmagic Atem 2 M/E Broadcast Studio 4K remove
Image
SKUAWP005229AWP005667AWP006016
Rating
PriceThe Product is DiscontinuedThe Product is DiscontinuedThe Product is Discontinued 2,263.00 د.إ
Excl. VAT
The Product is DiscontinuedThe Product is Discontinued
Stock
Out of stock
Out of stock
Out of stock
Out of stock
Out of stock
Out of stock
AvailabilityOut of stockOut of stockOut of stockOut of stockOut of stockOut of stock
Add to cart

Read more

Read more

Read more

Read more

Read more

Read more

Description
  • 8-Channel SDI/HDMI Switcher
  • NTSC/PAL, HD, Computer Signal Compatible
  • 10-Channel Digital Audio Mixer
  • Built-In Front Panel Controls
Designed for broadcasters and A/V professionals, ?Blackmagic Design's ?ATEM Television Studio HD ?is a compact yet powerful and easy-to-operate solution. Four of each HDMI and SDI inputs are available on the rear of the chassis, and both sets of inputs support
  • 8-Channel SDI/HDMI Switcher
  • NTSC/PAL, HD, Computer Signal Compatible
  • 10-Channel Digital Audio Mixer
  • Built-In Front Panel Controls
Designed for broadcasters and A/V professionals, ?Blackmagic Design's ?ATEM Television Studio Pro HD Live Production Switcher ?is an 8-input live production switcher with integrated control panel. Four of each HDMI and SDI inputs are available on the rear of the
  • Suitable 24/7 for Production
  • Professional Buttons / Knobs / Controls
  • Backlit Panel Buttons
  • T-Bar Fader / Transition
When you need more control of you ATEM switcher than the software control panel provides, the ?Blackmagic Design ATEM 1 M/E Broadcast Panel ?delivers 24/7 switching control in a robust yet compact hardware panel. This 1 M/E (mix effect) panel incorporates
The MultiDock 2 supports docking up to four independent 2.5" SATA SSD or HDDs so you can plug in multiple media disks and work directly from them. Simply plug in your disk and your Mac OS X or Windows computer will recognize it as a regular hard drive. The MultiDock 2 is ideal for accessing media recorded from the Blackmagic Cinema Camera and Production 4K Camera, HyperDeck SSD recorders, or any other 2.5" drive-based recorder.
  • Professional Panel for Live Switcher
  • High-Quality Buttons / Knobs / Controls
  • Ethernet Connection to Switcher
  • Loop Output for Ethernet
The ?Blackmagic Design ATEM 2 M/E Broadcast Panel ?is a perfect companion to a professional live switcher, such as Blackmagic Design's ATEM 2 M/E Production Switcher (not included). With a broad field populated by high-quality buttons, knobs, T-bars, and a 3-axis
  • 20 x 12G-SDI Video Inputs
  • Supports UHD 4K and HD Switching
  • 24-Channel Audio Mixer
  • Two Multi-View Outputs for Monitoring
  • Frame Synchronizer / Tri-Level Sync
  • Program Outputs in HD or UHD 4K
  • 4 Upstream & 2 Downstream Keyers
  • Media Store and 4 Media Players
  • One XLR In/Out for Talkback System
  • Hardware or Software Mac/PC Control
ContentDesigned for broadcasters and A/V professionals, ?Blackmagic Design's ?ATEM Television Studio HD ?is a compact yet powerful and easy-to-operate solution. Four of each HDMI and SDI inputs are available on the rear of the chassis, and both sets of inputs support SD and HD resolution signals. The relatively small chassis can fit on a standard equipment rack with the separately available Teranex Mini Rack Shelf, so it can be brought on location for streaming video, or installed semi-permanently for recording or broadcasting from a studio.The front panel keeps essential controls at arm's reach, while more advanced controls and settings, such as upstream and downstream keyers, graphics, media, and precise mixing for the 10 channels of available audio can be accessed through the USB interface or with an ATEM control surface. Move to the rear to reveal the BNC and HDMI connections for input and output. Multiview can be transmitted over SDI or HDMI to align with your equipment setup, and an AUX output lets you send video to an external display, which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups. Blackmagic Design Studio Cameras can also be controlled from the switcher for consistent looks across the board.>TransitionsChoose from a wide range of transitions including cut, mix, dip, and wipe patterns. ATEM Television Studio HD makes every transition instantly available and gives you full control over type, pattern, length, and more.Available transitions include:
  • Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source on the preview bus.
  • Mix: The mix, or dissolve transition, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
  • Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
  • Wipe: ATEM Television Studio HD has 18 built-in wipe patterns. Choose from circles, diamonds, squares, and more. Shapes and patterns can be inverted, softened, or even have customized colored borders. You can even insert live video into the borders for further customization.
