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Blackmagic Design ATEM 4 M/E Broadcast Studio 4K

25,995.00 د.إ
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Key Features

  • Supports HD/UltraHD 4K @ 10-bit
  • 20 x 12G-SDI Inputs
  • Tri-Sync/Blackburst Ref. Sync Input
  • Built-In Frame Synchronizers

The ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution).

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Description

The ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution). All inputs are frame synchronized, so non-genlocked sources can be used. Audio is supported via all SDI inputs plus 2 sets of dedicated analog stereo inputs via XLR and RCA. For in-the-box mixing, connect a computer running ATEM software control, and have immediate control of all audio channel inputs. Connections for timecode, reference, and control are also available. SDI outputs are available for program and preview, and they can operate at either HD or UHD resolutions, just like the inputs. Two preview outputs allow you to spread your multi-view over two displays.

Like its namesake, the ATEM 4 M/E Broadcast Studio 4K features four mix-effects buses for creating advanced effects to boost production value. Within each mix-effects bus, there are 4 built-in upstream keyers, for a total of 16 keyers, enabling your production to take advantage of many video and graphics layers simultaneously. Two downstream keyers for bugs, logos, and global lower-thirds are also available. The built-in DVE processing lets you adjust video streams with control over size and rotation, plus, 3D borders, drop shadows, and lighting effects are also available.

Other connectivity includes Ethernet for adding control surfaces, or for remote control over a network. USB connectivity allows for the ATEM switcher’s firmware to be updated in the future, and for internal settings. The entire chassis of the ATEM 4 M/E Broadcast Studio 4K fits inside a standard 19″ equipment rack, only requiring 2 RU of space. Internal redundant power supplies require separately available standard IEC cables for power.

Creative Transitions

ATEM live production switchers have a choice of transitions including Cut, Mix, Dip and Wipe patterns. Key frame based DVE moves, flying graphics and animated stingers are also integrated. Every transition is instantly available and you get full control of the transition type, pattern, length and more.

Upstream Keyers

ATEM live production switchers include powerful upstream keying for broadcast effects. Layer live video, titles, graphics and animation over live video or graphic backgrounds with incredible quality using chroma, luma, linear and pattern keying. The ATEM 4 M/E Broadcast Studio 4K features 16 total upstream keyers for advanced layering.

Downstream Keyers

ATEM switchers feature two downstream keyers so you can insert high quality graphics like logos, bugs and titles over the live ‘on air’ program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program. You can also easily bypass the downstream keyers by using the clean feed aux outputs. This means you can record the clean feed as your master and use the downstream keyers for overlays that you only want on air.

DVE

Digital video effects, or DVE, lets you control size, position, rotation of an incoming video stream and features 3D borders, drop shadows and lighting. You can save customized DVE positions and automatically trigger the picture to animate full screen or zoom.

Audio Mixer

Open the audio mixer control tab on your Mac or Windows device and you get complete multi track mixing control with level meters You can precisely direct camera and external audio with level and balance adjustments, enable and disable channels or activate audio follow video mode instantly. You can also connect to Mackie standard USB audio mixer panels, giving you hardware feedback and the feel of flying faders and meter displays.

SuperSource

In addition to the mix-effects buses, keyers, and video effects, SuperSource layering provides an additional 4 independent DVE channels so you can resize and position live cameras, video replays, broadcast graphics and more. SuperSource is like having an additional multi-layer VFX switcher built in. For example, you would be able to take four video feeds and incorporate them picture-in-picture for live interviews during your broadcast.

Multiview Flexibility

Multi view makes it easy to see your cameras, graphics, preview and program outputs on single screen. That means you don’t need lots of monitors to see all your individual cameras. Use the two multiview outputs to spread up to 16 inputs across two screens.

Switchable TV Standards

With the ATEM 4 M/E Broadcast Studio 4K you have the flexibility to work in different standards at any time. If your other equipment only supports HD, the ATEM 4 M/E Broadcast Studio 4K has the processing capabilities for switching to 4K when you’re ready.

Internal Media Players

You can store broadcast quality RGBA graphics in the media pool ready for instant playback via the ATEM media players. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG and TIFF are supported.

Photoshop CC Plugin

With the included Photoshop CC plug-in, you can create graphics live and then instantly download them into the ATEM media pool. Designers can create professional broadcast graphics such as logos, lower thirds, scorecards and other real-time graphics that can be downloaded directly to instantly change live graphics as they come in.

