| Description | - Supports NTSC/PAL/HD/UltraHD 4K @ 10-bit
- Supports 4K Resolution Over SDI or HDMI
- 4 x 6G-SDI & 4 x HDMI Inputs (4k/HD/SD)
- Tri-Sync/Blackburst Ref. Sync Input
- 8 x Built-in Frame Synchronizers
- Multiview Monitoring in HD
- Program Outputs in SD/HD/4K HD
- 1 x Upstream & 2 x Downstream Keyers
- Audio: 10 x Input, 2 Channel Mixer
- Hardware or Software Mac/PC Control
| Key Features- For Content Creators & Vloggers
- Output: 26,580 Lux at 3.3' (Reflector)
- 2500-7500K CCT; Full RGB Color Control
- AC Power or Optional Battery Station
- Onboard & App Control
- CRI 95 | TLCI 95 | TM-30 Rf 92, Rg 101
- Active Cooling
- Bowens S Accessory Mount
- 9 Preset Special Effects
- Includes Reflector, Power Supply & Bag
| Key Features- For Photo, Video & Film Production
- Total Output: 664 Lux at 3.3' (5600K)
- 2700 to 10000K; CCT RGB Control
- Onboard, DMX & Bluetooth Control
- CRI 95 | TLCI 98 | CQS 96 | SSI 75
- 0 to 100% Dimming, 16 Lighting Effects
- Fully Green/Magenta Tunable
- Includes Kit Case, 2 Floor Stands
| Key Features- For Video Production & Vlogging
- Output: 34,600 Lux @ 3.3' with Reflector
- 5600K CCT
- AC Power or Optional Battery Station
- Onboard & App Control
- CRI 96 | TLCI 99 | SSI 86
- Active Cooling
- Bowens S Accessory Mount
- 8 Preset Special Effects
- Includes Reflector, Power Supply & Cable
| - Premium Grade Shutter Cable Release with Timer and Intervalometer
- Replaces Canon's RS 60-E3; Works with Canon Rebels and select Hasselblad, Contax 645, Pentax, and Samsung models
- Shooting intervals of 1sec-100hrs with a shutter delay of 1sec-100hr; Batteries included
- Perfect for Astro Photography, Product Photography, Macro Photography, Portrait Photography, Wildlife Photography, and time-lapse videos; Autofocus is available
| Key Features- Capture up to UHD 4K Video at 25 fps
- 170 ? Field of View
- Up to 12MP JPEG Images
- 100' Waterproof Housing
- Time-Lapse Mode
- 90-Minute Battery Life
- 2.4 GHz Wi-Fi, App Compatibility
- Rear Display, Remote Control
|
| Content | The Blackmagic ATEM Production Studio 4K Live Switcher is a live event multi camera production switcher with 8 individual Ultra HD inputs built into a 1RU chassis. Supporting NTSC/PAL/HD and Ultra HD video formats via Four Single Link 6G-SDI and Four 4K HDMI inputs, the switcher connects to a wide range of cameras and sources, delivering a single program stream in SD, HD, or Ultra HD video. All this is done live and in real time with no rendering required.The switcher features a reference video input for synchronizing the switcher to other equipment using Tri-level or Blackburst Sync. Each input also features its own frame synchronizer, which allows you to use cameras that do not feature Genlock as well as input video from computer sources. The switcher can handle inputs from all inputs at the same time.The switcher provides six video outputs that are always active. Featuring one SDI and one HDMI Program output , both of which deliver SD/HD/Ultra HD, with one Aux SD/HD/Ultra HD Output that can deliver a clean Program feed without any downstream effects, as primary outputs. The switcher also features an HD only Program output signal for monitoring on an SDI-equipped HD monitor. Multiview monitoring is also HD only over dedicated SDI or HDMI output, and Multiview allows you to view the Program, Preview, six active inputs and two graphic channels (media players) on one screen at the same time. The switcher features a built-in compliment of one Upstream and two Downstream keyers for real time effects and composites in Ultra HD, with 10-bit processing. The two downstream keyers allow you to use two graphics/logos/titles/lower thirds from up to twenty stored graphics in a wide variety of formats.A built-in two channel audio mixer handles the embedded HDMI and SDI audio from the six active video inputs as well as audio from the balanced and unbalanced analog audio inputs to provide you flexibility and creative audio options. Audio output is embedded in the SDI and HDMI stream, as well as available via balanced audio outputs. Either a Mac or PC running the included ATEM Software controls the switcher's operation and settings. For those who like the feel of a physical control panel, available ATEM Broadcast Panels, connected via the Ethernet port, also control all the features of the switcher. Illuminated front panel buttons allow you to locally select the Aux output, while a two inch LCD screen built into the front of the unit allows you to see the Aux output for instant confirmation of the correct output.>Video- The ATEM Production Studio Live 4K Switcher supports 4K Ultra HD video (3840 x 2160), which is four times the resolution of Full HD. It has eight video inputs, all of which can be active simultaneously.
