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Blackmagic Design ATEM Constellation 8K

44,694.00 د.إ
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Key Features

  • 40 x 12G-SDI Inputs, 2 x 12G-SDI Outputs
  • 24 x 12G-SDI AUX Outputs
  • Standards Converter on Each Input
  • 4 x DVE, 16 x Keyers

The ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs.

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Description

The ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs. Each input has its own standards converter, which allows you to seamlessly switch between inputs no matter what format it is. The Constellation 8K incorporates four DVE, 16 Keyers, and four media players, allowing for flexibility in creating your program. Four multiview outputs enable viewing 4, 7, 10, 13, or 16 simultaneous views.

The relatively large LCD view screen on the front of the unit displays the input video with a label of the input number. You can control the Constellation 8K locally via the front panel buttons, or you can use the built-in Ethernet connector to control the system from a computer using the included control panel software. The built-in Fairlight audio mixer supports 80 channels of de-embedded audio from SDI, plus 64 channels via MADI in. Talkback functionality is available via the 5-pin XLR on the front of the unit, or the RJ12 connector on the back.

General

The ATEM Constellation 8K features the following built-in capabilities:

  • 16 upstream keyers in Ultra HD, 4 in 8K supporting chroma, linear, and luma keying
  • 4 downstream keyers in Ultra HD, 2 in 8K.
  • 16 advanced chroma keyers in Ultra HD, 4 in 8K
  • Talkback communication is supported
  • Mix-minus is supported
  • There are 4 transition keyers (Stinger/DVE)
  • Supports up to 28 layers in UHD and 7 layers in 8K
  • 21 pattern generators are available in Ultra HD, while only 9 are available in 8K
  • Support for 2 color generators
  • 4 DVE with 3D borders and drop shadow are supported in Ultra HD; one is supported in 8K
  • Control is via front push-button switching with illuminated buttons, software, or an optional hardware panel.
  • 64 routable windows in Ultra HD, and 16 in 8K
  • Tally support (red for program, green for preview)

ATEM Software Control Panel

The included ATEM Software Control Panel provides control over the switcher. Featuring a well-designed interface with a visual switcher and parameter palettes for making quick adjustments, the ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders.

Built-In Fairlight Audio Mixer

The ATEM Constellation features a built-in Fairlight audio mixer that makes it possible to do extremely complex live sound mixing. The internal mixer supports up to 156 channels. Eighty mixer channels are de-embedded from the SDI inputs, and each input channel features a high-quality 6-band parametric EQ and compressor, limiter, expander, and noise gate, as well as full panning. Extra channels for the analog input, talkback microphone, and media players are supported as well, and the audio mixing features can be controlled via the ATEM Software Control, a Mackie-compatible panel, or Fairlight Audio Console.

Advanced Keyers

The ATEM Constellation 8K features 16 ATEM Advanced Keyers for high-quality chroma or luminance keying. The chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Precise controls for edge and flare are supported, and there is even a foreground color corrector, so you can match the “look” of the foreground layer to the background layer for making seamless compositions. The keyer can also be used for pattern and DVE keying. Then when you switch to 8K, you still get four independent full-resolution 8K ATEM Advanced Keyers.

Built-In Transitions

Built into the ATEM Constellation 8K is a variety of broadcast-quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border color, border width, position, and direction. Transitions are in full 8K native. Also included are DVE transitions, suitable for graphic wipes and stingers when used with the internal media players.

Media Pool

The built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two media players. The media pool can hold up to 24 full-resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD, or 1600 frames in 1080 HD.

