Assured Gift with each Purchase

Genuine Products | Fast Support | Fast Delivery

AWPRO-LOGO

Blackmagic Design ATEM 4 M/E Broadcast Studio 4K

25,995.00 د.إ
Excl. VAT

Out of stock
Sold: 0
Available: 0

Key Features

  • Supports HD/UltraHD 4K @ 10-bit
  • 20 x 12G-SDI Inputs
  • Tri-Sync/Blackburst Ref. Sync Input
  • Built-In Frame Synchronizers

The ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution).

Out of stock
Add to Wishlist
Add to Wishlist
Add to Wishlist
Add to Wishlist
Enjoy free shipping on orders above AED 300
  • Genuine Products
  • Manufacturer's Warranty
  • Exclusive Offers
  • Delivery within 1-3 Days
  • Secured Payment

Description

The ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution). All inputs are frame synchronized, so non-genlocked sources can be used. Audio is supported via all SDI inputs plus 2 sets of dedicated analog stereo inputs via XLR and RCA. For in-the-box mixing, connect a computer running ATEM software control, and have immediate control of all audio channel inputs. Connections for timecode, reference, and control are also available. SDI outputs are available for program and preview, and they can operate at either HD or UHD resolutions, just like the inputs. Two preview outputs allow you to spread your multi-view over two displays.

Like its namesake, the ATEM 4 M/E Broadcast Studio 4K features four mix-effects buses for creating advanced effects to boost production value. Within each mix-effects bus, there are 4 built-in upstream keyers, for a total of 16 keyers, enabling your production to take advantage of many video and graphics layers simultaneously. Two downstream keyers for bugs, logos, and global lower-thirds are also available. The built-in DVE processing lets you adjust video streams with control over size and rotation, plus, 3D borders, drop shadows, and lighting effects are also available.

Other connectivity includes Ethernet for adding control surfaces, or for remote control over a network. USB connectivity allows for the ATEM switcher’s firmware to be updated in the future, and for internal settings. The entire chassis of the ATEM 4 M/E Broadcast Studio 4K fits inside a standard 19″ equipment rack, only requiring 2 RU of space. Internal redundant power supplies require separately available standard IEC cables for power.

Creative Transitions

ATEM live production switchers have a choice of transitions including Cut, Mix, Dip and Wipe patterns. Key frame based DVE moves, flying graphics and animated stingers are also integrated. Every transition is instantly available and you get full control of the transition type, pattern, length and more.

Upstream Keyers

ATEM live production switchers include powerful upstream keying for broadcast effects. Layer live video, titles, graphics and animation over live video or graphic backgrounds with incredible quality using chroma, luma, linear and pattern keying. The ATEM 4 M/E Broadcast Studio 4K features 16 total upstream keyers for advanced layering.

Downstream Keyers

ATEM switchers feature two downstream keyers so you can insert high quality graphics like logos, bugs and titles over the live ‘on air’ program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program. You can also easily bypass the downstream keyers by using the clean feed aux outputs. This means you can record the clean feed as your master and use the downstream keyers for overlays that you only want on air.

DVE

Digital video effects, or DVE, lets you control size, position, rotation of an incoming video stream and features 3D borders, drop shadows and lighting. You can save customized DVE positions and automatically trigger the picture to animate full screen or zoom.

Audio Mixer

Open the audio mixer control tab on your Mac or Windows device and you get complete multi track mixing control with level meters You can precisely direct camera and external audio with level and balance adjustments, enable and disable channels or activate audio follow video mode instantly. You can also connect to Mackie standard USB audio mixer panels, giving you hardware feedback and the feel of flying faders and meter displays.

SuperSource

In addition to the mix-effects buses, keyers, and video effects, SuperSource layering provides an additional 4 independent DVE channels so you can resize and position live cameras, video replays, broadcast graphics and more. SuperSource is like having an additional multi-layer VFX switcher built in. For example, you would be able to take four video feeds and incorporate them picture-in-picture for live interviews during your broadcast.

Multiview Flexibility

Multi view makes it easy to see your cameras, graphics, preview and program outputs on single screen. That means you don’t need lots of monitors to see all your individual cameras. Use the two multiview outputs to spread up to 16 inputs across two screens.

Switchable TV Standards

With the ATEM 4 M/E Broadcast Studio 4K you have the flexibility to work in different standards at any time. If your other equipment only supports HD, the ATEM 4 M/E Broadcast Studio 4K has the processing capabilities for switching to 4K when you’re ready.

Internal Media Players

You can store broadcast quality RGBA graphics in the media pool ready for instant playback via the ATEM media players. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG and TIFF are supported.

