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Blackmagic Design ATEM Mini Pro HDMI Live Stream Switcher

SKU: AWP000896

2,499.00 د.إ 1,189.00 د.إ
Excl. VAT

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Key Features

  • 4-Channel Live Stream HDMI Switcher
  • Control up to Four BMPCC 6K/4K Cameras
  • Live Tally, Stream and Record Status
  • Record Button, Channel Preview Multiview

Similar to its predecessor, the ATEM Mini, the ?ATEM Mini Pro ?from ?Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras.

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Description

ATEM Mini Pro ?from ?Blackmagic Design ?is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic Multidock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources.

The ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10/100/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.

The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.

The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic Multidock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.

The ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.

>New Features

  • Same rear panel as ATEM Mini with added buttons and software features
  • Stream video up to 1080p HD
  • Quick stream, on-air and record buttons
  • Hardware encoder so there’s no need for additional streaming software
  • Control and configure timecode, stream status
  • Full support and control features for BMPCC 6K and 4K cameras
  • Simultaneous USB recording
  • Integration with Multidock for live hard drive switching
  • Customize advanced settings with XML files
  • Software multiview with program previews, graphics, record status, on air status, audio meters
  • Program preview input and output buttons
  • Tally light control for BMPCC 6K/4K cameras
  • Automatic timecode sync for all cameras

>Transitions

Available transitions include:

  • Cut: when you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.
  • Mix: the mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
  • Dip: just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
  • Wipe: built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.
  • DVE: with the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.

>Upstream Keyer

Layer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.

  • Luma key: luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
  • Linear key: get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
  • Chroma key: used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
  • Pattern key: combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.

>Downstream Keyers

The ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.

>Audio Mixer

The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable On/Off/Audio-Follow-Video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.

>Monitor Output

The HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.

>Media Player

Eliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.