Quick Comparison

SettingsBlackmagic Design ATEM Constellation 8K removeBlackmagic Design Pocket Cinema Camera 6K/4K Battery Grip removeBlackmagic Design HyperDeck Studio HD Mini removeBlackmagic Design HyperDeck Studio 4K Pro removeBlackmagic Design UltraStudio Monitor 3G Playback Device removeBlackmagic Design ATEM Mini Pro ISO remove
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Description Key Features
  • 40 x 12G-SDI Inputs, 2 x 12G-SDI Outputs
  • 24 x 12G-SDI AUX Outputs
  • Standards Converter on Each Input
  • 4 x DVE, 16 x Keyers
The ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs.
Key Features
  • For BMPCC 6K or BMPCC 4K Camera
  • Attaches to Bottom of Camera
  • Runs on 2 L-Series Type Batteries
  • Powers Camera for up to 2 Hours
  • Charge Batteries in Grip via Camera
  • Carbon Fiber Design
  • Non-Slip Handgrips
  • Slide-Out Battery Tray
  • Storage Slot for Battery Door Cover
Key Features
  • Records up to 4K DCI at 30 fps
  • Plays Back up to 3840 x 2160 at 30 fps
  • 1 x 3G-SDI Input
  • 1 x HDMI and 1 x 3G-SDI Outputs
  • Records ProRes, DNxHD, and H.264
  • Records in H.264 SDI 4:2:2 10-Bit
  • Front-Panel Buttons, Jog Wheel, LCD
  • Timecode and Reference Input/Output
  • 1/3 Rack-Mountable Form Factor
  • USB Type-C, 1G Ethernet, RS-422
Key Features
  • 1 RU File-Based Video Recorder
  • Uncompressed & H.264/H.265 10-Bit 4:2:2
  • Records Compressed in ProRes / DNxHD
  • 1 x 12G-SDI Input, 2 x 12G-SDI Outputs
  • 2 x 2.5" SSD Slots & 2 x SD Card Slots
  • 1 x HDMI Input, 1 HDMI Output
  • 1 x SDI Loop Output, 1 x USB Type-C Out
  • Speaker, Remote, 10G Ethernet Port
  • Front-Panel Buttons, Jog Wheel, LCD
  • Timecode, Reference & RS-422 In/Out
Key Features
  • Ultra-Portable Playback Device
  • Outputs Footage from Computer to Monitor
  • Thunderbolt, SDI, HDMI / Embedded Audio
  • Supports Resolutions up to 1080i60
Key features
  • Features miniaturized control panel based design.
  • Built in support for recording each input as a separate ISO file.
  • Saves DaVinci Resolve project file for 1 click editing of live production.
  • Supports connecting up to 4 cameras or computers.
  • Live streaming via Ethernet supported on ATEM Mini Pro.
  • USB output operates as a webcam and supports all video software.
  • Automatically standards converts and re-syncs all HDMI inputs.
  • Includes free ATEM Software Control for Mac and Windows.
  • Internal media for 20 RGBA graphics for titles, opening plates and logos.
  • Includes ATEM Advanced Chroma Key for green/blue screen work.
  • Multiview allows monitoring of all cameras on ATEM Mini Pro.
  • Audio mixer supports limiter, compressor, 6 band EQ and more!
 