Photoshop CC Plugin

With the included Photoshop CC plug-in, you can create graphics live and then instantly download them into the ATEM media pool. Designers can create professional broadcast graphics such as logos, lower thirds, scorecards and other real-time graphics that can be downloaded directly to instantly change live graphics as they come in.

>In the Box

  • Blackmagic Design ATEM 4 M/E Broadcast Studio 4K
  • Limited 1-Year Warranty

>Not in the Box

  • Essential ?Required Power Cable ?(Not Included)

Quick Comparison

SettingsBlackmagic Design ATEM 4 M/E Broadcast Studio 4K removeBlackmagic Design ATEM 4 M/E Advanced Panel removeBlackmagic Design Video Assist 3G 5" Recorder/Monitor removeBlackmagic Design UltraStudio Monitor 3G Playback Device removeBlackmagic Design Pocket Cinema Camera 6K/4K Battery Grip removeBlackmagic Design HyperDeck Studio 4K Pro remove
NameBlackmagic Design ATEM 4 M/E Broadcast Studio 4K removeBlackmagic Design ATEM 4 M/E Advanced Panel removeBlackmagic Design Video Assist 3G 5" Recorder/Monitor removeBlackmagic Design UltraStudio Monitor 3G Playback Device removeBlackmagic Design Pocket Cinema Camera 6K/4K Battery Grip removeBlackmagic Design HyperDeck Studio 4K Pro remove
Image
SKUAWP011889AWP010220AWP000598AWP010450
Rating
Price25,995.00 د.إ
Excl. VAT
74,170.00 د.إ
Excl. VAT
1,920.00 د.إ
Excl. VAT
482.00 د.إ
Excl. VAT
1,059.00 د.إ
Excl. VAT
6,049.00 د.إ
Excl. VAT
Stock
Out of stock
Out of stock
Out of stock
Out of stock
Out of stock
In Stock
AvailabilityOut of stockOut of stockOut of stockOut of stockOut of stockIn Stock
Add to cart