- The switcher features four single link 6G-SDI and four HDMI 4K inputs, which allows you to connect SD/HD/Ultra HD and computer-based signal to the switcher. Although the switcher takes reference video in for sync timing so that it can interface with other post production equipment, each input has its own Frame synchronizer, which enables you to use cameras that do not have genlock capability or for input of computer sources such as Keynote or PowerPoint Presentations
- The capture video format is set by the user, and must be the same across each input, as the switcher cannot scale different input formats to match the project format.
>Audio- The switcher includes a built-in audio mixer that allows you to adjust the audio embedded in the SDI and HDMI signals. With 10 inputs available the 2 channel mixer can also adjust levels of both the balanced and unbalanced analog inputs.
>6 Video Outputs- The switcher features 3 program outputs for the final video, delivering SD/HD/Ultra HD via both a 6G-SDI port and HDMI 4K connector. The third program output is an HD-SDI only port (Ultra HD is automatically down-converted).
- Two Multi-view outputs allow you to see Program, Preview, the 6 live inputs and the two graphic channels on one screen at the same time. There is 1 SDI and 1 HDMI connector which feeds the Multi-view output to HD monitors.
- The switcher features an SDI Aux output that is capable of delivering the Program out feed with or without the downstream keyer effects in SD, HD and Ultra HD. Control of the Aux output is by front mounted panel buttons, and built-in 2-inch LCD screen for immediate confirmation of the Aux output.
>Multi View Monitoring- Multi view allows you to view the program, preview, 6 live inputs and 2 media players side by side. You can also add custom labels that make it easy to identify each input.
>Effects- The switcher features an upstream keyer that includes independent chroma, pattern, shaped and luma keying all at Ultra HD resolution with 10-bit processing. Two downstream keyers allow you to add graphics, lower thirds, titles and logos for a polished live production.
>Control Interface- The ATEM 4K switcher uses an Ethernet connection to interface with control surfaces such as the optional ATEM 1 M/E and 2 M/E Broadcast Panels.
- You can also control the switcher by using the included ATEM Software Control software from a Mac or Windows computer over Ethernet. You can control all production settings of the switcher as well as directly import graphics from your computer into the switcher's media pool.
- You set the format for each project you are working on, from SD to HD to Ultra HD, selecting resolution and frame rate. This is accomplished by using either the included software for Mac/PC, or via the ATEM 1 M/E or ATEM 2 M/E Broadcast Panel.
- Using the Ethernet port on the switcher allows you to connect control surfaces directly to the switcher or you can control the switcher across a network.
- The Switcher features a mini USB port that is used for software updates and to set the switcher's Chassis IP address, which can only be done by using a computer running the ATEM Switcher Utility connected to the switcher's USB port.