  • DVE: The ATEM Television Studio HD has a powerful built-in Digital Video Effects processor, or DVE. You can push, spin, squeeze and swoosh your live video from one camera to the next with incredible built-in DVE transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options. With 35 built-in pre-programmed moves, you can get started with advanced transitions. Graphic wipes can also be created by combining a DVE transition with a logo created in Photoshop.
>Upstream KeyerLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.
  • Luma key: Luma keys are sometimes known as a self key because the same video source is used for cutting the key and overlaying the video image. Luma keys work best with high contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
  • Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a grayscale mask to cut out, or mask, the area to be filled.
  • Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images together in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
  • Pattern key: Combine live images with any of the 18 built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.
>Downstream KeyersThe ATEM Television Studio HD includes two downstream keyers so you can add high-quality graphics like logos, bugs, and titles from the built-in media players over the live 'on air' program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.>Power MacrosTo automate complex sequences of precisely timed actions on your ATEM switcher, you can now create powerful shortcuts called macros. Record a sequence of transitions between video sources, including key effects, audio mixer adjustments, camera control settings, and more using the ATEM software or hardware control panel. Macros are saved as XML files that can be edited with a standard text editor, so you can combine them together to build sophisticated sequences that would be impossible to execute manually during a live production. That means you can create unique looks or your programs that can be recalled instantly, copied between switchers, and used repeatedly when you require them.>Mix MinusThe four SDI talkback outputs on the ATEM Television Studio HD support mix minus, which is important when you are working with remote interviewees. For example, you could remove input 5 from the program audio on output 5, so the remote interviewee hears everything in the program except themselves talking and won't be distracted by any audio delay.>Audio MixerThe built-in audio mixer lets you control camera and external audio with precision level and balance adjustments on all 10 available channels. You can enable or disable channels, or activate audio-follow-video (AFV) mode instantly. Adjust the mixer via the ATEM Control Software or plug in an external Mackie standard USB fader panel.>MultiviewMultiview allows you to see your sources, graphics, preview, and program outputs on a single screen so you don't need separate monitors for your individual cameras. You get HDMI and SDI multiview outputs so you can connect professional broadcast SDI monitors, computer monitors, or even consumer HDTV sets.>Media PlayersEliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.>ATEM Photoshop PluginUse the included Photoshop plugin to create still broadcast graphics and instantly add them to the ATEM Television Studio HD's media pool. Add professional looking logos, lower thirds, scorecards, or other real-time graphics and get them on air in no time.
Designed for broadcasters and A/V professionals, ?Blackmagic Design's ?ATEM Television Studio Pro HD Live Production Switcher ?is an 8-input live production switcher with integrated control panel. Four of each HDMI and SDI inputs are available on the rear of the chassis, with both sets of inputs supporting SD and HD resolution from both professional and consumer cameras. The relatively small chassis fits in a standard equipment rack, allowing it to be installed on a sliding rack shelf or packed into a "fly-away-kit" for use on location.The control surface is replete with control buttons, knobs, and a fader bar. All this enables selecting camera inputs and controlling transitions, keyers, settings, and the DVE. Inputs and outputs are located on the rear of the unit. PGM output is available via SDI while multiview can be sent via SDI or HDMI. An AUX output lets you send video to an external display, which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups.>TransitionsAvailable transitions include:
  • Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source on the preview bus.
  • Mix: The mix, or dissolve transition, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
  • Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
  • Wipe: ATEM Television Studio Pro HD has built-in wipe patterns. Choose from circles, diamonds, squares, and more. Shapes and patterns can be inverted, softened, or even have customized colored borders. You can even insert live video into the borders for further customization.
  • DVE: With the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options. With 35 built-in preprogrammed moves, you can get started with advanced transitions. Graphic wipes can also be created by combining a DVE transition with a logo created in Photoshop.