Barcode: 9338716006797

Quick Comparison

SettingsBlackmagic Design ATEM Mini Pro HDMI Live Stream Switcher removeAputure amaran PT4c RGB LED Pixel Tube Light (4', 2-Light Production Kit) removeAputure amaran PT2c RGB LED Pixel Tube Light (2') removeAKASO V50 X Action Camera (New Version) removeAputure Amaran COB 100d S Daylight LED Monolight removeAputure amaran 300c RGB LED Monolight remove
NameBlackmagic Design ATEM Mini Pro HDMI Live Stream Switcher removeAputure amaran PT4c RGB LED Pixel Tube Light (4', 2-Light Production Kit) removeAputure amaran PT2c RGB LED Pixel Tube Light (2') removeAKASO V50 X Action Camera (New Version) removeAputure Amaran COB 100d S Daylight LED Monolight removeAputure amaran 300c RGB LED Monolight remove
ImageAputure Amaran PT2c RGB LED Pixel Tube LightAKASO V50 X Action CameraAputure amaran COB 100d S Daylight LED MonolightAputure amaran 300c RGB LED Monolight
SKUAWP000896AWP011733AWP011736AWP011205AWP011846AWP011790
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DescriptionKey Features
  • 4-Channel Live Stream HDMI Switcher
  • Control up to Four BMPCC 6K/4K Cameras
  • Live Tally, Stream and Record Status
  • Record Button, Channel Preview Multiview
Similar to its predecessor, the ATEM Mini, the ?ATEM Mini Pro ?from ?Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras.
Key Features
  • For Photo, Video & Film Production
  • Total Output: 664 Lux at 3.3' (5600K)
  • 2700 to 10000K; CCT RGB Control
  • Onboard, DMX & Bluetooth Control
  • CRI 95 | TLCI 98 | CQS 96 | SSI 75
  • 0 to 100% Dimming, 16 Lighting Effects
  • Fully Green/Magenta Tunable
  • Includes Kit Case, 2 Floor Stands
Key Features
  • For Photo, Video, and Film Production
  • Output: 195 Lux at 3.3' (5600K, 180 ?)
  • 2700 to 10000K; CCT RGB Control
  • Onboard, DMX, and Bluetooth Control
  • CRI 95 | TLCI 98 | CQS 96 | SSI 75
  • 0 to 100% Dimming, 16 Lighting Effects
  • 2' Length; Li-Ion Battery Operation
  • Passive Cooling for Silent Operation
  • Fully Green-Magenta Tunable
  • Includes Carry Case, Mounting Hardware
Key Features
  • Capture up to UHD 4K Video at 30 fps
  • Up to 20MP JPEG Photos
  • Adjustable 170 ? Field of View
  • Electronic Image Stabilization
  • Time-Lapse, Slow motion, Dive Modes
  • Touchscreen Display
  • 90-Minute Battery Life
  • 2.4 GH Wi-Fi, App Compatible
Key Features
  • For Video Production & Vlogging
  • Output: 34,600 Lux @ 3.3' with Reflector
  • 5600K CCT
  • AC Power or Optional Battery Station
  • Onboard & App Control
  • CRI 96 | TLCI 99 | SSI 86
  • Active Cooling
  • Bowens S Accessory Mount
  • 8 Preset Special Effects
  • Includes Reflector, Power Supply & Cable
Key Features
  • For Content Creators & Vloggers
  • Output: 26,580 Lux at 3.3' (Reflector)
  • 2500-7500K CCT; Full RGB Color Control
  • AC Power or Optional Battery Station
  • Onboard & App Control
  • CRI 95 | TLCI 95 | TM-30 Rf 92, Rg 101
  • Active Cooling
  • Bowens S Accessory Mount
  • 9 Preset Special Effects
  • Includes Reflector, Power Supply & Bag
ContentATEM Mini Pro ?from ?Blackmagic Design ?is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic Multidock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources.The ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10/100/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic Multidock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.The ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.>New Features
  • Same rear panel as ATEM Mini with added buttons and software features
  • Stream video up to 1080p HD
  • Quick stream, on-air and record buttons
  • Hardware encoder so there's no need for additional streaming software
  • Control and configure timecode, stream status
  • Full support and control features for BMPCC 6K and 4K cameras
  • Simultaneous USB recording
  • Integration with Multidock for live hard drive switching
  • Customize advanced settings with XML files
  • Software multiview with program previews, graphics, record status, on air status, audio meters
  • Program preview input and output buttons
  • Tally light control for BMPCC 6K/4K cameras
  • Automatic timecode sync for all cameras
>TransitionsAvailable transitions include:
  • Cut: when you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.
  • Mix: the mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
  • Dip: just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
  • Wipe: built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.
  • DVE: with the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.
>Upstream KeyerLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.
  • Luma key: luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
  • Linear key: get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
  • Chroma key: used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
  • Pattern key: combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.
>Downstream KeyersThe ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.>Audio MixerThe built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable On/Off/Audio-Follow-Video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.>Monitor OutputThe HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.>Media PlayerEliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.
This ? Aputure Amaran PT4c RGB LED Pixel Tube Light ? combines a pair of versatile 4' LED pixel tubes, then adds a pair of USB-C to DMX adapters for expanded wireless control. Each light comes with a floor stand, and there's a kit case for easy transport and storage.

Built-In Lighting Effects

Nine system effects: Fireworks, fire, paparazzi, faulty bulb, TV, pulsing, cop car, lightning, and party lightsSeven pixel effects: Color fade, color cycle, 1-pixel chase, 2-pixel chase, 3-pixel chase, rainbow, and pixel fire

DMX Functionality

Aputure Amaran PT4c RGB LED Pixel Tube Light DMX control is available via the included USB-C to DMX adapters. DMX function adds 14 built-in DMX profiles and DMX loss behaviors.

Create Multiple Shapes

The shape combinations that can be created using the Aputure Amaran PT4c RGB LED Pixel Tube Light are endless, with the ability to use separately available splicing connectors to arrange the tubes in multiple 3D shapes. The PT4c can be combined with other PT-Series LED tubes.

Aputure Amaran PT2c RGB LED Pixel Tube Light

The ? Aputure Amaran PT2c RGB LED Pixel Tube Light ?from ?amaran ?is a 2' long RGBWW LED pixel tube made for image makers who want more unique lighting options and effects in product cinematography. The high-efficiency chipset produces stellar color quality and accurate skin tones throughout its CCT range of 2700 to 10,000K with full green-magenta control, achieving high CRI, TLCI, and SSI values across the board.The design features eight built-in pixels that can be independently adjusted and assigned an HIS value via the integrate controls or remotely using the Sidus Link app for Bluetooth devices. The PT2c can also be controlled by DMX using the separately available USB-C to DMX Adapter.Inside its sleek T12 form factor, this lightweight LED tube is power by an internal, rechargeable lithium-ion battery, which utilizes a ubiquitous USB-C port for easy charging. Each endcap houses a 3/8-16" thread mount and also has a 5-sided design to position it on flat surfaces without it rolling out of place.