ContentThe ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs. Each input has its own standards converter, which allows you to seamlessly switch between inputs no matter what format it is. The Constellation 8K incorporates four DVE, 16 Keyers, and four media players, allowing for flexibility in creating your program. Four multiview outputs enable viewing 4, 7, 10, 13, or 16 simultaneous views.The relatively large LCD view screen on the front of the unit displays the input video with a label of the input number. You can control the Constellation 8K locally via the front panel buttons, or you can use the built-in Ethernet connector to control the system from a computer using the included control panel software. The built-in Fairlight audio mixer supports 80 channels of de-embedded audio from SDI, plus 64 channels via MADI in. Talkback functionality is available via the 5-pin XLR on the front of the unit, or the RJ12 connector on the back.GeneralThe ATEM Constellation 8K features the following built-in capabilities:
  • 16 upstream keyers in Ultra HD, 4 in 8K supporting chroma, linear, and luma keying
  • 4 downstream keyers in Ultra HD, 2 in 8K.
  • 16 advanced chroma keyers in Ultra HD, 4 in 8K
  • Talkback communication is supported
  • Mix-minus is supported
  • There are 4 transition keyers (Stinger/DVE)
  • Supports up to 28 layers in UHD and 7 layers in 8K
  • 21 pattern generators are available in Ultra HD, while only 9 are available in 8K
  • Support for 2 color generators
  • 4 DVE with 3D borders and drop shadow are supported in Ultra HD; one is supported in 8K
  • Control is via front push-button switching with illuminated buttons, software, or an optional hardware panel.
  • 64 routable windows in Ultra HD, and 16 in 8K
  • Tally support (red for program, green for preview)
ATEM Software Control PanelThe included ATEM Software Control Panel provides control over the switcher. Featuring a well-designed interface with a visual switcher and parameter palettes for making quick adjustments, the ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders.Built-In Fairlight Audio MixerThe ATEM Constellation features a built-in Fairlight audio mixer that makes it possible to do extremely complex live sound mixing. The internal mixer supports up to 156 channels. Eighty mixer channels are de-embedded from the SDI inputs, and each input channel features a high-quality 6-band parametric EQ and compressor, limiter, expander, and noise gate, as well as full panning. Extra channels for the analog input, talkback microphone, and media players are supported as well, and the audio mixing features can be controlled via the ATEM Software Control, a Mackie-compatible panel, or Fairlight Audio Console.Advanced KeyersThe ATEM Constellation 8K features 16 ATEM Advanced Keyers for high-quality chroma or luminance keying. The chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Precise controls for edge and flare are supported, and there is even a foreground color corrector, so you can match the "look" of the foreground layer to the background layer for making seamless compositions. The keyer can also be used for pattern and DVE keying. Then when you switch to 8K, you still get four independent full-resolution 8K ATEM Advanced Keyers.Built-In TransitionsBuilt into the ATEM Constellation 8K is a variety of broadcast-quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border color, border width, position, and direction. Transitions are in full 8K native. Also included are DVE transitions, suitable for graphic wipes and stingers when used with the internal media players.Media PoolThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two media players. The media pool can hold up to 24 full-resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD, or 1600 frames in 1080 HD.
Get up to double the standard camera runtime with the ?Pocket Cinema Camera 6K/4K Battery Grip ?from ?Blackmagic Design. Powered by two Sony L-series type batteries, the grip mounts on the bottom of the BMPCC 6K or 4K camera and features a sleek, carbon fiber design.The grip's two batteries enable you to run your BMPCC 6K/4K camera for up to two hours or to provide power to an external flash drive. When you're not shooting, the batteries can be charged in the grip using your camera's DC connection. The grip's design creates a larger, non-slip handgrip and it incorporates a storage slot for your camera's battery door cover.>CompatibilityBlackmagic Pocket Cinema Camera 6K Blackmagic Pocket Cinema Camera 4KFeatures
  • Runs on two Sony L-series type batteries
  • Powers camera for up to two hours
  • Powers external flash drives
  • Comfortable, non-slip handgrips
  • Compact, carbon fiber design