>In the Box

  • Blackmagic Design ATEM 4 M/E Broadcast Studio 4K
  • Limited 1-Year Warranty

>Not in the Box

  • Essential ?Required Power Cable ?(Not Included)

Quick Comparison

SettingsBlackmagic Design ATEM 4 M/E Broadcast Studio 4K removeBlackmagic Design ATEM Mini Extreme ISO removeBlackmagic Design URSA Mini Pro 12K (PL) removeBlackmagic Design ATEM Constellation 8K removeBlackmagic Design HyperDeck Studio 4K Pro removeBlackmagic Design Pocket Cinema Camera 6K/4K Battery Grip remove
NameBlackmagic Design ATEM 4 M/E Broadcast Studio 4K removeBlackmagic Design ATEM Mini Extreme ISO removeBlackmagic Design URSA Mini Pro 12K (PL) removeBlackmagic Design ATEM Constellation 8K removeBlackmagic Design HyperDeck Studio 4K Pro removeBlackmagic Design Pocket Cinema Camera 6K/4K Battery Grip remove
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Description Key Features
  • Supports HD/UltraHD 4K @ 10-bit
  • 20 x 12G-SDI Inputs
  • Tri-Sync/Blackburst Ref. Sync Input
  • Built-In Frame Synchronizers
The ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution).
Key Features
  • 8-Channel HDMI Live Streaming Switcher
  • Supports up to 1080p60
  • RTMP Streaming via Ethernet or USB-C
  • Record Program Out and Individual Inputs
  • 11-Input, 2-Channel Audio Mixer
  • Input Frame Rate and Format Converter
  • Re-Sync on All HDMI Inputs
  • HD Multiview Output with up to 16 Views
  • Local and Software Switching
  • 4 x Upstream, 2 x Downstream Keyers
Key Features
  • 12K Super35 HDR CMOS Sensor
  • 12K 17:9 to 60 fps/12K 2.4:1 to 75 fps
  • DCI 8K to 120 fps/14 Stops Dynamic Range
  • User-Changeable PL Lens Mount
  • 4K Super16 up to 220 fps
  • 80MP/frame Blackmagic Raw
  • Dual CFast or SD Card Recording
  • USB Type-C Recording to Disk/SSD
Key Features
  • 40 x 12G-SDI Inputs, 2 x 12G-SDI Outputs
  • 24 x 12G-SDI AUX Outputs
  • Standards Converter on Each Input
  • 4 x DVE, 16 x Keyers
The ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs.
Key Features
  • 1 RU File-Based Video Recorder
  • Uncompressed & H.264/H.265 10-Bit 4:2:2
  • Records Compressed in ProRes / DNxHD
  • 1 x 12G-SDI Input, 2 x 12G-SDI Outputs
  • 2 x 2.5" SSD Slots & 2 x SD Card Slots
  • 1 x HDMI Input, 1 HDMI Output
  • 1 x SDI Loop Output, 1 x USB Type-C Out
  • Speaker, Remote, 10G Ethernet Port
  • Front-Panel Buttons, Jog Wheel, LCD
  • Timecode, Reference & RS-422 In/Out
Key Features
  • For BMPCC 6K or BMPCC 4K Camera
  • Attaches to Bottom of Camera
  • Runs on 2 L-Series Type Batteries
  • Powers Camera for up to 2 Hours
  • Charge Batteries in Grip via Camera
  • Carbon Fiber Design
  • Non-Slip Handgrips
  • Slide-Out Battery Tray
  • Storage Slot for Battery Door Cover
ContentThe ?Blackmagic Design ATEM 4 M/E Broadcast Studio 4K ?is a live switcher designed for HD and UHD 4K broadcast productions. Twenty 12G-SDI inputs support UHD 4K video up to 59.94 fps, and are backward compatible with 1080p, 1080i, or 720p sources as well (inputs do not feature scaling, so all sources must be of the same resolution). All inputs are frame synchronized, so non-genlocked sources can be used. Audio is supported via all SDI inputs plus 2 sets of dedicated analog stereo inputs via XLR and RCA. For in-the-box mixing, connect a computer running ATEM software control, and have immediate control of all audio channel inputs. Connections for timecode, reference, and control are also available. SDI outputs are available for program and preview, and they can operate at either HD or UHD resolutions, just like the inputs. Two preview outputs allow you to spread your multi-view over two displays.Like its namesake, the ATEM 4 M/E Broadcast Studio 4K features four mix-effects buses for creating advanced effects to boost production value. Within each mix-effects bus, there are 4 built-in upstream keyers, for a total of 16 keyers, enabling your production to take advantage of many video and graphics layers simultaneously. Two downstream keyers for bugs, logos, and global lower-thirds are also available. The built-in DVE processing lets you adjust video streams with control over size and rotation, plus, 3D borders, drop shadows, and lighting effects are also available.Other connectivity includes Ethernet for adding control surfaces, or for remote control over a network. USB connectivity allows for the ATEM switcher's firmware to be updated in the future, and for internal settings. The entire chassis of the ATEM 4 M/E Broadcast Studio 4K fits inside a standard 19" equipment rack, only requiring 2 RU of space. Internal redundant power supplies require separately available standard IEC cables for power.Creative TransitionsATEM live production switchers have a choice of transitions including Cut, Mix, Dip and Wipe patterns. Key frame based DVE moves, flying graphics and animated stingers are also integrated. Every transition is instantly available and you get full control of the transition type, pattern, length and more.Upstream KeyersATEM live production switchers include powerful upstream keying for broadcast effects. Layer live video, titles, graphics and animation over live video or graphic backgrounds with incredible quality using chroma, luma, linear and pattern keying. The ATEM 4 M/E Broadcast Studio 4K features 16 total upstream keyers for advanced layering.Downstream KeyersATEM