>Rack Mount- The switcher is a single RU in height and has built-in rack mount ears, for mounting in a production road case or in a post production facility.
| PERFECT FOR HUEThe amaran 300c is amaran’s first-ever full-color 300W Bowens Mount point-source LED light for indie filmmakers and creators. With point-source color as its strength, the amaran 300c grants creatives with control that no other amaran fixture can – combining RGBWW full-color control, optical and soft light Bowens Mount versatility, integrated controls, and most importantly, high-quality light output. FROM SET TO STUDIOWhether you're an indie filmmaker, owner-operator, small production company, or even a photographer or content creator, the amaran 300c helps you achieve the perfect balance between full-color control and an extra power punch that can easily fill your set or studio with high quality light. FULL COLOR CONTROLUtilizing the same foundational RGBWW chipset found in other Aputure and amaran fixtures, the amaran 300c boasts stunning color quality throughout its expanded 2,500K to 7,500K bi-color CCT range. And with a CRI and TLCI of 95+, SSI (D56) of 71, and SSI (Tungsten) of 83, you can always ensure that you can light your subjects with confidence while reproducing accurate skin tones. COLOR-BLENDING OPTICSDesigned to meet the demands of any set, the amaran 300c is compatible with the largest variety of Bowens Mount modifiers. Featuring a universal Bowens Mount and color-blending optics, the 300c can be magnified with optical lens modifiers like the Fresnel 2X and the all-new amaran Spotlight SE projection lens – bringing a new level of flexibility and enhanced output from a single fixture. It can also be used with soft light modifiers to diffuse the 300c’s high-intensity output, like the all-new amaran Light Dome Mini SE . HIGH-QUALITY BUILDThe amaran 300c features additional upgrades to its construction to enhance the user experience, while still remaining compact and portable. In an effort to make swapping between accessories easier and more intuitive than ever, the amaran 300c features a redesigned ergonomic Bowens Mount release latch. It also features an all-metal Bowens Mount to handle the weight of heavier modifiers and all-metal baby-pin receiver and tilting bracket to withstand the rigors of fast-paced film sets. INTEGRATED INTERFACEWith a monolight-style construction, the 300c features a full-color integrated control interface that elegantly blends into the lamp head and becomes an extension of you. Switch between fine-tuning your CCT and 360º of HSI with a simple click on the two control knobs without any extra hassle. SIDUS LINK APP CONTROLWhether activating one of its 9 built-in lighting FX, adjusting the HSI or CCT, controlling multiple lights at once, or using advanced Magic Program or Quickshots features, the Sidus Link app is an evolutionary tool that enhances your creativity. With the dedicated Bluetooth Reset button on the rear of the light, you can unlock more features and wireless remote control with the Sidus Link app to suit your needs. POWER FLEXIBILITYUsing the same 48V DC power input as the amaran 100 and 200 COB S lights, you can freely switch between the included AC power adapter and the Aputure 2-Bay Battery Power Station* for added flexibility on-the-go with Gold or V-Mount batteries. Whether using the amaran 300c for studio shoots or a more mobile setup, the 300c allows you to elevate your creations based on your needs.