Take a compact broadcast-quality record/playback deck with you on location, in the studio, or built into a rack with the Blackmagic Design HyperDeck Studio HD Mini. The 1 RU tall recorder is ?1/2 of a rack wide and powers from 100 to 240 VAC, or via an optional 12 VDC power supply for portability. Featuring one 6G-SDI input, one HDMI 2.0 input, two 6G-SDI outputs, and one HDMI 2.0 output, this unit is a compact recording/playout powerhouse. A loop-through output and 3G-SDI monitor output, as well as reference and timecode in/out, allow this device to fit into a broadcast environment.Two SD card slots allow you to capture with virtually unlimited record time, and the unit also supports recording to USB disks via the USB Type-C output port. The HyperDeck Studio HD Mini features a front-panel button control and a jog/shuttle wheel for an analog scrubbing feel. RS-422 control is supported for external control, and you can also control the unit using either the USB port or over Ethernet at 1G speeds for faster deck control and file transfers via the RJ45 connector. An integrated LCD on the front panel allows you to monitor the video.UHD 4K Recording and PlaybackThe HyperDeck Studio HD Plus records UHD and DCI 4K video at up to 30 fps. The 6G-SDI outputs allow fill and key playback up to 1080p60.Video Inputs6G-SDI, and HDMI 2.0 inputs.Video OutputsTwo SDI outputs support 1080p60 and 2160p30, and a loop-through output sends the input signal downstream to monitors, switchers, or other devices.HDRThe HyperDeck Studio HD Plus supports HDR video and 33-point LUTS on the 3G-SDI output.Supported CodecsProRes: ?Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime.DNxHD: ?DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fpsH.264: ?H.264 SDI 4:2:2 10-bit, H.264 High 420 8-bit, H.264 Medium 4:2:0 8-bit, H.264 Low 4:2:0 8-bit for all progressive formats up to 1080p60VTR-Style ControlsFeatures VTR-style front-panel controls for record and playback; a built-in jog/shuttle wheel provides analog-style control over your playback. Broadcast-style deck control front-panel buttons connect to a dedicated RS-422 output.RemoteThe unit is controllable via RS-422 control and over the Ethernet or USB port.Built-In LCD MonitorThe unit's front panel also features a built-in LCD screen that allows you to monitor input or play back video.Audio OutputThe unit features a built-in speaker as well as a 1/4" headphone jack.Included SoftwareThe HyperDeck Studio HD Mini includes Blackmagic OS and Blackmagic HyperDeck Setup.The Blackmagic Design HyperDeck Studio 4K Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, 10G Ethernet, and a speaker on the front.The Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.The Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.Professional Broadcast DeckThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.Mastering RecorderAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.ISO RecordingAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.Digital SignageHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.Broadcast ArchiveHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.Bright Color LCD Status DisplayHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.Traditional Broadcast Deck ControlsHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.Supports SD Cards, UHS-II Cards or SSDsAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.Dual Media Slots for Non-Stop RecordingAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.Record to External USB Type-C Media DisksIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.Popular ProRes, DNx, H.264, and H.265 FilesHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.Advanced Broadcast ConnectionsDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.Choose 3G-SDI, 6G-SDI, or 12G-SDI ModelsWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.Fill and Key Outputs for Broadcast AnimationsThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.USB Webcam Output for Video SoftwareFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.Advanced HDR Support and Monitoring 3D LUTsYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.Includes Professional Multi-Channel SDI AudioHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.Incredibly Fast Network File TransfersAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.Traditional RS-422 Broadcast Deck ControlThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.Built-In Timecode and Sync GeneratorsWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.Blackmagic OSThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.Localized for 13 Popular LanguagesHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.Use All Video Software and Streaming SitesHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.Built-In Redundancy Keeps You on AirSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.Designed for Both Portable or Rack Mount UseWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.Compatible with Switchers, Disk Docks, and CamerasThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.