switchers feature two downstream keyers so you can insert high quality graphics like logos, bugs and titles over the live 'on air' program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program. You can also easily bypass the downstream keyers by using the clean feed aux outputs. This means you can record the clean feed as your master and use the downstream keyers for overlays that you only want on air.DVEDigital video effects, or DVE, lets you control size, position, rotation of an incoming video stream and features 3D borders, drop shadows and lighting. You can save customized DVE positions and automatically trigger the picture to animate full screen or zoom.Audio MixerOpen the audio mixer control tab on your Mac or Windows device and you get complete multi track mixing control with level meters You can precisely direct camera and external audio with level and balance adjustments, enable and disable channels or activate audio follow video mode instantly. You can also connect to Mackie standard USB audio mixer panels, giving you hardware feedback and the feel of flying faders and meter displays.SuperSourceIn addition to the mix-effects buses, keyers, and video effects, SuperSource layering provides an additional 4 independent DVE channels so you can resize and position live cameras, video replays, broadcast graphics and more. SuperSource is like having an additional multi-layer VFX switcher built in. For example, you would be able to take four video feeds and incorporate them picture-in-picture for live interviews during your broadcast.Multiview FlexibilityMulti view makes it easy to see your cameras, graphics, preview and program outputs on single screen. That means you don't need lots of monitors to see all your individual cameras. Use the two multiview outputs to spread up to 16 inputs across two screens.Switchable TV StandardsWith the ATEM 4 M/E Broadcast Studio 4K you have the flexibility to work in different standards at any time. If your other equipment only supports HD, the ATEM 4 M/E Broadcast Studio 4K has the processing capabilities for switching to 4K when you're ready.Internal Media PlayersYou can store broadcast quality RGBA graphics in the media pool ready for instant playback via the ATEM media players. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG and TIFF are supported.Photoshop CC PluginWith the included Photoshop CC plug-in, you can create graphics live and then instantly download them into the ATEM media pool. Designers can create professional broadcast graphics such as logos, lower thirds, scorecards and other real-time graphics that can be downloaded directly to instantly change live graphics as they come in.>In the Box
  • Blackmagic Design ATEM 4 M/E Broadcast Studio 4K
  • Limited 1-Year Warranty
>Not in the Box
  • Essential ?Required Power Cable ?(Not Included)
The ?Blackmagic Design ATEM Mini Extreme ISO ?is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.Switch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO has HDMI outputs to feed monitors and supports up to 16-screen multiview.Stream LiveLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.Control InterfaceThe front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme ISO are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI "AUX" output for program video.OutputYou can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.4G and 5G Phone SupportIf you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.Multiview MonitoringYou can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.Camera ControlThe ATEM Mini Extreme ISO can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.Media PoolThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.CompatibilityIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M/E, ATEM 2 M/E, and ATEM 4 M/E Advanced Panels. The ATEM Mini Extreme ISO can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.RecordingThe ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. The Mini Extreme ISO also allows you to record the eight input video channels as MP4 files. This allows you to directly upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.DaVinci Resolve IntegrationThe Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.Video EffectsOne of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.AudioWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are all connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.Broadcast FeaturesHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.Step your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.The front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers. Canon EF and Nikon F mounts are available separately for shooters who have their own glass.The new Super35 sensor at the heart of the URSA Mini Pro 12K has been optimized for capturing multiple resolutions and features equal amounts of red, green, and blue pixels. Shoot at 12K for smooth oversampling or use the URSA Mini Pro 4K's in-sensor scaling to capture 8K or 4K Raw at rates up to 120 fps without cropping or a change in your field of view. The massive 12K sensor can also be used to select shots in 8K or 4K, essentially providing a multicamera look by reframing from a single camera output.The dual CFast or UHS-II SD card option splits the recording between two cards, enabling