ADVENTURE READY SOLUTIONPackaged in an eco-friendly EPP (expanded polypropylene) carrying case, the amaran 300c comes equipped with all the tools you need to travel to your next shoot with its lightweight carrying and storage solution. | This ? Aputure Amaran PT4c RGB LED Pixel Tube Light ? combines a pair of versatile 4' LED pixel tubes, then adds a pair of USB-C to DMX adapters for expanded wireless control. Each light comes with a floor stand, and there's a kit case for easy transport and storage.Built-In Lighting Effects
Nine system effects: Fireworks, fire, paparazzi, faulty bulb, TV, pulsing, cop car, lightning, and party lightsSeven pixel effects: Color fade, color cycle, 1-pixel chase, 2-pixel chase, 3-pixel chase, rainbow, and pixel fireDMX Functionality
Aputure Amaran PT4c RGB LED Pixel Tube Light DMX control is available via the included USB-C to DMX adapters. DMX function adds 14 built-in DMX profiles and DMX loss behaviors.Create Multiple Shapes
The shape combinations that can be created using the Aputure Amaran PT4c RGB LED Pixel Tube Light are endless, with the ability to use separately available splicing connectors to arrange the tubes in multiple 3D shapes. The PT4c can be combined with other PT-Series LED tubes. | Amaran expands its LED monolight line with the S-series Aputure amaran COB 100d S Daylight LED Monolight, adopting the all-in-one form of the previous COB 100d. With an upgraded LED chipset design. this 100W fixture works great as a key light for small subjects. It provides a solid 5600K color temperature with an ultra-high SSI score. across the board for extremely accurate and also improve color reproduction.This point-source light is a generous output of 34,600. lux at 3.3' when pair with the include hyper reflector. A variety of eight lighting effects are easily accessible to help you simulate different creative looks. This is the ideal choice for videographers, content creators. and also photographers looking for a lightweight and quiet light without sacrificing image quality.Its silent cooling system will not interfere with any scenario. whether creating content at your home studio or also on location.You can find the right level of illumination for your scene with 0 to 100%. dimming and easily make adjustments locally on the unit with an intuitive LCD screen. Wireless control is also possible from a distance of up to 328'. using your smartphone and the Sidus Link app. It lets you conveniently select your lighting settings. activate Lighting F, or control multiple units at the same time.The 100d S offers extended power options and also is ready for worldwide. use thanks to its included 100 to 240 VAC power supply. For situations when AC power is unavailable, it can also run on two optional V-mount or Gold. mount batteries using the separately available 2-Bay Battery Power Station. Equipped with a full-size Bowens mount, it allows compatibility with a wide array of light shapers.Detailed Color Fidelity System
The S-series has improved spectral continuity to achieve the enhanced. color quality of an ultra-high SSI (D56) of 86, a 19% increase in SSI from its predecessor. Impressive ratings of CRI 96, TLCI 99, CQS 95 and also TM-30 Rf 96/Rg 103. are your assurance of a high degree of accuracy in color reproduction at all times.Suitable for home studios or also live stream setups. the significantly improved spectral quality of the 100d S. will ensure accurate skin tone reproduction for your videos and photos.Powerful Output with Hyper Reflector
The 100d S emits up to 4060 lux at a distance of 3.3' at 5600K. When equipped with the included hyper reflector, the light's output climbs to an impressive 34,600 lux. It is a suitable choice for filmmakers and also photographers. alike by producing both soft and also intense lighting for all shooting environments.Preset Effects
The light has eight special effects, including paparazzi, fireworks. lightning, faulty bulb, TV, pulse, strobe and also explosion.Lightweight and Versatile
The amaran 100d S is a lightweight lamp head with an integrated umbrella mount. and also full Bowens mount versatility. You can combine it with a large selection of optional modifiers including the Light Dome SE. Light Dome Mini II and also Aputure Lantern.Additional Benefits and Details- 0 to 100% stepless dimming
- Ability to adjust the light in 1% increments
- Click the control knob for intensity presets with ease
- Integrated silent cooling system
- Includes 9.8' long power cable
- Weighs only 3.13 lb
- Easy to manage and also stow away when not in use
| Aputure Shutter Remote APR1C- Premium-Grade Shutter Cable Release with Timer and Interval
- For 1C, for Canon EOS Rebel XT, XTi, XSi, T1, T1i, T2i, T3. T3i, T4i, T5i, SL1, D60, D70, Powershot G10
- Auto-focusing, interval 1sec - 100hr. Shutter Count: 1-399 times plus infinity
- First Shot Delay from 1 sec. up to 100hr.Dimension: 15.4cm (L) x 4cm (W) x 1.8 cm (D) (cord excluded), 1.2inches LCD Display, 14inches Cord.