The perfect solution for edit monitoring on large screen TV's, projectors or broadcast monitors! UltraStudio Monitor for SDI and HDMI includes 3G-SDI and HDMI in all formats up to ?1080p60.

Key Features
  • Ultra-Portable Playback Device
  • Outputs Footage from Computer to Monitor
  • Thunderbolt, SDI, HDMI / Embedded Audio
  • Supports Resolutions up to 1080i60
ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom. Simply connect ATEM Mini and customers can switch live between 4 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary.There are loads of video effects too. All ATEM Mini models have USB that works like a webcam so customers can use any streaming software while the ATEM Mini Pro model adds live streaming and recording to USB disks. There's also HDMI out for projectors. Microphone inputs allow high quality desktop and lapel mics for interviews and presentations.ATEM Mini s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. On the ATEM Mini Pro model customers also get buttons for record and streaming control as well as output selection buttons that let customers change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI "aux" output for program video.This model adds recording of up to 5 separate H.264 video streams in real time. That's a clean feed of all inputs and plus the live program. A DaVinci Resolve project file is also saved so customers can open their live production to adjust edits, change shots, remix audio and adds color correction.The ATEM Mini Pro ISO model lets customers edit their live event because it can record 5 video streams, including clean feeds of all inputs and the program recording, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing their show with new color grades, effects and graphics. Even the audio sources are all recorded so customers can professionally remix their audio.The ATEM Mini Pro ISO model can also save a DaVinci Resolve project file, so with a single click, customers can open their live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means customers can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets customers select new shots via a multiview so it's very easy to use. Customers can even relink to Blackmagic RAW camera files for adding professional color correction and finishing in Ultra HD.There's never been a switcher that s easier to use, as customers simply press any of the input buttons labelled 1 to 4 on the front panel to cut between video sources. Customers can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. Customers can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. The DVE is perfect for picture in picture effects and customers can instantly set up different picture positions.With 4 independent HDMI inputs, customers can connect up to 4 high quality video cameras. All video sources will re-sync to the switcher if they operate at different video standards so customers don't have to worry about connecting video devices as they all just work. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos.The ATEM Mini Pro model has a built in hardware streaming engine for live streaming via its ethernet connection. That means customers can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with much simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format users are using.The ATEM Mini Pro model also supports direct recording of their streaming data to USB flash disks. That means customers get very long recordings in the same H.264 video files with AAC audio that customers streamed, so customers can direct upload to any online video site, such as YouTube and Vimeo. ATEM Mini Pro supports multiple disks when used with a USB hub or Blackmagic MultiDock, so when a disk fills recording can continue to a second disk for non-stop recording. Record settings and disk selection are set up in ATEM Software Control and there's a record status view in the built in multiview.To ensure maximum compatibility, ATEM Mini features a USB connection that operates as a simple webcam source. That means customers can plug in and instantly get working with any video software. The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. ATEM Mini works with software and platforms such as Open Broadcaster, XSplit Broadcaster, YouTube Live, Facebook Live, Skype, Zoom, Twitch, Periscope, Livestream, Wirecast and more.Each of the 4 HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the video standard of the switcher. The HDMI output is a true "aux" output so customers can clean switch each HDMI input or program to this output. If users are using program/preview switching, the HDMI out can be selected to preview, or on the ATEM Mini Pro model, it can be selected to display a full multiview.The ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although customers can normally connect via USB, if customers connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers.The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in.For news or on-set presentation work, ATEM Mini is perfect as it has an upstream ATEM Advanced Chroma Key plus an additional downstream linear keyer. Customers can even use it for title overlays by creating graphics with a green or blue background and the keyer will knock out the green and make the background transparent.When doing larger live productions with multiple cameras, it s very useful to see all their video sources at the same time on a single monitor. The ATEM Mini Pro model includes a professional multiview that lets customers see all 4 video inputs, plus preview and program on a single HDMI television or monitor. Each camera view includes tally indicators so customers know when each source is on-air, and each view also has custom labels and audio meters. Customers can also see the media player so customers know what graphic is selected. Plus multiview even includes status for recording, streaming and the Fairlight audio mixer.With a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features a total of 12 channels so customers can mix audio from all sources. That s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning."This new model of ATEM Mini is a true innovation in workflow. For the first time, live production has been fully integrated into a post production editing workflow. Not only that, but with Blackmagic RAW integration, we can use the ISO files recorded in the switcher, or the files recorded in the camera." said Grant Petty, Blackmagic Design CEO. "That's a RAW film workflow, a post production workflow and a live production workflow all fully integrated for the first time! Imagine doing an Ultra HD fully color graded master all from a tiny low cost HD switcher. It's really exciting and it's going to generate a whole new workflow for the television industry!"ATEM Mini Pro ISO Features
  • Features miniaturized control panel based design.
  • Built in support for recording each input as a separate ISO file.
  • Saves DaVinci Resolve project file for 1 click editing of live production.
  • Supports connecting up to 4 cameras or computers.
  • Live streaming via Ethernet supported on ATEM Mini Pro.
  • USB output operates as a webcam and supports all video software.
  • Automatically standards converts and re-syncs all HDMI inputs.
  • Includes free ATEM Software Control for Mac and Windows.
  • Internal media for 20 RGBA graphics for titles, opening plates and logos.
  • Includes ATEM Advanced Chroma Key for green/blue screen work.
  • Multiview allows monitoring of all cameras on ATEM Mini Pro.
  • Audio mixer supports limiter, compressor, 6 band EQ and more!
 
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