Read more

Read more

Read more

Read more

Read more

Add to basket

Description Key Features
  • Supports HD/UltraHD 4K @ 10-bit
  • 20 x 12G-SDI Inputs
  • Tri-Sync/Blackburst Ref. Sync Input
  • Built-In Frame Synchronizers
The ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution).
Key Features
  • Panel for ATEM Constellation Switcher
  • High-Quality Buttons / Knobs / Controls
  • 4 M/E Rows, 40 Input Buttons Each Row
  • 24 Independent, 4 System Control LCDs
The ?ATEM 4 M/E Advanced Panel ?is a highly sophisticated advancement of previous panel models as a companion to separately available professional ATEM switchers such as the separately available ATEM Constellation Switcher from ?Blackmagic Design.
Key Features
  • 1920 x 1080 5" Touchscreen LCD
  • HDMI and 3G-SDI Video Inputs
  • Records up to 1080p60 Video
  • Stores to 1 x SDHC/SDXC Memory Card
Key Features
  • Ultra-Portable Playback Device
  • Outputs Footage from Computer to Monitor
  • Thunderbolt, SDI, HDMI / Embedded Audio
  • Supports Resolutions up to 1080i60
Key Features
  • For BMPCC 6K or BMPCC 4K Camera
  • Attaches to Bottom of Camera
  • Runs on 2 L-Series Type Batteries
  • Powers Camera for up to 2 Hours
  • Charge Batteries in Grip via Camera
  • Carbon Fiber Design
  • Non-Slip Handgrips
  • Slide-Out Battery Tray
  • Storage Slot for Battery Door Cover
Key Features
  • 1 RU File-Based Video Recorder
  • Uncompressed & H.264/H.265 10-Bit 4:2:2
  • Records Compressed in ProRes / DNxHD
  • 1 x 12G-SDI Input, 2 x 12G-SDI Outputs
  • 2 x 2.5" SSD Slots & 2 x SD Card Slots
  • 1 x HDMI Input, 1 HDMI Output
  • 1 x SDI Loop Output, 1 x USB Type-C Out
  • Speaker, Remote, 10G Ethernet Port
  • Front-Panel Buttons, Jog Wheel, LCD
  • Timecode, Reference & RS-422 In/Out
ContentThe ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution). All inputs are frame synchronized, so non-genlocked sources can be used. Audio is supported via all SDI inputs plus 2 sets of dedicated analog stereo inputs via XLR and RCA. For in-the-box mixing, connect a computer running ATEM software control, and have immediate control of all audio channel inputs. Connections for timecode, reference, and control are also available. SDI outputs are available for program and preview, and they can operate at either HD or UHD resolutions, just like the inputs. Two preview outputs allow you to spread your multi-view over two displays.Like its namesake, the ATEM 4 M/E Broadcast Studio 4K features four mix-effects buses for creating advanced effects to boost production value. Within each mix-effects bus, there are 4 built-in upstream keyers, for a total of 16 keyers, enabling your production to take advantage of many video and graphics layers simultaneously. Two downstream keyers for bugs, logos, and global lower-thirds are also available. The built-in DVE processing lets you adjust video streams with control over size and rotation, plus, 3D borders, drop shadows, and lighting effects are also available.Other connectivity includes Ethernet for adding control surfaces, or for remote control over a network. USB connectivity allows for the ATEM switcher's firmware to be updated in the future, and for internal settings. The entire chassis of the ATEM 4 M/E Broadcast Studio 4K fits inside a standard 19" equipment rack, only requiring 2 RU of space. Internal redundant power supplies require separately available standard IEC cables for power.Creative TransitionsATEM live production switchers have a choice of transitions including Cut, Mix, Dip and Wipe patterns. Key frame based DVE moves, flying graphics and animated stingers are also integrated. Every transition is instantly available and you get full control of the transition type, pattern, length and more.Upstream KeyersATEM live production switchers include powerful upstream keying for broadcast effects. Layer live video, titles, graphics and animation over live video or graphic backgrounds with incredible quality using chroma, luma, linear and pattern keying. The ATEM 4 M/E Broadcast Studio 4K features 16 total upstream keyers for advanced layering.Downstream KeyersATEM switchers feature two downstream keyers so you can insert high quality graphics like logos, bugs and titles over the live 'on air' program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program. You can also easily bypass the downstream keyers by using the clean feed aux outputs. This means you can record the clean feed as your master and use the downstream keyers for overlays that you only want on air.DVEDigital video effects, or DVE, lets you control size, position, rotation of an incoming video stream and features 3D borders, drop shadows and lighting. You can save customized DVE positions and automatically trigger the picture to animate full screen or zoom.Audio MixerOpen the audio mixer control tab on your Mac or Windows device and you get complete multi track mixing control with level meters You can precisely direct camera and external audio with level and balance adjustments, enable and disable channels or activate audio follow video mode instantly. You can also connect to Mackie standard USB audio mixer panels, giving you hardware feedback and the feel of flying faders and meter displays.SuperSourceIn addition to the mix-effects buses, keyers, and video effects, SuperSource layering provides an additional 4 independent DVE channels so you can resize and position live cameras, video replays, broadcast graphics and more. SuperSource is like having an additional multi-layer VFX switcher built in. For example, you would be able to take four video feeds and incorporate them picture-in-picture for live interviews during your broadcast.Multiview FlexibilityMulti view makes it easy to see your cameras, graphics, preview and program outputs on single screen. That means you don't need lots of monitors to see all your individual cameras. Use the two multiview outputs to spread up to 16 inputs across two screens.Switchable TV StandardsWith the ATEM 4 M/E Broadcast Studio 4K you have the flexibility to work in different standards at any time. If your other equipment only supports HD, the ATEM 4 M/E Broadcast Studio 4K has the processing capabilities for switching to 4K when you're ready.Internal Media PlayersYou can store broadcast quality RGBA graphics in the media pool ready for instant playback via the ATEM media players. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG and TIFF are supported.Photoshop CC PluginWith the included Photoshop CC plug-in, you can create graphics live and then instantly download them into the ATEM media pool. Designers can create professional broadcast graphics such as logos, lower thirds, scorecards and other real-time graphics that can be downloaded directly to instantly change live graphics as they come in.>In the Box
  • Blackmagic Design ATEM 4 M/E Broadcast Studio 4K
  • Limited 1-Year Warranty
>Not in the Box
  • Essential ?Required Power Cable ?(Not Included)
The ?ATEM 4 M/E Advanced Panel ?is a highly sophisticated advancement of previous panel models as a companion to separately available professional ATEM switchers such as the separately available ATEM Constellation Switcher from ?Blackmagic Design. Using the numerous buttons, knobs, four fader bars, and a 3-axis joystick, you'll be able to customize your panel's operation to your precise needs.Complex live productions require a versatile, programmable control panel, and the ATEM 4 M/E Advanced Panel allows you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and it also sports 20 on-air indicators. The panel features four rows of M/E with 40 input buttons per row, four system control LCDs, 24 independent LCDs for custom labeling, 40 direct cross points, 80 shifted cross points, four preview transitions, and various DSK transition selectors such as Auto, Cut, and Tie/Preview.The ATEM 4 M/E Advanced Panel connects to the switcher via 10/100/1000 BaseT Ethernet, and there are four Ethernet loop outputs for connecting to another panel or to a media-management computer. The panel receives firmware updates via its USB Type-C input.>Key FeaturesTri-color LED cross point buttons, 40 direct cross points, and 80 shifted cross pointsFour M/E rows, 40 input buttons per rowFour system control LCDs for each row and 24 LCDs for customizing labels for each button on every rowFader bar, 3-axis joystick, numeric keypad20 on-air indicatorsFour transition previews with transition rate displayCompatible Operating SystemsmacOS 10.14 Mojave, 10.15 Catalina or later Windows 10, 64-bit Blackmagic ?Video Assist 5" ?3GThis model supports video formats up to 1080p60 and has? a ?large 5" ?LCD with focus peaking, zebra and false color. Connections include 3G? SDI and ?HDMI. This model includes a ?single SD ?Card recorder for ProRes recording. Other features include WFM, vector, histogram and RGB parade scopes ?plus 3D ?LUTs!