>Upstream KeyerLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.
  • Luma key: Luma keys are sometimes known as "self" keys because the same video source is used for cutting the key and overlaying the video image. Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
  • Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a grayscale mask to cut out, or mask, the area to be filled.
  • Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images together in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
  • Pattern key: Combine live images with any of the 18 built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.
>Downstream KeyersThe ATEM Television Studio Pro HD includes two downstream keyers, so you can add high-quality graphics like logos, bugs, and titles from the built-in media players over the live "on air" program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.>Power MacrosTo automate complex sequences of precisely timed actions on your ATEM switcher, you can now create powerful shortcuts called macros. Record a sequence of transitions between video sources, including key effects, audio mixer adjustments, camera control settings, and more using the ATEM software or hardware control panel. Macros are saved as XML files that can be edited with a standard text editor, so you can combine them together to build sophisticated sequences that would be impossible to execute manually during a live production.That means you can create unique looks that can be recalled instantly, copied between switchers, and used repeatedly when you require them.>Audio MixerThe built-in audio mixer lets you control camera and external audio with precision level and balance adjustments on all 10 available channels. You can enable or disable channels, or activate audio-follow-video (AFV) mode instantly. Adjust the mixer via the ATEM Control Software, or plug in an external Mackie standard USB fader panel.>MultiviewMultiview allows you to see your sources, graphics, preview, and program outputs on a single screen so you don't need separate monitors for your individual cameras. You get HDMI and SDI multiview outputs so you can connect professional broadcast SDI monitors, computer monitors, or even consumer HDTV sets.>Media PlayersEliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The two media players appear as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.>Color CorrectionThe ATEM Television Studio Pro HD features a built-in CCU and DaVinci Resolve primary color corrector, which can be used to balance camera color and create unique looks. You can use the buttons on the hardware panel to make basic adjustments, or use the DaVinci Resolve primary interface on the software control panel.>Built-In LCDThe bright LCD screen built into the ATEM Television Studio Pro HD lets you monitor program and audio levels, as well as view menus for adjusting switcher settings. The spin knob control, menu and set buttons work together with the LCD to give you fast access to all switcher settings.>Transition SliderA physical transition slider provides tactile control of a transition, for moments when a manual slider is preferable to a preprogramed transition.
When you need more control of you ATEM switcher than the software control panel provides, the ?Blackmagic Design ATEM 1 M/E Broadcast Panel ?delivers 24/7 switching control in a robust yet compact hardware panel. This 1 M/E (mix effect) panel incorporates professional-grade buttons, knobs, and controls that would be at home in a broadcast control room. It features dedicated buttons for direct and shifted crosspoints, an on-air indicator, a fader, and 3-axis joystick.The buttons are illuminated by a tri-color LED system, and support 4-character length labeling. Use the panel to control inputs, outputs, and effects on your switcher. The panel connects and controls your ATEM switcher via Ethernet, and features a second Ethernet port. The panel fits within a standard rack unit width, and features built-in redundant 120 VAC power supplies to minimize downtime.
  • Enables you to have full control over the switcher, input selection, transitions, keyers, fader, and DVE control
  • Robust enough to handle 24/7 production
  • Two Ethernet ports allow you to control your ATEM switcher, and connect to another panel or a computer
  • Can be stored in a drawer or a shelf in a 19" rack