you to capture up to 12K or 8K raw even at higher frame rates. With Blackmagic Raw, the URSA Mini Pro 12K offers constant-quality compression rates, several constant bit-rate options for predictable file sizes. Blackmagic Raw provides outstanding resolution for compositing, keying, tracking, and more. Blackmagic Raw is also optimized to work with the URSA Mini Pro 12K's raw files, saving the need to also create proxies.Blackmagic's new Generation 5 Color Science offers a new film curve, enabling the URSA Mini Pro 12K to capture more natural skin tones and a better rendering of richly saturated colors in high-contrast scenes.Even with 12K providing almost 10 times the resolution of UHD 4K, this versatile pro cine camera offers a trio of recording options. Record to the integrated dual CFast or UHS-II SD card recorders, or use the SuperSpeed USB Type-C expansion port for recording to fast SATA and NVMe drives.An evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots. Additional camera features include 12G-SDI input and output, a 4" fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio. A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post. Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.>Features12,288 x 6480 12K Super35 sensor14 stops of dynamic range80MP per frame; new color science12K 2.4:1 imaging up to 75 fps, 8K and DCI 4K up to 120 fps8K and 4K anamorphic: up to 160 fps, Super16 4K to 240 fpsFlexible Blackmagic Raw recording options plus raw stills captureBroadcast lens connector supportDual CFast and UHS-II SD card recordersRaw compression levels up to 18:1SuperSpeed USB Type-C expansion port for external recordingMetadata support and timecode clockRich Film Look with Digital DefinitionThe URSA Mini Pro 12K's massive resolution gives you the immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look.Super35 12K Sensor Delivers a Cinematic ViewThe URSA Mini Pro 12K's new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.Interchangeable PL Lens MountDelivered with a PL mount, the URSA Mini Pro 12K's interchangeable lens mount enables you to quickly switch to a Canon-EF or Nikon-F mount, providing compatibility with a wide array of professional cinema and still lenses.Efficient 12-Bit Raw Workflow in 12K with Blackmagic RawA new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.Two Encoding MethodsChoose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.Generation 5 Color ScienceThe Gen 5 Color science's new film curve takes advantage of the huge amounts of color data produces by the URSA Mini Pro 12K's sensor. The result is more attractive skin tones and improved color saturation for images like neon signs and car taillights.Flexible, High-Bandwidth Recording OptionsDual built-in CFast and UHS-II SD card slots and a SuperSpeed USB Type-C expansion port provide three methods for capturing 12K video. A "Record Raw on 2 Cards" option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB/s to two CFast cards, or to 500 MB/s to two UHS-II SD cards. The third option is capturing to NVMe SSD drives via a USB Type-C 3.1 Gen 2 port at rates up to 10 Gb/s.The ?Blackmagic Design ATEM Constellation 8K ?is a powerful switcher in a 2 RU chassis that can easily handle 4K video and supports 8K. It features a built-in control panel on the front and 40 12G-SDI inputs, with two main and 24 AUX 12G-SDI outputs. Each input has its own standards converter, which allows you to seamlessly switch between inputs no matter what format it is. The Constellation 8K incorporates four DVE, 16 Keyers, and four media players, allowing for flexibility in creating your program. Four multiview outputs enable viewing 4, 7, 10, 13, or 16 simultaneous views.The relatively large LCD view screen on the front of the unit displays the input video with a label of the input number. You can control the Constellation 8K locally via the front panel buttons, or you can use the built-in Ethernet connector to control the system from a computer using the included control panel software. The built-in Fairlight audio mixer supports 80 channels of de-embedded audio from SDI, plus 64 channels via MADI in. Talkback functionality is available via the 5-pin XLR on the front of the unit, or the RJ12 connector on the back.GeneralThe ATEM Constellation 8K features the following built-in capabilities:
  • 16 upstream keyers in Ultra HD, 4 in 8K supporting chroma, linear, and luma keying
  • 4 downstream keyers in Ultra HD, 2 in 8K.
  • 16 advanced chroma keyers in Ultra HD, 4 in 8K
  • Talkback communication is supported
  • Mix-minus is supported
  • There are 4 transition keyers (Stinger/DVE)
  • Supports up to 28 layers in UHD and 7 layers in 8K
  • 21 pattern generators are available in Ultra HD, while only 9 are available in 8K
  • Support for 2 color generators
  • 4 DVE with 3D borders and drop shadow are supported in Ultra HD; one is supported in 8K
  • Control is via front push-button switching with illuminated buttons, software, or an optional hardware panel.
  • 64 routable windows in Ultra HD, and 16 in 8K
  • Tally support (red for program, green for preview)