Built-In Lighting Effects

9 System FX: Fireworks, fire, paparazzi, faulty bulb, TV, pulsing, cop car, lightning, party lights7 Pixel FX: Color fade, color cycle, 1-pixel chase, 2-pixel chase, 3-pixel chase, rainbow, pixel fire

DMX Functionality

DMX control is available via a separately available USB-C to DMX adapter. DMX function adds 12 built-in DMX profiles and also DMX loss behaviors.

Create Multiple Shapes

The shape combinations that can be create using the PT2c are endless, with the ability to use separately available splicing connectors to arrange the tubes in multiple 3D shapes. The PT2c can be combine with other PT-Series LED tubes.
The new version of the ?V50 X Action Camera ?from ?AKASO ?captures UHD 4K video at 30 fps and also 20MP JPEG images in many action-packed applications? from diving under the sea to mountain biking? thanks to its included mounts and also accessories.An adjustable 170 ? field of view and various modes from time-lapse to slow motion give you creative control over your subject. Electronic image stabilization and also distortion calibration ensure your footage remains smooth and also high quality.A touchscreen display on the rear of the camera allows you to toggle between modes and also preview your footage. Wi-Fi 2.4 GHz capability connects to the included remote to control your camera from a distance and also edit your content with the AKASO GO smartphone app.The camera can be powered by one of the included 1350mAh batteries for up to 90 minutes.

New Version

  • Improved Sony IMX 386 camera sensor
  • Reduced power consumption
  • Just H.264 video encoding
  • Clearer UI indication

Features at a Glance

  • 131' waterproof housing, diving mode
  • Time-lapse, slow-motion video
  • Distortion calibration corrects image distortion
  • Electronic image stabilization
  • Micro-HDMI and micro-USB ports
  • Compatible with external microphone
  • Adjustable 170 ? field of view
  • 2.4 GHz Wi-Fi
  • Also Supports 64GB microSD card
  • 90-minute battery life
  • Includes various 2-prong, handlebar and also helmet mounts
  • AKASO GO app for video editing and also adjustment of shooting modes
Amaran  expands its LED monolight line with the S-series Aputure amaran COB 100d S Daylight LED Monolight, adopting the all-in-one form of the previous COB 100d. With an upgraded LED chipset design. this 100W fixture works great as a key light for small subjects. It provides a solid 5600K color temperature with an ultra-high SSI score. across the board for extremely accurate and also improve color reproduction.This point-source light is a generous output of 34,600. lux at 3.3' when pair with the include hyper reflector. A variety of eight lighting effects are easily accessible to help you simulate different creative looks. This is the ideal choice for videographers, content creators. and also photographers looking for a lightweight and quiet light without sacrificing image quality.Its silent cooling system will not interfere with any scenario. whether creating content at your home studio or also on location.You can find the right level of illumination for your scene with 0 to 100%. dimming and easily make adjustments locally on the unit with an intuitive LCD screen. Wireless control is also possible from a distance of up to 328'. using your smartphone and the Sidus Link app. It lets you conveniently select your lighting settings. activate Lighting F, or control multiple units at the same time.The 100d S offers extended power options and also is ready for worldwide. use thanks to its included 100 to 240 VAC power supply. For situations when AC power is unavailable, it can also run on two optional V-mount or Gold. mount batteries using the separately available 2-Bay Battery Power Station. Equipped with a full-size Bowens mount, it allows compatibility with a wide array of light shapers.

Detailed Color Fidelity System

The S-series has improved spectral continuity to achieve the enhanced. color quality of an ultra-high SSI (D56) of 86, a 19% increase in SSI from its predecessor. Impressive ratings of CRI 96, TLCI 99, CQS 95 and also TM-30 Rf 96/Rg 103. are your assurance of a high degree of accuracy in color reproduction at all times.Suitable for home studios or also live stream setups. the significantly improved spectral quality of the 100d S. will ensure accurate skin tone reproduction for your videos and photos.