The ?MultiDock 2 ?from ?Blackmagic Design is a rack-mountable four disk docking station for Thunderbolt and Thunderbolt 2 based computers. Housed in a compact 1U rack-mountable chassis, it supports up to four 2.5" SATA SSDs or HDDs and features a single rear-mounted Thunderbolt 2 connection for data speeds up to 20 Gb/s. You can even stripe multiple disks together into a single fast storage volume, ideal for 4K editing, effects, and color correction work. A loop-through Thunderbolt port is provided, which lets you daisy chain up to five additional Thunderbolt devices and connect them to your computer via a single Thunderbolt cable. A software CD with disk utility software comes included. Dock and Edit The MultiDock 2 supports docking up to four independent 2.5" SATA SSD or HDDs so you can plug in multiple media disks and work directly from them. Simply plug in your disk and your Mac OS X or Windows computer will recognize it as a regular hard drive. The MultiDock 2 is ideal for accessing media recorded from the Blackmagic Cinema Camera and Production 4K Camera, HyperDeck SSD recorders, or any other 2.5" drive-based recorder. Thunderbolt 2 Using Thunderbolt 2 technology, the MultiDock 2 provides fast transfer speeds to your computer at up to 20 Gb/s with a single cable connection. This speed is particularly useful when working with high-resolution Ultra HD and DCI 4K footage, or stereoscopic 3D files. The MultiDock 2 is also compatible with existing Thunderbolt 1 computers and provides a loop-through for daisy-chaining five additional Thunderbolt devices. RAID Storage For fast storage, the MultiDock 2 can be configured into a multi-disk RAID by using the disk utility software to "stripe" the disks into a single fast storage volume, great for 4K editing, effects, and color correction work. When used with the latest SATA 3 SSDs, you get performance over 500 MB/s. Additional Features
  • Independent SATA 3 disk interface chip per disk slot so you never get slowdowns because of SATA bandwidth issues
  • 1 RU chassis
  • Built-in power supply
  • Drivers built-in so no additional software is needed
  • User-replaceable socket connector boards in each disk slot
  • Illuminated indicator surrounding each disk slot shows when the disk is being accessed
The ?Blackmagic Design ATEM 2 M/E Broadcast Panel ?is a perfect companion to a professional live switcher, such as Blackmagic Design's ATEM 2 M/E Production Switcher (not included). With a broad field populated by high-quality buttons, knobs, T-bars, and a 3-axis joystick, you'll be able to customize your panel's operation to your exact needs and preferences ? without compromise.Complex, multi-layer productions deserve a versatile panel, and the ATEM 2 M/E certainly fits the bill for live broadcast events. All controls are at your fingertips, so you can instantly command the switcher to switch cameras and execute transitions, fades, DVE effects, and more. This 37" wide panel gives you plenty of elbow room in which to operate.The ATEM 2 M/E Broadcast Panel connects to a switcher via 10/100/1000 BaseT Ethernet, and there's loop-through Ethernet for connecting to another panel or to a media-management computer. The panel receives firmware updates via its USB input.
  • Tri-color LED crosspoint buttons ? 20 direct crosspoints and 40 shifted crosspoints
  • High-contrast RGB bitmap crosspoint labels
  • LCD bitmap buttons for menu control
  • On-air indicator
  • Transition preview, with transition rate display
The ?ATEM 2 M/E Broadcast Studio 4K Switcher ?from ?Blackmagic Design ?is a live event multi camera production switcher with 20 12G-SDI inputs built into a 2RU chassis. Supporting HD and UHD 4K (3840 x 2160) video formats at up to 60p, the switcher is optimized for live productions where fast action comes into play, especially sports and many live shows. Switching takes place in real time, and there is an internal frame synchronizer to ensure seamless transition from one input to the next. Video can be output via three dedicated SDI program feeds plus an additional down-converted SDI feed that reduces UHD 4K content down to HD. There are also six aux SDI outputs for delivering an ISO of any input channel, outputting a "clean" feed free of graphics or overlays, or conning local monitors. Plus, up to two outputs can be used for multi-video monitoring of multiple video sources on one or two displays.The switcher features luma and chroma keyers for real time effects and composites in Ultra HD, with 10-bit processing. Two downstream keyers allow you to use two graphics/logos/titles/lower thirds from up to 32 stored graphics in a wide variety of formats. Additionally, the switcher features a built-in SuperSource layer switcher which, in addition to the two full M/E's, keyers, and DVE, provides an additional four independent DVE channels letting you re-size and position live cameras, video replays, broadcast graphics, and more.
Weight4.15 kg15 kg18.1 kg5 kg47 kg11.85 kg
Dimensions14 × 8 × 4 cm21 × 15 × 10 cm22 × 20 × 9 cm19 × 8 × 3 cm42 × 21 × 10 cm19 × 11 × 5 cm
Additional information
Weight4.15 kg
Dimensions14 × 8 × 4 cm
Weight15 kg
Dimensions21 × 15 × 10 cm
Weight18.1 kg
Dimensions22 × 20 × 9 cm
Weight5 kg
Dimensions19 × 8 × 3 cm
Weight47 kg
Dimensions42 × 21 × 10 cm
Weight11.85 kg
Dimensions19 × 11 × 5 cm
Shopping Cart
No products in the basket.
Select the fields to be shown. Others will be hidden. Drag and drop to rearrange the order.
  • Image
  • SKU
  • Rating
  • Price
  • Stock
  • Availability
  • Description
  • Weight
  • Dimensions
  • Additional information
  • Add to cart
Click outside to hide the comparison bar
Compare