ATEM Software Control PanelThe included ATEM Software Control Panel provides control over the switcher. Featuring a well-designed interface with a visual switcher and parameter palettes for making quick adjustments, the ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders.Built-In Fairlight Audio MixerThe ATEM Constellation features a built-in Fairlight audio mixer that makes it possible to do extremely complex live sound mixing. The internal mixer supports up to 156 channels. Eighty mixer channels are de-embedded from the SDI inputs, and each input channel features a high-quality 6-band parametric EQ and compressor, limiter, expander, and noise gate, as well as full panning. Extra channels for the analog input, talkback microphone, and media players are supported as well, and the audio mixing features can be controlled via the ATEM Software Control, a Mackie-compatible panel, or Fairlight Audio Console.Advanced KeyersThe ATEM Constellation 8K features 16 ATEM Advanced Keyers for high-quality chroma or luminance keying. The chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Precise controls for edge and flare are supported, and there is even a foreground color corrector, so you can match the "look" of the foreground layer to the background layer for making seamless compositions. The keyer can also be used for pattern and DVE keying. Then when you switch to 8K, you still get four independent full-resolution 8K ATEM Advanced Keyers.Built-In TransitionsBuilt into the ATEM Constellation 8K is a variety of broadcast-quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border color, border width, position, and direction. Transitions are in full 8K native. Also included are DVE transitions, suitable for graphic wipes and stingers when used with the internal media players.Media PoolThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two media players. The media pool can hold up to 24 full-resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD, or 1600 frames in 1080 HD.
The Blackmagic Design HyperDeck Studio 4K Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, 10G Ethernet, and a speaker on the front.The Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.The Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.Professional Broadcast DeckThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.Mastering RecorderAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.ISO RecordingAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.Digital SignageHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.Broadcast ArchiveHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.Bright Color LCD Status DisplayHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.Traditional Broadcast Deck ControlsHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.Supports SD Cards, UHS-II Cards or SSDsAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.Dual Media Slots for Non-Stop RecordingAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.Record to External USB Type-C Media DisksIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.Popular ProRes, DNx, H.264, and H.265 FilesHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.Advanced Broadcast ConnectionsDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.Choose 3G-SDI, 6G-SDI, or 12G-SDI ModelsWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.Fill and Key Outputs for Broadcast AnimationsThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.USB Webcam Output for Video SoftwareFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.Advanced HDR Support and Monitoring 3D LUTsYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.Includes Professional Multi-Channel SDI AudioHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.Incredibly Fast Network File TransfersAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.Traditional RS-422 Broadcast Deck ControlThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.Built-In Timecode and Sync GeneratorsWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.Blackmagic OSThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.Localized for 13 Popular LanguagesHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.Use All Video Software and Streaming SitesHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.Built-In Redundancy Keeps You on AirSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.Designed for Both Portable or Rack Mount UseWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.Compatible with Switchers, Disk Docks, and CamerasThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.Get up to double the standard camera runtime with the ?Pocket Cinema Camera 6K/4K Battery Grip ?from ?Blackmagic Design. Powered by two Sony L-series type batteries, the grip mounts on the bottom of the BMPCC 6K or 4K camera and features a sleek, carbon fiber design.The grip's two batteries enable you to run your BMPCC 6K/4K camera for up to two hours or to provide power to an external flash drive. When you're not shooting, the batteries can be charged in the grip using your camera's DC connection. The grip's design creates a larger, non-slip handgrip and it incorporates a storage slot for your camera's battery door cover.>CompatibilityBlackmagic Pocket Cinema Camera 6K Blackmagic Pocket Cinema Camera 4KFeatures
  • Runs on two Sony L-series type batteries
  • Powers camera for up to two hours
  • Powers external flash drives
  • Comfortable, non-slip handgrips
  • Compact, carbon fiber design
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