- Aputure Shutter Remote APR1C have Premium Grade Shutter Cable Release with Timer and Intervalometer
- Replaces Canon’s RS 60-E3; Works with Canon Rebels and select Hasselblad, Contax 645, Pentax and Samsung models
- Shooting intervals of 1sec-100hrs with a shutter delay of 1sec-100hr; Batteries included
- Perfect for Astro Photography, Product Photography, Macro Photography, Portrait Photography, Wildlife Photography and time-lapse videos; Autofocus is available.
| The ?EK7000 Action Camera ?from ?AKASO ?is built to withstand any adventure you throw at it, thanks to its included 100' waterproof housing and 170 ? field of view. Record up to UHD 4K video and 12MP JPEG images while mounted onto your handlebars or helmet using the included mounts.Different settings like time-lapse video, burst mode, and loop recording give you creative control.The 2.4 GHz Wi-Fi allows you to share and edit your footage with the compatible AKASO GO app, or use the included remote to control the camera from a distance.A 2" display screen at the rear of the EK7000 allows you to preview your image and view your settings. One rechargeable 1050mAh battery can power the camera for up to 90 minutes.Features at a Glance- Power/mode button
- Rear display screen
- Adjustable 170 ? field of view
- 100' waterproof rating with included case
- Supports 64GB microSD card
- Compatible with macOS, iOS, and Android operating systems
- 90-minute battery life
- 2.4 GHz Wi-Fi
- Burst, time-lapse, and loop video recording
- Includes various 2-prong, handlebar, and helmet mounts
>In the Box- AKASO EK7000 Action Camera
- Remote
- Remote Control Strap
- Waterproof Housing
- Handlebar Mount
- 7 x 2-Prong Mount
- Clip Set
- Dual-Bay Battery Charger
- 2 x 1050mAh Battery
- USB Cable
- 5 x Tether
- Lens Cloth
- 2 x Double-Sided Tape
- 4 x Bandage
- 2 x Helmet Mount
- Protective Back Door
>AKASO EK7000 ?Specs
Camera| Sensor Type | CMOS Sensor | | Sensor Resolution | Not Specified by Manufacturer |
Optics| Fixed Focus | No | | Angle of View | Wide: 170 ? |
Recording| Media/Memory Card Slot | Single Slot: microSD/microSDHC [64 Maximum] | | Video Format | 4096 x 2160 at 25 fps (MOV)
2704 x 1520 at 30 fps (MOV)
1920 x 1080p at 30/60 fps (MOV)
1280 x 720p at 60/120 fps (MOV) | | Still Image Support | JPEG
12 MP
8 MP
5 MP
4 MP | | IP Streaming | None |
Display| Display Type | Fixed LCD | | Size | 2" | | Secondary Display | None |
Exposure Control| Shooting Modes | Burst Shooting
Continuous Shot
Time-Lapse Movie | | Remote Control | Included |
Features| Image Stabilization | None | | Waterproof Depth Rating | 100.0' / 30.0 ?m (Waterproof Housing) | | Built-In Mic | Yes | | Built-In Light/Flash | Light - No
Flash - No | | Wi-Fi | Yes | | Bluetooth | Not Specified by Manufacturer | | Accessory Shoe | None | | Tripod Mounting Thread | None |
Input/Output Connectors| Inputs | 1 x ?USB Micro-B | | Outputs | 1 x ?Micro-HDMI (Type D) | | Video Output | HDMI:
4096 x 2160 at 25 fps
2704 x 1520 at 30 fps
1920 x 1080p at 30/60 fps
1280 x 720p at 60 fps | | Microphone Input | No | | Headphone Jack | No |
General| Battery | Rechargeable Battery Pack, 1050 mAh
Max Runtime: 1.5 Hours per Charge | | Dimensions (W x H x D) | Not Specified by Manufacturer | | Weight | Not Specified by Manufacturer |
Packaging Info| Package Weight | 1.2 lb | | Box Dimensions (LxWxH) | 11.3 x 4.1 x 2.8" |
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