Powerful Output with Hyper Reflector

The 100d S emits up to 4060 lux at a distance of 3.3' at 5600K. When equipped with the included hyper reflector, the light's output climbs to an impressive 34,600 lux. It is a suitable choice for filmmakers and also photographers. alike by producing both soft and also intense lighting for all shooting environments.

Preset Effects

The light has eight special effects, including paparazzi, fireworks. lightning, faulty bulb, TV, pulse, strobe and also explosion.

Lightweight and Versatile

The amaran 100d S is a lightweight lamp head with an integrated umbrella mount. and also full Bowens mount versatility. You can combine it with a large selection of optional modifiers including the Light Dome SE. Light Dome Mini II and also Aputure Lantern.

Additional Benefits and Details

  • 0 to 100% stepless dimming
  • Ability to adjust the light in 1% increments
  • Click the control knob for intensity presets with ease
  • Integrated silent cooling system
  • Includes 9.8' long power cable
  • Weighs only 3.13 lb
  • Easy to manage and also stow away when not in use

PERFECT FOR HUE

The amaran 300c is amaran’s first-ever full-color 300W Bowens Mount point-source LED light for indie filmmakers and creators. With point-source color as its strength, the amaran 300c grants creatives with control that no other amaran fixture can – combining RGBWW full-color control, optical and soft light Bowens Mount versatility, integrated controls, and most importantly, high-quality light output.

FROM SET TO STUDIO

Whether you're an indie filmmaker, owner-operator, small production company, or even a photographer or content creator, the amaran 300c helps you achieve the perfect balance between full-color control and an extra power punch that can easily fill your set or studio with high quality light.

FULL COLOR CONTROL

Utilizing the same foundational RGBWW chipset found in other Aputure and amaran fixtures, the amaran 300c boasts stunning color quality throughout its expanded 2,500K to 7,500K bi-color CCT range. And with a CRI and TLCI of 95+, SSI (D56) of 71, and SSI (Tungsten) of 83, you can always ensure that you can light your subjects with confidence while reproducing accurate skin tones.

COLOR-BLENDING OPTICS

Designed to meet the demands of any set, the amaran 300c is compatible with the largest variety of Bowens Mount modifiers. Featuring a universal Bowens Mount and color-blending optics, the 300c can be magnified with optical lens modifiers like the Fresnel 2X and the all-new amaran Spotlight SE projection lens – bringing a new level of flexibility and enhanced output from a single fixture. It can also be used with soft light modifiers to diffuse the 300c’s high-intensity output, like the all-new amaran Light Dome Mini SE .

HIGH-QUALITY BUILD

The amaran 300c features additional upgrades to its construction to enhance the user experience, while still remaining compact and portable. In an effort to make swapping between accessories easier and more intuitive than ever, the amaran 300c features a redesigned ergonomic Bowens Mount release latch. It also features an all-metal Bowens Mount to handle the weight of heavier modifiers and all-metal baby-pin receiver and tilting bracket to withstand the rigors of fast-paced film sets.

INTEGRATED INTERFACE

With a monolight-style construction, the 300c features a full-color integrated control interface that elegantly blends into the lamp head and becomes an extension of you. Switch between fine-tuning your CCT and 360º of HSI with a simple click on the two control knobs without any extra hassle.

SIDUS LINK APP CONTROL

Whether activating one of its 9 built-in lighting FX, adjusting the HSI or CCT, controlling multiple lights at once, or using advanced Magic Program or Quickshots features, the Sidus Link app is an evolutionary tool that enhances your creativity. With the dedicated Bluetooth Reset button on the rear of the light, you can unlock more features and wireless remote control with the Sidus Link app to suit your needs.

POWER FLEXIBILITY

Using the same 48V DC power input as the amaran 100 and 200 COB S lights, you can freely switch between the included AC power adapter and the Aputure 2-Bay Battery Power Station* for added flexibility on-the-go with Gold or V-Mount batteries. Whether using the amaran 300c for studio shoots or a more mobile setup, the 300c allows you to elevate your creations based on your needs.

 

ADVENTURE READY SOLUTION

Packaged in an eco-friendly EPP (expanded polypropylene) carrying case, the amaran 300c comes equipped with all the tools you need to travel to your next shoot with its lightweight carrying and storage solution.

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