Portable 5 ?inch monitor, professional recorder and scopes for any SDI or HDMI camera in all formats up to ?1080p60!

Key Features
  • 1920 x 1080 5" Touchscreen LCD
  • HDMI and 3G-SDI Video Inputs
  • Records up to 1080p60 Video
  • Stores to 1 x SDHC/SDXC Memory Card

The perfect solution for edit monitoring on large screen TV's, projectors or broadcast monitors! UltraStudio Monitor for SDI and HDMI includes 3G-SDI and HDMI in all formats up to ?1080p60.

Key Features
  • Ultra-Portable Playback Device
  • Outputs Footage from Computer to Monitor
  • Thunderbolt, SDI, HDMI / Embedded Audio
  • Supports Resolutions up to 1080i60
Get up to double the standard camera runtime with the ?Pocket Cinema Camera 6K/4K Battery Grip ?from ?Blackmagic Design. Powered by two Sony L-series type batteries, the grip mounts on the bottom of the BMPCC 6K or 4K camera and features a sleek, carbon fiber design.The grip's two batteries enable you to run your BMPCC 6K/4K camera for up to two hours or to provide power to an external flash drive. When you're not shooting, the batteries can be charged in the grip using your camera's DC connection. The grip's design creates a larger, non-slip handgrip and it incorporates a storage slot for your camera's battery door cover.>CompatibilityBlackmagic Pocket Cinema Camera 6K Blackmagic Pocket Cinema Camera 4KFeatures
  • Runs on two Sony L-series type batteries
  • Powers camera for up to two hours
  • Powers external flash drives
  • Comfortable, non-slip handgrips
  • Compact, carbon fiber design
The Blackmagic Design HyperDeck Studio 4K Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, 10G Ethernet, and a speaker on the front.The Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.The Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.Professional Broadcast DeckThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.Mastering RecorderAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.ISO RecordingAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.Digital SignageHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.Broadcast ArchiveHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.Bright Color LCD Status DisplayHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.Traditional Broadcast Deck ControlsHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.Supports SD Cards, UHS-II Cards or SSDsAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.Dual Media Slots for Non-Stop RecordingAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.Record to External USB Type-C Media DisksIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.Popular ProRes, DNx, H.264, and H.265 FilesHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.Advanced Broadcast ConnectionsDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.Choose 3G-SDI, 6G-SDI, or 12G-SDI ModelsWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.Fill and Key Outputs for Broadcast AnimationsThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.USB Webcam Output for Video SoftwareFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.Advanced HDR Support and Monitoring 3D LUTsYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.Includes Professional Multi-Channel SDI AudioHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.Incredibly Fast Network File TransfersAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.Traditional RS-422 Broadcast Deck ControlThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.Built-In Timecode and Sync GeneratorsWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.Blackmagic OSThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.Localized for 13 Popular LanguagesHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.Use All Video Software and Streaming SitesHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.Built-In Redundancy Keeps You on AirSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.Designed for Both Portable or Rack Mount UseWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.Compatible with Switchers, Disk Docks, and CamerasThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.
WeightN/AN/AN/AN/AN/AN/A
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Shopping Cart
No products in the basket.
Select the fields to be shown. Others will be hidden. Drag and drop to rearrange the order.
  • Image
  • SKU
  • Rating
  • Price
  • Stock
  • Availability
  • Description
  • Weight
  • Dimensions
  • Additional information
  • Add to cart
Click outside to hide the comparison bar
Compare